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The Joys Of Life In A Lookout Tower In 'Fire Season'

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Fire Season by Philip Connors

From the snows of April to what he calls the blessed indolence of August, author Philip Connors works in a lookout tower 50 feet above the Gila National Forest in New Mexico. Connors was an editor at the Wall Street Journal, but became captivated by the idea of not just getting away from it all, but living above it all with a sense of purpose. He's employed for half of each year by the U.S. Fire Service, and wrote about his experience in his new book, Fire Season: Field Notes From a Wilderness Lookout.

Connors tells Scott Simon on Weekend Edition that he had been living in New York City for years, working in lower Manhattan and commuting from Queens.

"And I had quite literally just grown tired," Connors says. "And I needed some way to re-center myself."

Fire Season
By Philip Connors
Hardcover, 256 pages
List Price: $24.99
Read An Excerpt

Taking a break from living in a crowded city is one thing, but Connors admits that his solution is "probably the most extreme form of escape you could conjure up in the 21st century."

In a passage from Fire Season, Connors gives a glimpse of the kind of view he wanted to find in his solitary new life, away from the skyscrapers:

The sun bores through the glass windows of the tower, solar heating at its essence. The world becomes the evolution of light: The almost imperceptible shift of color in the sky before dawn. The turn from midnight blue to sapphire. The way the mountains moved through shades of green and blue and on through purple and black in the evening. A crimson lip at the edge of the world where the sun has gone, like a smear of blood reappearing at dawn in the east.

Philip Connors worked as a reporter for the Wall Street Journal before moving to Gila National Forest in New Mexico to become a fire-watcher.

Philip Connors worked as a reporter for the Wall Street Journal before moving to Gila National Forest in New Mexico to become a fire-watcher. Beowulf Sheehan hide caption

toggle caption Beowulf Sheehan

"Living alone at 10,000 feet, miles from the nearest road, on the edge of a 200,000 acre wilderness area provides endless spectacles out my tower windows," he says.

But life in the lookout tower is more than a gorgeous parade of sunset colors. Connors explains that he acts as a communication relay with crews on the ground throughout the forest who might not be able to talk directly to a dispatcher in case of a fire — and he keeps his eye out for those fires, of course.

For the six months of the year when he's working, Connors lives mostly on his own, but manages to see his wife, Martha, for about half of that time. It's not enough for her, he says; she doesn't need the level of solitude that he does. But she tells him every year that if going into the wilderness is something he really needs to do, they'll find a way to make it work. The quiet, self-reliant lifestyle speaks strongly to Connors, and he knows he needs to return each year.

"I live off the grid, without a cell phone or an Internet connection, running water. I commute daily about 25 steps from my cabin to the base of my tower. ... And mostly I just try to keep it simple. So I try to find a way to a deeper self-knowledge, in a way; maybe a more profound self-reliance and a place of calm, unattainable when I'm plugged in the rest of the year."

Excerpt: 'Fire Season'

Fire Season by Phillip Connors
Fire Season
By Philip Connors
Hardcover, 256 pages
List Price: $24.99
Read An Excerpt

Until about fifteen years ago I thought fire lookouts had gone the way of itinerant cowboys, small-time gold prospectors, and other icons of an older, wilder West. Then a friend of mine named Mandijane asked me for my mailing address in Missoula, Montana, where we were both students in print journalism—one of the least timely courses of study in the history of higher education, though we couldn't have known that at the time. M.J. said she'd soon have a lot of time to write letters. When spring exams were over, she'd be off to New Mexico to watch for fires.

I was intrigued, and more than a little envious; M.J.'s letters did not disappoint. She was posted in the middle of the Gila National Forest, on the edge of the world's first designated wilderness, a hundred and thirty miles north of the border with Mexico. On Loco Mountain, she said, not a single man-made light could be seen after dark. She lived in her lookout tower, a twelve-by-twelve-foot room on stilts. The nearest grocery store was five miles by pack trail and eighty-five more by mountain road. Over the course of four months she had fewer than twenty visitors—hunters on horseback, mainly, and a few adventurous hikers. The romance in those letters was almost unimaginable to me.

For years our paths diverged, though we always kept in touch by letter. I left school for New York and lucked into a job with the Wall Street Journal. Her continuing adventures took her to Ghana, Costa Rica, Argentina. One spring she wrote to say she was back in the States for another summer gig in the Gila, this time at a different tower forty miles southeast of Loco Mountain. She knew I was busy, tied to a desk in New York, but suggested I take a vacation and come see the country, for a few days at least.

I needed no further urging. I'd already hustled too long and for no good purpose in the city, and when I finally looked out on that country with two dozen mountain ranges I couldn't name, more mountains than a person could hope to explore on foot in a lifetime, I guess you could say I fell in love at first sight. And what a sight it was: a stretch of country larger than the state of Maryland, nearly 20,000 square miles of desert and forest, sky island mountain chains in three states and two countries. In the afternoons, when M.J. sat in the tower keeping watch, I hiked through old-growth fir and massive groves of quaking aspen. I was unaware of it at the time, but those aspen had grown back in the scar of what was, for almost half a century, the biggest fire on record in the Southwest: the McKnight Fire of 1951, which burned 50,000 acres along the slopes of the Black Range. Much of the fire crowned in mature timber, creating a massive stand replacement—the death of one or several tree species and their total succession by others. Though I could not see it yet, I'd been seduced on my walks by that fire, or at least by the effects of the fire, the beauty of the forest created in its wake.

Around our own little bonfire under starlight, M.J. told me she'd grown antsy in the lookout. She wanted to get out on a fire, inhale the smoke, feel the heat of the flames—and make some bigger money, overtime and hazard pay. Her boss was game, she said, if she could find him someone reliable to take over fire watch. By the time I had to hike out and head home, I'd talked myself into her job. She'd vouch for my backwoods bonafides—atrophied after four years in the city—and I'd fly to New York, offer two weeks' notice at work, and be back before the moon was full again. I knew almost nothing about being a lookout except what I'd read in books, but what I'd read seemed promising. "It doesn't take much in the way of body and mind to be a lookout," Norman Maclean had written. "It's mostly soul."

Since that first summer I've returned each succeeding year to sit ten thousand feet above sea level and watch for smoke. Most days I can see a hundred miles in all directions. On clear days I can make out mountains a hundred and eighty miles away. To the east stretches the valley of the Rio Grande, cradled by the desert: austere, forbidding, dotted with creosote shrubs and home to a collection of horned and thorned species evolved to live in a land of scarce water. To the north and south, along the Black Range, a line of peaks rises and falls in timbered waves; to the west, the Rio Mimbres meanders out of the mountains, its lower valley verdant with grasses. Beyond it rise more mesas and mountains: the Diablos, the Jerkies, the Mogollons. A peaceable kingdom, a wilderness in good working order—and my job to sound the alarm if it burns.

Having spent eight summers in my little glass-walled perch, I have an intimate acquaintance with the look and feel of the border highlands each week of each month, from April through August: the brutal winds of spring, when gales off the desert gust above seventy miles an hour and the occasional snow squall turns my peak white; the dawning of summer in late May, when the wind abates and the aphids hatch and lady bugs emerge in great clouds from their hibernation; the fires of June, when dry lightning connects with the hills and mesas, sparking smokes that fill the air with the sweet smell of burning pine; the tremendous storms of July, when the radio antenna sizzles like bacon on a griddle and the lightning makes me flinch as if from the threat of a punch; and the blessed indolence of August, when the meadows bloom with wildflowers and the creeks run again, the rains having turned my world a dozen different shades of green. I've seen lunar eclipses and desert sandstorms and lightning that made my hair stand on end. I've seen fires burn so hot they made their own weather. I've watched deer and elk frolic in the meadow below me and pine trees explode in a blue ball of smoke. If there's a better job anywhere on the planet, I'd like to know what it is.

Excerpted from Fire Season by Phillip Connors. Copyright 2011 by Phillip Connors. Excerpted by permission of Ecco. All rights reserved.

Books Featured In This Story

Fire Season

Field Notes from a Wilderness Lookout

by Philip Connors

Hardcover, 246 pages |


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