From Microscopes to Large-Scale Sculpture

  • Playlist
  • Download
  • Embed
    Embed <iframe src="" width="100%" height="290" frameborder="0" scrolling="no">
  • Transcript
Kendall Buster inside 'Garden Snare'

Kendall Buster inside "Garden Snare," at the Kreeger Museum, Washington, D.C. The sculpture evokes a living, dividing cell. Fusebox hide caption

itoggle caption Fusebox
Kendall Buster with one of her sculptures

Kendall Buster with one of her sculptures at the Sitelines and Suitors exhibit at the Kemper Museum in Kansas City, Mo. Fusebox, Washington, D.C. hide caption

itoggle caption Fusebox, Washington, D.C.
Still from 'Fantastic Voyage'

Scenes like this from the film Fantastic Voyage inspired Kendall Buster's art. © 1966 Twentieth Century Fox Film Corp. hide caption

itoggle caption © 1966 Twentieth Century Fox Film Corp.

For sculptor Kendall Buster, there is no distinction between art and science. Trained as a microbiologist, she explores the forms and landscapes seen in a microscope lens through her giant sculptures.

Buster gives NPR's Neda Ulaby a tour of some of her works and shows how artists and scientists ask similar fundamental questions about what we see and know. It's the latest report in Morning Edition's series on the intermingling of art and science.

Outside the Kreeger Museum in Washington, D.C., is a giant green bubble sculpture by Buster called "Garden Snare." It's so big, one can walk inside. The sculpture's "skin" is heavy greenhouse netting. Depending on the sunshine, it's darkly opaque — or as clear as green glass. Buster says in that way, it tends to evoke a living, dividing cell.

"My imagination sees this piece as breathing," the artist says. "My imagination sees this piece as something that could split again."

After studying microbiology in college, Buster worked as a lab technician in a hospital, peering through a microscope at the disks of red blood cells. And she imagined she was entering that small world.

"There's a point where you almost feel like you're in that space, particularly when you're doing a lot of work over a period of time. At least for me, you sort of lose consciousness of the apparatus... you're actually moving through a landscape."

Buster soon began to draw that landscape of cells, clots, tissues and stains. She found microbial objects that cause infections "quite beautiful" to look at under the microscope.

Buster wanted to give substance to that beauty. She went to art school, where her drawings bloomed into sculptures. Now Buster sees herself as both artist and scientist, and she isn't sure where one begins and the other ends.



Please keep your community civil. All comments must follow the Community rules and Terms of Use. NPR reserves the right to use the comments we receive, in whole or in part, and to use the commenter's name and location, in any medium. See also the Terms of Use, Privacy Policy and Community FAQ.