Our 'Toxic' Love-Hate Relationship With Plastics

Susan Freinkel notes that plastics have had enormously beneficial impacts — like making blood transfusions safe and common. But scientists are also now discovering that chemicals from plastics are leeching into our bloodstreams — and the effects of that are largely unknown. i i
iStockphoto.com
Susan Freinkel notes that plastics have had enormously beneficial impacts — like making blood transfusions safe and common. But scientists are also now discovering that chemicals from plastics are leeching into our bloodstreams — and the effects of that are largely unknown.
iStockphoto.com

We all know that plastics are common in modern life, but science journalist Susan Freinkel says they are really literally everywhere — in our toothbrushes, hair dryers, cell phones, computers, door knobs, car parts — and of course in those ubiquitous plastic bags we get it seems every time we buy anything.

The bags are made from polyethylene, the most common type of plastic in use today. By one estimate, Freinkel says, the amount of polyethylene produced in America every year is nearly equal to the combined mass of every man, woman and child in the country.

Freinkel's new book, Plastic: A Toxic Love Story chronicles the rise of plastic in consumer culture, and its effects on the environment and our health. She notes that plastics have had enormously beneficial impacts — like making blood transfusions safe and common. But scientists are now also finding that phthalate chemicals from IV bags and other plastics are leaching into the fluids we take into our bodies, and the effects of that are just now being understood.

Plastic: A Toxic Love Story i i
Plastic: A Toxic Love Story
Plastic: A Toxic Love Story
By Susan Freinkel
Hardcover, 336 pages
Houghton Mifflin Harcourt
List price: $27

Read An Excerpt

"These chemicals act in a more convoluted and complicated way," Freinkel says. "They interfere with our hormones, and they interfere with the endocrine system, which is the network of glands that orchestrate growth and development. And there's some research showing that DEHP, this chemical that's in vinyl [used in IV bags], has this property. It interferes with testosterone."

But the million dollar question yet to be solved, says Freinkel, is whether prolonged exposure to DEHP and other chemicals alters our bodily systems.

"It's difficult to say what the effects [of exposure] are," she says. "There are animal studies that show, at very high doses, it can be quite hazardous. It is literally toxic to the testicles and can create malformations and damage sperm and create fertility problems later in life. But most people aren't exposed to those kinds of levels — even in hospital settings where you are being transfused for a long time. It's not approaching those levels. It is more subtle, probably."

Problems In Rats

Only a few studies have directly looked at the effects of DEHP exposure in humans. Dr. Shanna Swan at the University of Rochester in Rochester, N.Y., has published several articles on prenatal exposure to phthalates. In one study, she found that newborn baby boys born to mothers with more phthalates in their bodies had a subtle difference in their genitals. That genital abnormality could indicate a disruption in testosterone levels, Freinkel says.

"In rats, that [physical] marker has been associated with a bunch of problems," Freinkel says. "But we don't actually know what it means in humans. ... What it suggests is that these chemicals that we've used for 50 years and assumed to be completely benign may have an impact on health of some people, particularly people who get exposed at critical phases of development."

Susan Freinkel is a science writer whose work has appeared in The New York Times, Discover Magazine, Smithsonian Magazine and other publications. She is also the author of American Chestnut, a social history of one of America's most common trees. i i

hide captionSusan Freinkel is a science writer whose work has appeared in The New York Times, Discover Magazine, Smithsonian Magazine and other publications. She is also the author of American Chestnut, a social history of one of America's most common trees.

HMH Books
Susan Freinkel is a science writer whose work has appeared in The New York Times, Discover Magazine, Smithsonian Magazine and other publications. She is also the author of American Chestnut, a social history of one of America's most common trees.

Susan Freinkel is a science writer whose work has appeared in The New York Times, Discover Magazine, Smithsonian Magazine and other publications. She is also the author of American Chestnut, a social history of one of America's most common trees.

HMH Books

What The Plastics Industry Says

The plastics industry, Freinkel says, has maintained that vinyl and phthalates are safe. Both the vinyl industry and the American Chemistry Council conduct their own research on the materials they use and have their own trade associations. Freinkel says they're quick to rebut any studies that come out suggesting a correlation between exposure to synthetic chemicals and possible health issues.

"[They say] they've been in use for 50 years, there's no evidence of widespread human problems, and therefore [they ask], 'What's the issue?' " she says. "And they are right — the science on this is still uncertain."


Interview Highlights

On government regulation of plastics

"Unlike pesticides or drugs, there's no real explicit government regulation on plastics. We have a very fragmented and fairly ineffective patchwork of laws to regulate synthetic chemicals. The central regulation there is something called the Toxic Substances Control Act, which was passed in 1976. People's criticism of that law is that it has tended to treat chemicals as safe until proven to be dangerous. But the way that the law is written is very difficult to establish that a chemical is dangerous because manufacturers do not have to volunteer information about that, and the Environmental Protection Agency is fairly hamstrung in its ability to collect information. When that law was passed, the 60,000 or so chemicals that were then in commerce were simply grandfathered in under the law. Since that time, there have been another 20,000 to 30,000 chemicals that have come onto the market. The EPA has only been able to require reviews of a couple of hundred [types of synthetic chemicals], and it's only been able to actually establish that there were significant hazards that [required] banning in five."

On different types of plastic

"There are a lot of plastics out there. Plastics are not created equal, and I think there are a lot of plastics that we don't have to worry about. I'm not so worried about polyethylene [the stuff of plastic baggies]. I'm not particularly worried about polypropylene, which is the stuff that's used in yogurt containers or margarine tubs. But we know that hazardous chemicals are used in plastics, and some of those plastics will leach chemicals that may be harmful to our health, and we don't know the full extent of that. I'll give you an example, which is PET — polyethylene terephthalate. It's the plastic that's used in soda bottles and water bottles. It's another plastic that we have for decades considered an inert plastic. In recent years, there have been several studies showing that PET can leach some kind of compound that seems to have estrogenic activity — that seems to act like an estrogen. We don't know what that compound is. We don't know whether it's being leached in sufficient quantities to have any impact on human health. The fact that we're suddenly discovering it is a little disconcerting. That said, I think those kinds of findings are why we need to have stronger laws that require manufacturers to demonstrate the safety of chemicals that they put into commerce."

On plastics leaching from baby bottles

"The plastic that used to be used to make baby bottles is a polycarbonate. It's a hard, clear, glasslike plastic, and one of the main ingredients in that is a chemical called bisphenol A (BPA), which is an estrogen mimic. If you look at a diagram of that molecule, it looks just like an estrogen molecule. And bisphenol A has been associated with a bunch of health problems, including obesity, breast cancer, heart disease and others. And when research about bisphenol A started coming out, parents especially were understandably horrified at the thought that the bottles that they were using to feed their babies could potentially be leaching this chemical into their babies. You'd be hard-pressed to buy a baby bottle now that contains bisphenol A. This is one of those instances where the government didn't step in but Walmart did. The big-box stores won't carry BPA bottles. ... Manufacturers are still free to use bisphenol A, but it has acquired such a bad rep that not many do. There are some states and other countries that have outlawed bisphenol A. The problem, of course, is that you end up with this patchwork of regulations and no consistency or guarantee."

Excerpt: 'Plastic: A Toxic Love Story'

Plastic: A Toxic Love Story i i
Plastic: A Toxic Love Story
Plastic: A Toxic Love Story
By Susan Freinkel
Hardcover, 336 pages
Houghton Mifflin Harcourt
List price: $27

If you go on Ebay, that virtual souk of human desire, you'll find a small but dedicated trade in antique combs.

Trawling the site on various occasions, I've seen dozens of combs made of the early plastic called celluloid — combs so beautiful they belonged in a museum, so beguiling I coveted them for my own. I've seen combs that looked as if they were carved from ivory or amber, and some that were flecked with mica so they shone as if made of hammered gold. I've seen huge, lacy decorative combs of faux tortoiseshell that might have crowned the piled-high up-twist of a Gilded Age debu­tante, and tiara-like combs twinkling with sapphire or emerald or jet "brilliants," as rhinestones once were called. One of my favorites was a delicate 1925 art deco comb with a curved handle and its own carry­ing case; together, they looked like an elegant purse made of tortoise­shell and secured with a rhinestone clasp. Just four inches long, it was surely designed for the short hair of a Jazz Age beauty. Looking at the comb, I could imagine its first owner, a bright spirit in a dropped-waist dress and Louise Brooks bob, reveling in her liberation from corsets, long gowns, and heavy hair buns.

Surprisingly, these gorgeous antiques are quite affordable. Cellu­loid plastic made it possible, for the first time, to produce combs in real abundance — keeping prices low even for today's collector who doesn't have a lot to spend but wants to own something fabulous. For people at the dawn of the plastic age, celluloid offered what one writer called "a forgery of many of the necessities and luxuries of civilized life," a foretoken of the new material culture's aesthetic and abundance.

Combs are one of our oldest tools, used by humans across cultures and ages for decoration, detangling, and delousing. They derive from the most fundamental human tool of all — the hand. And from the time that humans began using combs instead of their fingers, comb design has scarcely changed, prompting the satirical paper the Onion to publish a piece titled "Comb Technology: Why Is It So Far Behind the Razor and Toothbrush Fields?" The Stone Age craftsman who made the oldest known comb — a small four-toothed number carved from animal bone some eight thousand years ago — would have no trouble knowing what to do with the bright blue plastic version sit­ting on my bathroom counter.

For most of history, combs were made of almost any material hu­mans had at hand, including bone, tortoiseshell, ivory, rubber, iron, tin, gold, silver, lead, reeds, wood, glass, porcelain, papier-mâché. But in the late nineteenth century, that panoply of possibilities began to fall away with the arrival of a totally new kind of material — celluloid, the first man-made plastic. Combs were among the first and most popular objects made of celluloid. And having crossed that material Rubicon, comb makers never went back. Ever since, combs generally have been made of one kind of plastic or another.

The story of the humble comb's makeover is part of the much larger story of how we ourselves have been transformed by plastics. Plastics freed us from the confines of the natural world, from the material constraints and limited supplies that had long bounded hu­man activity. That new elasticity unfixed social boundaries as well. The arrival of these malleable and versatile materials gave producers the ability to create a treasure trove of new products while expand­ing opportunities for people of modest means to become consumers.

Reprinted with permission from Plastic: A Toxic Love Story, by Susan Freinkel, published by Houghton Mifflin Harcourt. Copyright 2011 Susan Freinkel. All rights reserved.

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