A.A. Bondy's new album, Believers, comes out Sept. 13.
A.A. Bondy's new album, Believers, comes out Sept. 13. Ted Newsome
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The music business has a way of spitting out and dismissing musicians at a ludicrously young age: Besides sports, it's hard to think of too many professions where you're so often viewed as used-up in your early 20s.
For years, Scott Bondy was known — if at all — as the lead singer of Verbena, a highly capable but largely forgotten entrant in the post-Nirvana sweepstakes. But, years after that band had run its course, he's found a way to reinvent himself for the age of iTunes alphabetization, as A.A. Bondy. (Take that, A.C. Newman!) In the past few years, Bondy has recast himself credibly as a moody, blues-infused rambler who's always haunted and hounded by demons of one sort or another.
Even after that shift in persona, Bondy has evolved admirably, letting his stark folk build and bloom into something richer and more languid. The two fine albums that launched his solo career, American Hearts and When the Devil's Loose, are largely barren and bitter, if frequently beautiful. But the new Believers, out Sept. 13, sounds more fleshed-out: Less nakedly fatalistic than its predecessors, it also finds Bondy reasserting himself as a bandleader. This isn't singer-songwriter fare, but rather a full band in fine form, crafting evocative songs with a fully realized sense of place to them.
In languid ballads like "Skull & Bones" and "Down in the Fire (Lost Sea)," the place Bondy evokes still seems located somewhere near oblivion. But the music that surrounds him this time around chimes subtly and warmly — even majestically.