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Ray Charles: 'Georgia' At A Glacial Pace

Once left out of a 1965 concert recording, this   version of Ray Charles' "Georgia on My Mind" is slowed to a breathtaking   crawl.
Enlarge Courtesy of the artist

Once left out of a 1965 concert recording, this version of Ray Charles' "Georgia on My Mind" is slowed to a breathtaking crawl.

Once left out of a 1965 concert recording, this   version of Ray Charles' "Georgia on My Mind" is slowed to a breathtaking   crawl.
Courtesy of the artist

Once left out of a 1965 concert recording, this version of Ray Charles' "Georgia on My Mind" is slowed to a breathtaking crawl.

Friday's Pick

Song: "Georgia on My Mind"

Artist: Ray Charles

CD: Live in Concert

Genre: Soul

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September 2, 2011

It's a little baffling that when Ray Charles originally released Live in Concert in early 1965, its brisk 38-minute duration meant shutting out "Georgia on My Mind." It was his first concert record since turning Hoagy Carmichael and Stuart Gorrell's classic into a No. 1 hit, but what was already well on its way to becoming Charles' signature song was nowhere to be found until recently, when a expanded reissue restored it to the album's running order.

Counterintuitive though it may be, the song's absence might be explained by the breathtaking crawl through which Charles guides his band. The backing is so minimal that to call it "skeletal" doesn't do it justice; note how the audience can't even identify it until Charles begins singing. The drum is simply a one-two slap of brushes and the lightest of hi-hat claps. The bass thumps just enough to land on the first beat of each bar. Charles' organ sits low and quiet throughout, and beyond his vocal, practically the only sign of movement is a flute that trills lightly all over the place.

That sense of fragility, as though the faintest ripple could cause the whole song to tumble apart, is highlighted with the shift to the bridge just before the five-minute mark, where it sounds as though even the musicians aren't entirely sure whether the song is continuing. But still Charles pushes on, and it's only at the very end that his entire band comes in with a touch of Dixieland cacophony. It's one final flourish in a performance held together by little more than the strength of Charles' genius — which, after all these years, proves more than enough.

 

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