An American Jewish 'Bride' Remembers Her Escape From Kabul

In her memoir, Phyllis Chesler questions whether she and her first husband, Abdul-Kareem, were ever really in love. "Were we soul mates?" she writes. "I am not sure. I dare not remember — the pain would be overwhelming and pointless."

hide captionIn her memoir, Phyllis Chesler questions whether she and her first husband, Abdul-Kareem, were ever really in love. "Were we soul mates?" she writes. "I am not sure. I dare not remember — the pain would be overwhelming and pointless."

Courtesy Palgrave Macmillan

Phyllis Chesler and Abdul-Kareem met in college. She was an 18-year-old Jewish girl from the East Coast; he was a young Muslim man from a wealthy Afghan family. They fell in love over New Wave cinema, poetry and existentialism, and eventually they married.

In her new memoir, An American Bride in Kabul, Chesler tells her story of excitedly traveling to Afghanistan in 1961 with her new husband, who said he wanted to be a modernizing force in his country. But, as she tells NPR's Rachel Martin, her passport was almost immediately confiscated upon arrival.

An American Bride in Kabul
An American Bride in Kabul

A Memoir

by Phyllis Chesler

Hardcover, 235 pages | purchase

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"I was shocked. I resisted, I refused to give it up and I was persuaded that it's a small matter, that it would be returned, sent to the home. I never saw it again," she says. "And I tried to leave — I would go to the American embassy and they'd say, 'We can't help you if you don't have an American passport.'"

Chesler soon found herself a virtual prisoner — an Afghan wife with no rights.


Interview Highlights

On what her days were like in Afghanistan

My Afghan husband went off to do something, I know not what – have tea with minister after minister, present his credentials and so on, which is how he would then get his place and move up, which he did. I was left home. I watched my mother-in-law sew. I watched her hit the female servants and curse them.

On not being able to leave the house without a male escort

My husband feared that if I wandered about I would be kidnapped and raped — an American kid in jeans and sneakers. But progress was in the air, there was hope in the air and my husband really believed that Kabul would soon one day become Paris on the Kabul River.

On how getting horribly sick helped her get out of Afghanistan

I got dysentery, but that was not as terrifying as the hepatitis, which had killed every other foreigner that season. And so I really speeded up escape plans. And at the very last minute, when I had kind of an escape plan in the works, my father-in-law, a very dapper fellow, he said, "I know about your little plan and I think it might be better if you leave for health reasons on an Afghan passport, which I have procured for you." I bless him forever for that.

... When I got back here and I literally kissed the ground at Idlewild [Kennedy] Airport, I said, "Back home in the land of liberty and libraries." I then had a note from the State Department, by and by, saying, "You have to leave. You came on a visa — it's up." I said, "Oh, sirs, I will chain myself to the Statue of Liberty. I'm not leaving." And it took two and a half years to straighten it all out.

Phyllis Chesler has published more than a dozen works of nonfiction, including Women and Madness. i i

hide captionPhyllis Chesler has published more than a dozen works of nonfiction, including Women and Madness.

Joan L. Roth/Courtesy of Palgrave Macmillan
Phyllis Chesler has published more than a dozen works of nonfiction, including Women and Madness.

Phyllis Chesler has published more than a dozen works of nonfiction, including Women and Madness.

Joan L. Roth/Courtesy of Palgrave Macmillan

On how she and her husband ended things

My husband would not agree to a divorce and I had to get an annulment. But when he fled just before the Soviets invaded, he came to call upon me. ... And he said to me, he said, "I had hoped that you would have been more ambitious, that you would have seen what you could accomplish in bringing this country into the 20th or 21st centuries. Instead, you turned tail and ran. True, you wrote a few books for a few people, but where does that measure up?" I was stunned.

On how she feels about him today

I sometimes think that I've yearned for the mystical union which we represent, for the bridging of cultures that cannot be bridged, for the continuation of tenderness when legal bonds have failed. Do I forgive him? I survived and I came away with a writer's treasure, ultimately. And he became a muse for this book. He's a character now in the book and I have tenderness for this character.

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