'Away from Her' Is Sarah Polley's New Path

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Sarah Polley i

Actress-turned-director Sarah Polley hide caption

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Sarah Polley

Actress-turned-director Sarah Polley

Canadian actress Sarah Polley, who's perhaps best known in the United States as the injured Nicole in Atom Egoyan's wrenching The Sweet Hereafter and the drug-dealing Ronna in Doug Liman's Go, makes her directorial debut with the intimate indie drama Away from Her.

The new movie is based on a short story by Alice Munro; it stars Julie Christie as a woman with Alzheimer's, and features Olympia Dukakis, Michael Murphy and Gordon Pinsent. The movie has generated buzz on the film-festival circuit, and opens in the U.S. on May 4.

Olympia Dukakis, Finding Clarity 'Away From Her'

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Olympia Dukakis in 'Away from Her.' Credit: Lions Gate Films i

Olympic Dukakis plays a woman caring for an incapacitated husband in Away From Her, the directorial debut from actress Sarah Polley. hide caption

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Olympia Dukakis in 'Away from Her.' Credit: Lions Gate Films

Olympic Dukakis plays a woman caring for an incapacitated husband in Away From Her, the directorial debut from actress Sarah Polley.

From 'Away From Her'

Watch the clip Scott Simon played on the air.




The actress Olympia Dukakis won an Oscar in 1987 for playing the sharp-tongued mother in Moonstruck. She co-starred in Steel Magnolias, playing the grandly bemused widow Clairee; and in the PBS series Tales of the City, she brought to life the pot-farming, formerly male landlady Mrs. Madrigal.

In her latest film, Away From Her, Dukakis plays a character who's "kind of given up on life," in the actress' words — "on the idea that there might be happiness or intimacy for her." The woman's husband lives in a nursing home; he's mostly mute, and confined to a wheelchair.

But as so much in the husband's life narrows, he finds himself entering a new relationship with a woman (played by Julie Christie) who's been stricken with Alzheimer's disease. Meanwhile, Dukakis' character, Marian, begins spending time with that woman's husband.

While the poignancy of a couple's struggle with Alzheimer's is a major through-line in the story, Dukakis says that "what's really at the heart of this film is a love story — within the context of life, and aging."

She points out that Sarah Polley, the film's director, "has said that we care much more about the first year or two of a relationship than we do about what happens as life happens — how people then find each other and how their love is expressed" as they grow older.

Dukakis' mother had Alzheimer's disease.

"It was very frightening, and initially I was very much in denial about it," Dukakis confesses. "It took some very dramatic episodes for me to finally realize that this was a serious thing."

And yet she agrees that for all the pain Alzheimer's can cause, the disease is not without its gifts sometimes for the person who has it.

"They are pulled out of the hurly-burly of life, and there's such a deep inner reality that's going on," Dukakis says. Her mother, under the disease's influence, "seemed very connected to a lot of issues that I knew had troubled her throughout her life that she didn't give time to, or credence to.

"And now here she was, preoccupied with them," Dukakis recalls. "I almost had the feeling that she lived as long as she needed to ... maybe 'resolve' is too happy a word, but ... there was some kind of exchange that was happening."

Toward the end of her mother's life, Dukakis remembers, there was a moment of clarity.

"She said 'Oh, Olympia, I've been looking everywhere for you.' I couldn't believe it. This was after almost two years of not knowing me at all, — and we talked as honestly in that 20 minutes as I have talked to any human being."



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