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Finding Love And Self-Acceptance 'Under the Udala Trees'

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Finding Love And Self-Acceptance 'Under the Udala Trees'

Author Interviews

Finding Love And Self-Acceptance 'Under the Udala Trees'

Finding Love And Self-Acceptance 'Under the Udala Trees'

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  • <iframe src="https://www.npr.org/player/embed/441502310/441775252" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
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Under the Udala Trees

by Chinelo Okparanta

Hardcover, 328 pages |

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Under the Udala Trees
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Chinelo Okparanta

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When Chinelo Okparanta started writing her novel Under the Udala Trees, she didn't have to look far for inspiration into her main character's tragic backstory.

"My mother watched her father die in the war, the same way my protagonist does," the Nigerian-American author tells NPR's Arun Rath. She's referring to the 1967 Biafran War in Nigeria — a civil war that was catastrophic for the Igbo people, who had tried to secede from Nigeria and form their own nation of Biafra.

For the novel's protagonist, Ijeoma, that war is just the beginning of her long journey of self-discovery. As she comes of age, she struggles to balance her mother's expectations with her own homosexuality.

Okparanta tells Rath that issues of sexuality have high stakes in modern-day Nigeria, which recently criminalized same-sex relationships.

Click on the audio link above to hear their full conversation and an excerpt from the book.


Interview Highlights

Chinelo Okparanta is also the author of the story collection Happiness, Like Water. Kelechi Okere/Courtesy of Houghton Mifflin Harcourt hide caption

toggle caption Kelechi Okere/Courtesy of Houghton Mifflin Harcourt

Chinelo Okparanta is also the author of the story collection Happiness, Like Water.

Kelechi Okere/Courtesy of Houghton Mifflin Harcourt

On the use of Nigerian idioms and folk tales

I grew up with people always reciting these proverbs to me. Between that and all these Bible verses and Bible quotes, I thought that it would be fun to just play around with it in the novel. ...

There's the whole idea of the udala trees, which — the udala fruits represent female fertility. So I wanted to paint the journey of a young girl who is told to be a certain way, thinks about them, and still winds up making a more informed decision for herself.

On Ijeoma's complicated relationship with her mother

I think it's a mother who really loves her daughter and is so invested in it, but is also a mother who is a product of her society, you know? And so I hear all sorts of excuses or reasons for why a person's sexuality should not be what it is, and that's essentially what the mother does when she says, "Oh, is it because I left you, is it because I let you see your dead father's body, is it because this, is it because that?" And maybe the girl just loves women. Maybe that's just her sexuality.

On LGBT struggles for human rights in modern Nigeria

I have a friend who lives in the north of Nigeria ... in Abuja. We talk a lot about the LGBTQ community and the law that passed back in 2014. And what it does is it criminalizes same-sex relationships and if you get caught in some kind of same-sex act, it is punishable by up to 14 years in prison. And if you combine that with the Sharia laws, you could be killed: Death by stoning. So it's a scary situation to be in if you're part of the LGBTQ community, you are always being cautious.

On what she expects as the reaction to her novel in Nigeria

Maybe they think, "What is this this girl doing, writing these homosexual things?" but maybe with time they will acknowledge to themselves that I am just doing something that is humanistic.

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