Get That Book Deal: Three Books Tell You How

On Writing, by Stephen King, paperback, 320 pages

Stephen King's memoir On Writing taught me that penning a book is like trying to look good in a bathing suit. You have to work at it every single day. The first chunk of King's book shows the horror master's versatility. I never thought I'd laugh at the image of King as a 2-year-old dropping a cinder block on his bare foot. Trust me, it's funnier than it sounds.

But what really impressed me is King's discipline. After he was hit by a van and nearly killed, King still wrote, even though, he said, "I was dripping with sweat and almost too exhausted to sit up straight in my wheelchair. The pain in my hip was just short of apocalyptic."

King also taught me to get a second opinion. He threw away his first few pages of Carrie — and his wife pulled them out of the trash. "You've got something here," she told him.

Writing the Breakout Novel, by Donald Maass, paperback, 256 pages

New York agent Donald Maass' Writing the Breakout Novel taught me to shed my role as a peacekeeper. I'm a stereotypical middle child — I hate conflict. But Maass wants me to bring it to every page.

Maass writes, "Being nice does not engender great drama. Push your characters to the edge, and you will pull your readers close."

In other words, I need to infuse my writing with the equivalent of a holiday dinner with all the passive-aggressive, deadbeat and alcoholic relatives I can find — and I should toss in an unplanned teenage pregnancy if things ever get boring.

Plot & Structure, by James Scott Bell, paperback, 240 pages

James Scott Bell's book Plot & Structure ordered me to get organized. When I was a kid, my parents were hauled into my elementary school to look at the shocking condition of my desk. But chaos doesn't cut it when it comes to plotting your novel.

Bell taught me how to structure a great entrance — the equivalent of gliding down a spiral staircase in a wedding gown — and how to keep the next 400 pages from becoming as hopelessly tangled as the crumpled papers and wads of gum in my old desk.

Plot & Structure also advocates finishing with a bang. "A weak ending can ruin an otherwise wonderful book. A strong ending can redeem an otherwise mediocre book," Bell writes.