Jazz at Lincoln Center Artistic Director and trumpeter Wynton Marsalis.
Jim D'Addio, Rafael Vinoly Architects
The Allen Room, Jazz at Lincoln Center.
Jim D'Addio, Rafael Vinoly Architects
- 1. Lincoln Center Jazz Orchestra: "Call to Prayer," "Resolution" and "Lost in the Stars" (featuring Tony Bennet)
- 2. Bill Charlap Quintet (with Jeremy Pelt, trumpet, and Frank Wess, tenor saxophone): "Groovin' High"; "Shiny Stockings";
- 3. Afro-Latin Jazz Orchestra (featuring Wynton Marsalis and Paquito D'Rivera with Chico O'Farrill: "Afro-Cuban Jazz Suite"
- 4. Lincoln Center Jazz Orchestra, featuring Joe Lovano, tenor sax): "Body and Soul"; "Sing, Sing, Sing" (guests Roy Haynes and Marcus Gilmore, drums); "Down Here Below" (featuring Abbey Lincoln)
- 5. Bill Charlap Trio: "Just Friends" (guest Wynton Marsalis, trumpet); "Stablemates"; "Cool"
- 6. Afro-Latin Jazz Orchestra (Arturo O'Farrill, cond.): "Havana Blues"
- 7. Lincoln Center Jazz Orchestra: "All The Things You Are" (featuring Dick Nash, trombone, Ted Nash, alto sax); "Stolen Moments"
- 8. Marsalis Family (Ellis Marsalis, piano; Wynton Marsalis, trumpet; Branford Marsalis, alto sax; Delfeayo Marsalis, trombone; Jason Marsalis, drums): "Crescent City Strut"
- 9. Sandy Stewart, vocals Bill Charlap, piano: "Love is Here to Stay"
- 10. Bill Charlap Trio: "God Child"
- 11. Afro-Latin Jazz Orchestra: "Samba for Carmen" (featuring Paquito D'Rivera, alto sax); "Firebird Suite"
- 12. Lincoln Center Jazz Orchestra: "Better Get Hit In Your Soul"
In a companion broadcast with PBS, NPR presents "One Family of Jazz" — the opening-night gala concerts at Lincoln Center's Frederick P. Rose Hall, a new state-of-the art home for jazz in the Time Warner building on New York's Columbus Circle.
Brian Jarboe , NPR
Wynton Marsalis led a parade Monday celebrating the opening of Jazz at Lincoln Center's new home.
Brian Jarboe , NPR
Jazz at Lincoln Center artistic director — and star trumpeter — Wynton Marsalis leads the Lincoln Center Jazz Orchestra. Guest artists include vocalist Abbey Lincoln, the Afro-Latin Jazz Orchestra with Arturo O'Farrill, saxophonist Joe Lovano, trumpeter Paquito D'Rivera, pianist Kenny Barron, saxophonist Branford Marsalis, percussionist Cyro Baptista and the Bill Charlap Trio with trumpeter Nicholas Payton.
In a Web-Only Essay, NPR's Felix Contreras reflects on Manhattan's new home for jazz:
It's hard to avoid the past when standing in the new Jazz at Lincoln Center facilities.
I think about all the jazz pioneers who played in less than adequate bars and nightclubs while they steadfastly moved the music forward.
I think about musicians we now revere having to enter nightclubs and hotels through service entrances in order to play, having to find places to sleep with local friendly families who opened their homes to traveling jazz musicians.
The new facility, with such a prestigious place in the Manhattan skyline, is a monument to their epic contributions and indomitable spirit.
The music performed this night is also an aural "thank you."
Who knows what Dizzy Gillespie would have thought looking out over Central park from the bandstand in the room named for him?
Dizzy's Club Coca Cola hosts the Bill Charlap Trio, with piano, bass and trumpet, on opening night.
Pianist Charlap is a well-considered choice for the intimacy of the 140-seat Club. His subtle stylings would have been right at home in any of the venues that used to crowd the block a bit farther south, on the famed 52nd street jazz strip. And trumpeter Jeremy Pelt, 29, will christen the room with the youthful spirit of the next generation.
While Tony Bennett may have famously lost his heart in San Francisco, he's sure to feel better hearing himself in the new 1200-seat Rose Theater.
Bennett's voice and his presence in New York are joyful reminders of the art of jazz singing as it developed after World War II. His recent popularity with the MTV crowd is a testament that good taste transcends generations. A performance by this quintessential New Yorker is like being greeted at the door by an esteemed and hospitable host.
Vocalist Abbey Lincoln's performance marks the presence of the pioneering spirit of jazz. It's easy to forget that the music we often consider comfort food for the soul was at one time a challenge to the status quo.
Abbey Lincoln was — and still is — an innovator, stylist, rebel and provocateur. Her appearance on the bill is a reminder of the total realm of jazz expression.
Latin jazz has often been called the perfect union and the Lincoln Center Afro-Latin Orchestra is a living example.
The ensemble is expertly guided by pianist Arturo O'Farrill, the son of legendary composer/arrange Chico O'Farrill, himself one of the principal architects of the sound that changed the world in late 1940s New York.
That sound was made by with the bands of Machito, Tito Puente and Tito Rodriguez in ballrooms across all five boroughs. The blaring trumpets and the snap of the congas will be felt by the ghosts of the dancers at Broadway and 52nd, the site of the storied Palladium Ballroom.
That corner represented a true cross-fertilization of cultures and brought together two manifestations of the African diaspora.
Finally, Wynton Marsalis's vision of a Family of Jazz is manifested in his performance with his own family: father Ellis Marsalis and brothers Branford, Delfeayo and Jason. Members of the Lincoln Center Jazz Orchestra have also invited their musically inclined parents to help inaugurate the new House That Jazz Built.
It's an appropriate gesture. Jazz is a common language that people in West Africa can share with someone from Philadelphia, for instance.
Whether you're listening in Fresno or Buenos Aires, you are part of an effort to move our human culture forward by sharing in the emotion of jazz. And after listening to the great opening night concerts at Lincoln Center, you are now also part of history.