close
 

First Listen: James Blake, 'James Blake'

James Blake.
Enlarge Courtesy of the artist

James Blake.

James Blake.
Courtesy of the artist

James Blake.

text size A A A
February 5, 2011

Audio for this feature is no longer available.

Sitting between the concrete walls of my dimly lit basement apartment, I plopped in James Blake's debut full-length for a first listen, unaware of how fitting a space I was in. Cold, open and striking, my cavern resonated at first with a crunch, then a kick, and then a croon that severed my train of thought, commanding all of my attention.

Where had this worn cry come from? The same 21-year-old who released three EPs in 2010? On those records, Blake conveyed similarly poignant emotion, but mostly by sampling others' vocals and interlacing them with snippets of his own. In October, a cover of Feist's "Limit to Your Love" surfaced, showing that Blake could belt out a lead, but that song hadn't prepared me for the delicate soul now pouring from my speakers.

As a producer, Blake lets his work shine in the details. Take the first single from his new album: "The Wilhelm Scream" is led in by a simple back-and-forth between a drum and a high hat, at which point his voice enters with a meager pan, slightly staggering the melody on the left side of the audio spectrum. As punctuating hollow pops echo down chilly tunnels, a steadily rising chord shifts under mounting static and reverb. Eventually, the clutter gives way to an arrangement that mirrors the openness of the song's beginning, making breathing room for the a cappella intro of "I Never Learned to Share."

This interplay between isolated sounds and layered textures bolsters the impact of each. Blake's voice draws much of its power from its absence, rising from dramatic pauses with swooning charisma. The line "patience is a virtue" comes to mind — the record's most dramatic spike in energy arrives three songs in, while the rest prickles with restraint. This is good for fans of Blake's EPs, as well as for those who've previously found the meters and instrumentation of dubstep challenging. For all its merits, the most exciting thing about this debut is that it offers unfamiliar listeners an accessible and beautiful entry point into London's vibrant electronic scene.

 

More From This Series

Podcast + RSS Feeds

Podcast RSS

  • Music
     
  • First Listen
     
 
 
 

Comments

Discussions for this story are now closed. Please see the Community FAQ for more information.

 

All Songs Considered

Hosts Bob Boilen and Robin Hilton begin their quest to pin down the most universally loved albums.

Can't We All Just Get Along? Our Search For The Albums Everyone Loves

Hosts Bob Boilen and Robin Hilton begin their quest to pin down the most universally loved albums.

more

NPR thanks our sponsors

Become an NPR Sponsor

More NPR Music

Robin and his brothers Barry and Maurice Gibb racked up dozens of hit songs in their long career.

Bee Gee Robin Gibb Dies Of Cancer At 62

Robin and his brothers Barry and Maurice Gibb racked up dozens of hit songs in their long career.

An <em>American Idol</em> runner-up and its first openly gay contender, Lambert is embracing pop stardom.

Adam Lambert: 'I Want To Sing It Big'

An American Idol runner-up and its first openly gay contender, Lambert is embracing pop stardom.

This spring, a piece of public art used a pop song to illustrate what binds the lives of strangers.

Millions Of People Go By: Doug Aitken's 'Song 1' Distills City Life

This spring, a piece of public art used a pop song to illustrate what binds the lives of strangers.

After all the success and vice, the former Guns N' Roses guitarist says he's a work in progress.

Behind The Shades: Slash Tries To 'Figure This Thing Out'

After all the success and vice, the former Guns N' Roses guitarist says he's a work in progress.

more