5 Artists You Should Have Known In 2010
Seattle indie-rock act The Head and The Heart was one of KEXP's favorite discoveries in 2010.
Seattle indie-rock act The Head and The Heart was one of KEXP's favorite discoveries in 2010.
Caitlyn MireteDespite all the talk about the demise of CD sales and the struggles of record stores, 2010 was another amazing year for music itself. Artists who came into the year courting high expectations — Arcade Fire, Deerhunter, The Black Keys — came out if it having delivered excellent albums. New artists, like Janelle Monae, emerged with high-profile debuts that justified the buzz. And just when you thought we might be nearing the bottom of the barrel of significant reissues and "from the vaults" rarities, we get Bob Dylan's The Witmark Demos and Bruce Springsteen's The Promise, featuring 21 previously unreleased songs from the Darkness on the Edge of Town sessions. That's like having two brand-new Springsteen albums from his most vital period — not bad!
Simply put, this was an exciting year for music lovers. Keeping up with the slew of independent releases is hard, I know, but that's where KEXP comes in. If the following releases haven't crossed your path in 2010, they're all worth discovering on your never-ending quest for new, great music.
5 Artists You Should Have Known In 2010
Breathe Owl Breathe, 'Magic Central'
- Song: Dogwalkers of the New Age
The latest album from this rural Michigan trio is an impressive set of folky rock with a penchant for infectious melodies, bittersweet harmonies and warm instrumentation. Led by distinctive, idiosyncratic frontman Micah Middaugh, Breathe Owl Breathe recalls Bill Callahan/Smog (at his most upbeat), Herman Düne and Noah and the Whale. Also critical to the band's charming sound are the backup vocals of Colombian-born multi-instrumentalist Andréa Moreno-Beals, who frequently sounds like Feist.
The Capstan Shafts, 'Revelation Skirts'
- Song: Quiet Wars
Vermont's Dean Wells has been making lo-fi home recordings under the name of The Capstan Shafts since 1999. This is the first album he's recorded in a studio, and it's a stunner, with one song after another of brilliantly crafted, hook-filled power-pop. Wells combines crunchy guitars and big drums with clever, insightful lyrics and an abundance of killer melodies.
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