TV's Musical Dramas Aren't Always Worth Singing About

There are three musical scripted series on network TV right now: Glee, Nashville and Smash. TV critic Eric Deggans says they are all struggling, in their own way, to integrate drama and music.

Copyright © 2013 NPR. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.

RENEE MONTAGNE, HOST:

And, of course, there are other things on TV right now besides basketball. For a while, in fact, it seemed like there was going to be a little renaissance of musical dramas. "Glee" was a hit and two new shows, "Smash" and "Nashville," were set to win audiences, too.

But TV critic Eric Deggans says they have all run fallen flat in different ways.

ERIC DEGGANS: Here's my biggest problem with TV musicals: In real life, nobody just bursts into song.

(SOUNDBITE OF MUSIC)

DEGGANS: But ABC's "Nashville" solves that problem with a setting in country music's capital city. It's the perfect setup for a contemporary musical, with folks on concert stages, in recording session and the nightclubs.

The only problem is that may not be enough.

(SOUNDBITE OF TV SERIES, "NASHVILLE")

CONNIE BRITTON: (as Rayna James) (Singing) If you think you're going to hear how much I'll miss you, if you're needing to feel that about yourself...

DEGGANS: The stars are Rayna James, an experienced legend - equal parts Reba McEntire and Shania Twain, and a bratty young upstart, named Juliette Barnes. They often clash, but when they work together, it brings hit-making magic.

(SOUNDBITE OF TV SERIES, "NASHVILLE")

CONNIE BRITTON AND HAYDEN PANETTIERE: (as Rayna James and Juliette Barnes) (Singing) You've got the wrong girl 'cause I got your number. Don't know what kind of spell you think I'm under. This ain't a feel good, everything is fine sing-a-long. You got the wrong song...

DEGGANS: For "Nashville," that was the right song. It was a hit on the show and it sounds like it could be a hit in real life.

And if you really want to appreciate how hard that is to pull off, consider a few other musical TV shows which aren't so successful. Like NBC's musical about the making of a Broadway musical, "Smash."

(SOUNDBITE OF TV SERIES, "SMASH")

CHORUS: (Singing) Here she is, Miss Marilyn Monroe...

DEGGANS: Like "Nashville," "Smash" should have no problem offering plausible reasons why characters would burst into song. But "Smash" commits a cardinal sin: The songs keep the star from living up to her own billing.

(SOUNDBITE OF TV SERIES, "SMASH")

KATHERINE MCPHEE: (as Karen Cartwright) (Singing) Here I am. I dropped in from the sky. For "Look" and "Life" and all the boys. From Peek and U.P.I...

DEGGANS: Katherine McPhee's Karen Cartwright is supposed to be a novice with talent powerful enough to stop traffic. But sometimes "Smash's" songs keep her from delivering those kinds of performances. It makes you wonder why everyone thinks she's so great in the first place. Small wonder NBC is burying this show on Saturdays, come April 6th.

But if you need a poster child for TV musical fatigue, it's probably the show that started this mini-genre: "Glee."

(SOUNDBITE OF TV SERIES, "GLEE")

UNIDENTIFIED MAN #1: (As character) (Singing) I've been working so hard. I'm punching my card. Eight hours, for what? Oh, tell me what I got...

DEGGANS: But these days, the cover tunes often sound routine as the show itself.

UNIDENTIFIED WOMAN: (As character) (Singing) Yeah...

UNIDENTIFIED MAN #1: (As character) (Singing) Yeah...

DEGGANS: ABC's "Nashville" avoids the mistakes of "Glee" and "Smash." So why don't I love it more than I do? I suspect part of the problem is star Connie Britton as Rayna James. Though she shines while fighting with her husband or battling her corrupt father, Britton never quite seems as comfortable commanding a stage.

But what keeps me coming back is the songs, curated by acclaimed producer and songwriter T Bone Burnett. When the story says two aspiring musicians turn heads by playing a beautiful ballad, we get a head-turningly beautiful ballad.

(SOUNDBITE OF TV SERIES, "NASHVILLE")

SAM PALLADIO AND CLARE BOWEN: (As Gunnar Scott and Scarlett O'Conner) (Singing) These days, my best laid plans are built on shifting sands. It's not like I don't know you said good-bye...

DEGGANS: Ultimately, that's all you really want from a musical show: music that's seamless and keep you immersed in the story.

(SOUNDBITE OF TV SERIES, "NASHVILLE")

BOWEN: (As Gunnar Scott and Scarlett O'Conner) (Singing) Can't find the strength to stand alone...

MONTAGNE: Eric Deggans is TV and media critic for Tampa Bay Times.

This is MORNING EDITION from NPR News. I'm Renee Montagne.

DAVID GREENE, HOST:

And I'm David Greene.

(SOUNDBITE OF MUSIC)

Copyright © 2013 NPR. All rights reserved. No quotes from the materials contained herein may be used in any media without attribution to NPR. This transcript is provided for personal, noncommercial use only, pursuant to our Terms of Use. Any other use requires NPR's prior permission. Visit our permissions page for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR's programming is the audio.

Comments

 

Please keep your community civil. All comments must follow the NPR.org Community rules and Terms of Use. NPR reserves the right to use the comments we receive, in whole or in part, and to use the commenter's name and location, in any medium. See also the Terms of Use, Privacy Policy and Community FAQ.