First Listen: Bon Iver, 'Bon Iver'
Audio for this feature is no longer available.
"Beth/Rest," the closing song on Bon Iver, is an absolutely diabolical bit of provocation. A plodding tangle of electric keyboards and guitar solos, the track seems at first as if its title ought to include the parenthetical, "Love Theme From Tequila Sunrise 2." Bon Iver singer-songwriter Justin Vernon has compared "Beth/Rest" to the best-known work of Bruce Hornsby, and his appreciation is utterly sincere: The very opposite of an ironist, he boldly opts to close his massively anticipated new album with sounds 25 years out of style.
Jarring as it is, "Beth/Rest" is like the plucky runt of this litter; the song you may well find yourself embracing with the expectation that it'll be unloved by everyone else. Whatever it is, it's not safe. Vernon understands that the most fearless musical expression is raw, naked emotionalism — that a wink is a pose, a pose is a mask, and a mask is a forgery, so why bother with any of that? When he belted out Bonnie Raitt's "I Can't Make You Love Me" on Late Night With Jimmy Fallon a few weeks back, the last thing Vernon was doing was kidding. For five minutes, warmth had become the new cool.
Bon Iver is a grand, chance-taking record: It sheds the raw nerviness of 2008's perfect For Emma, Forever Ago and replaces it with arrangements so lush and vivid, it can be hard to make out much of what Vernon sings. Out June 21, the whole record dares to be dreamy, and to let Bon Iver's ever-growing backing band paint pictures while Vernon's words dissipate into the ether. Most of these 10 songs induce gasps at one point or another, for any number of reasons: from the forceful jolt of an orchestral boomlet, the delicate shhhhhinnnnng of finger cymbals, or an impeccable bit of vocal phrasing by Vernon, who can still make seemingly slight inflections hit like punches.
Still, an overarching purpose here — the specific messages to these songs — can be oblique and hard to locate. Even the titles mostly signify and evoke places rather than feelings: "Calgary." "Minnesota, WI. " "Hinnom, TX." "Lisbon, OH." Listen to Bon Iver 50 times, and you may still struggle to remember which title matches which song, and why. But the journey to familiarity with the record is circuitous to the point of impossibility. For all its emphasis on place, it beckons you to come get lost.
More From This Series
First Listen
First Listen: Regina Spektor, 'What We Saw From The Cheap Seats'
Spektor is an oddball sentimentalist whose words summon universal feelings of love, hope and desire.
First Listen
First Listen: Sigur Rós, 'Valtari'
Valtari's collection of gorgeous, moody sound-washes fits right into the band's remarkable catalog.
First Listen
First Listen: Saint Etienne, 'Words And Music By Saint Etienne'
The long-running band's new album is full of unabashed electronic odes to pop's gravitational pull.
Comments
Please keep your community civil. All comments must follow the NPR.org Community rules and terms of use. See also the Community FAQ.
NPR reserves the right to read on the air and/or publish on its website or in any medium now known or unknown the e-mails and letters that we receive. We may edit them for clarity or brevity and identify authors by name and location. For additional information, please consult our Terms of Use.