close
 

The Posies: Hard-Charging Kindness

It's nice to hear a new Posies song sparkle as   brightly as "So Caroline," an utterly winning three minutes of love and   devotion.
Enlarge Christine Taylor/Courtesy of the artist

It's nice to hear a new Posies song sparkle as brightly as "So Caroline," an utterly winning three minutes of love and devotion.

It's nice to hear a new Posies song sparkle as   brightly as "So Caroline," an utterly winning three minutes of love and   devotion.
Christine Taylor/Courtesy of the artist

It's nice to hear a new Posies song sparkle as brightly as "So Caroline," an utterly winning three minutes of love and devotion.

Friday's Pick

Song: "So Caroline"

Artist: The Posies

CD: Blood/Candy

Genre: Pop-Rock

text size A A A
January 7, 2011

The early 1990s brought about a power-pop renaissance that looked like a budding juggernaut: Any of a handful of wonderful albums — Matthew Sweet's Girlfriend, Jellyfish's Bellybutton, The Greenberry Woods' Rapple Dapple — might have been as big as Nirvana's Nevermind had a few variables broken differently. Among the best and most commercially successful was The Posies' appropriately sugary Frosting on the Beater, which spawned a few MTV hits ("Solar Sister," "Dream All Day") with a sunny and timeless power-pop sound.

Sadly, that 1993 gem would mark The Posies' commercial zenith: Subsequent albums reached smaller audiences, the band endured a lengthy hiatus, and songwriters Jon Auer and Ken Stringfellow released solo records (with the latter becoming a touring member of R.E.M.) when they weren't moonlighting in the occasional incarnation of Big Star. So it's nice to see The Posies return to recording and touring as a unit, but it's even nicer to hear a new Posies song sparkle as brightly as "So Caroline," an utterly winning three minutes of love and devotion.

A playfully witty, almost impossibly infectious love song, "So Caroline" is best summed up by a sweet line about midway through: "With friends like you, who needs anyone else?" Auer's almost imperceptible pause between "any" and "one" is a cute bait-and-switch, as a threatened kiss-off — "Who needs enemies?" — becomes a moment of generous, good-naturedly hard-charging kindness. Who needs anything else?

 

More From This Series

Podcast + RSS Feeds

Podcast RSS

  • Discover Songs
     
  • Song Of The Day
     
 
 
 

Comments

Discussions for this story are now closed. Please see the Community FAQ for more information.

 

First Listen

Spektor is an oddball sentimentalist whose words summon universal feelings of love, hope and desire.

First Listen: Regina Spektor, 'What We Saw From The Cheap Seats'

Spektor is an oddball sentimentalist whose words summon universal feelings of love, hope and desire.

more

NPR thanks our sponsors

Become an NPR Sponsor

More NPR Music

Sufjan Stevens, Son Lux and Serengeti collaborate on a sometimes humorous but mostly beautiful EP.

By This 'Beak And Claw,' A Trio Shall Synthesize

Sufjan Stevens, Son Lux and Serengeti collaborate on a sometimes humorous but mostly beautiful EP.

Why NPR Music's critic, Ann Powers, is fed up with the long-running singing contest.

The End Of 'Idol': There Are No More Songs Left To Be Sung

Why NPR Music's critic, Ann Powers, is fed up with the long-running singing contest.

The outstanding Cambini-Paris Quartet uncovers the neglected chamber music of Félicien David.

Classical Lost And Found: Fine Quartets From A Forgotten Frenchman

The outstanding Cambini-Paris Quartet uncovers the neglected chamber music of Félicien David.

Download a track featuring the Oklahoma songwriter's unassuming, roots-based take on folk music.

Next: John Fullbright

Download a track featuring the Oklahoma songwriter's unassuming, roots-based take on folk music.

more