close
 

First Listen: Okkervil River, 'I Am Very Far'

Okkervil River's new album, I Am Very Far, comes out on May 10.
Enlarge Alexandra Valenti/Courtesy of the artist

Okkervil River's new album, I Am Very Far, comes out on May 10.

Okkervil River's new album, I Am Very Far, comes out on May 10.
Alexandra Valenti/Courtesy of the artist

Okkervil River's new album, I Am Very Far, comes out on May 10.

text size A A A
May 1, 2011

Audio for this feature is no longer available.

Okkervil River's last proper album, 2008's The Stand Ins, was nothing if not approachable. Top to bottom, the record was packed with sunny melodies, strummy riffs and shout-along refrains that anyone could sing. (To drive the point home, the band recruited a few friends to do just that, in a YouTube project that's almost as fun as the album itself.)

The group's latest is called I Am Very Far, and if that sounds a little remote, you don't know the half of it. From the title to the Gothic cover art to the slithery organ and gunshot snare of "The Valley," the album — out May 10 — warns listeners upfront that they're stepping into dark, unfamiliar territory.

It's a bold departure from how the group has operated so far — and in this case, "the group" means frontman Will Sheff, the only consistent member since Okkervil River formed in Austin a decade ago. Sheff's vocals are creaky, but his lyrics are dazzling; his arrangements are sloppy, but his hooks are indelible. The band's trademark has always been the union of those elements into a beautiful mess. I Am Very Far reverses that formula: The storytelling is knotty, cryptic and David Lynch-like in its ominous weirdness, while the music is so severe and precise as to be terrifying at times.

And yet it wouldn't be an Okkervil River record if it didn't reward repeat listens. Peer through the darkness and you'll find bright spots galore: the attack-and-release rhythm of "Rider," the watery piano textures of "The Rise" and the swirling orchestral swells of "We Need a Myth," all of them just sitting there behind the menace, waiting to be found. Will Sheff has never had trouble cranking out great songs. What's so engaging this time around is his willingness to take a beautiful thing and bury it.

 

More From This Series

Podcast + RSS Feeds

Podcast RSS

  • Music
     
  • First Listen
     
 
 
 

Comments

Please keep your community civil. All comments must follow the NPR.org Community rules and terms of use. See also the Community FAQ.

 

NPR reserves the right to read on the air and/or publish on its website or in any medium now known or unknown the e-mails and letters that we receive. We may edit them for clarity or brevity and identify authors by name and location. For additional information, please consult our Terms of Use.

 

Song Of The Day

With the band Capullo, Pimienta explores puppy love's trauma in "A quien amas en realidad es a mi."

Lido Pimienta: Love With A Sense Of Doom

With the band Capullo, Pimienta explores puppy love's trauma in "A quien amas en realidad es a mi."

more

NPR thanks our sponsors

Become an NPR Sponsor

More NPR Music

The city is rich in jazz history. But how does that translate to economic success today?

How Kansas City Is Developing Jazz

The city is rich in jazz history. But how does that translate to economic success today?

At the dawn of the 17th century, take a trip through the earliest days of a brand new art form.

Talk Like An Opera Geek: The Birth Of Opera

At the dawn of the 17th century, take a trip through the earliest days of a brand new art form.

The singer's remix featuring Chris Brown presents a moral  quandary for fans and music writers.

Rihanna's 'Birthday Cake': Reasons To Listen

The singer's remix featuring Chris Brown presents a moral quandary for fans and music writers.

Kurt Wagner began writing the song over Christmas in Nashville and finished it nine months later.

Singled Out: Lambchop's 'If Not I'll Just Die'

Kurt Wagner began writing the song over Christmas in Nashville and finished it nine months later.

more