Gabourey Sidibe's Message To The World: 'Mind Your Own Body' "I am plus-size, I have dark skin and I am 100 percent beautiful," the actress says. Her new book, This Is Just My Face, is a collection of essays about body image and her rise to fame.
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Gabourey Sidibe's Message To The World: 'Mind Your Own Body'

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Gabourey Sidibe's Message To The World: 'Mind Your Own Body'

Gabourey Sidibe's Message To The World: 'Mind Your Own Body'

Gabourey Sidibe's Message To The World: 'Mind Your Own Body'

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  • <iframe src="https://www.npr.org/player/embed/526057360/526349530" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
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Sidibe has appeared in FX's American Horror Story, Fox's Empire and Hulu's Difficult People. Keenon Perry/Courtesy of Houghton Mifflin Harcourt hide caption

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Keenon Perry/Courtesy of Houghton Mifflin Harcourt

Sidibe has appeared in FX's American Horror Story, Fox's Empire and Hulu's Difficult People.

Keenon Perry/Courtesy of Houghton Mifflin Harcourt

Remember Precious? The 2009 film earned six Oscar nominations, including a best actress nod for newcomer Gabourey Sidibe. Precious was Sidibe's first acting job, and audiences ached for her character, a teen who is physically and sexually abused by her family.

Before Precious, Sidibe had been in two school plays — in the chorus. Since then, she has gone on to make a career for herself in movies and TV shows, like Fox's Empire.

Now the 33-year-old has written a book of essays about her rise to fame, body image and what it's like to be her. The book is called This Is Just My Face: Try Not to Stare. She tells NPR about how fame changed her life and how she responds when people comment on her weight.


Interview Highlights

On anticipating the fame Precious might bring after she finished filming

The film was coming out and I'd shot it and everyone was telling me that I was about to be a star. But, like, I still lived in a two-bedroom apartment with, you know, my mom sleeping in the living room on a day bed, and my brother. And I would go from, you know, really, really, really excited moments to depression. ...

There was a lot of like, "Yeah, maybe." ... [The film] could have been not as big a deal as they all thought it was going to be. It could have gone straight to video. But also I didn't want to be famous, like that wasn't my goal. My goal was just to live a good life that I was happy with. And I wasn't exactly sure that that meant being the star of a movie.

Sidibe attends the 2009 Cannes Film Festival with Precious co-stars Paula Patton and Mariah Carey. She says, "My whole outfit cost maybe $37." Gareth Cattermole/Getty Images hide caption

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Gareth Cattermole/Getty Images

Sidibe attends the 2009 Cannes Film Festival with Precious co-stars Paula Patton and Mariah Carey. She says, "My whole outfit cost maybe $37."

Gareth Cattermole/Getty Images

On not having anything to wear when she started attending film festivals for Precious

I didn't have any money. I had to compete with, you know, the Mariah Careys, all the fancy people that were in the film that had, you know, whole teams behind them — makeup artists, stylists, everything — and I had none of it. ...

We're at Cannes; we're in the south of France. I'm wearing this dress that I bought from Torrid or something, and I'm also wearing jeans underneath. ... I also was wearing a headband because there was a very real point in my career where I thought, Oh, headbands will be my thing. Like, I really thought that. I was like, Ya gotta have a gimmick. ... And like these brown wedges that I truly bought from Payless. My whole outfit cost maybe $37, but I still had to stand in between Paula Patton — as gorgeous as she is, as stylish as she is — and Mariah Carey. I don't think I need to tell you how gorgeous and stylish and fancy Mariah is. That is real pressure.

On what it was like to have fans confuse her for her character in Precious

Having people call me Precious and having people confuse me for this character was both really scary, frustrating, but also really endearing and powerful. ... People would see the film and then come up to me and say, you know, "I was Precious and I was abused by my parents," and "I was abused by this family member," or, you know, "I've dealt with these issues." And these people were 70-year-old white men and [Asian teenagers], just like so many different people from all over the scope of the world. So many different people connected to this struggle because it's not about race, it's not about gender, it's not about sexuality, it's not about age — it's not about any of that. It's about humanity. ...

This Is Just My Face

Try Not to Stare

by Gabourey Sidibe

Hardcover, 246 pages |

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This Is Just My Face
Subtitle
Try Not to Stare
Author
Gabourey Sidibe

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And people would say, even when they couldn't see me as a different person from this character, they would say, "This happened to me the same way it happened to you." And I didn't feel like I could say, "This didn't happen to me. This is a character." All I could do was give sympathy and push forth strength, in a way. Say, "She made it and you can make it too."

On the chapter in her book titled "MYOB"

MYOB: Mind your own body. It's important because I don't happen to have the kind of body that we usually see on television and in films. I am plus-size, I have dark skin and I am 100 percent beautiful, but I get a lot of flak. "Oh, you should lose weight." And now that I have lost weight — I lost weight for health reasons — I get, "You look good, but don't lose too much weight because your face is starting to sink in." ...

Literally someone said, "Congratulations, I see you lost weight. Congratulations." And I say, "That's a weird thing to congratulate me on because this is my body." And it's not just the male gaze, it's like the human gaze. People do this to me. ... People staring at me. But also, this has been my body since I was 5ish, you know? It's been a 30-year thing of other people putting their own stuff on my body. But it's mine, so I will police it, thank you.

On overhearing a conversation between Precious director Lee Daniels and then-Vogue editor André Leon Talley in which they called her a "fat bitch" while planning to get her on the cover of Vogue

I know that Lee himself has struggled with his weight throughout his entire life. Lee is always on my side. But he also is very much a part of Hollywood, and Hollywood in general is not on my body's side, you know. And he's a part of that. Everyone I work with is a part of that. ...

I was listening in on the phone call where André Leon Talley was saying that he was going to get my fat black ass on the cover of the magazine, and Lee was excited about it. You know André Leon Talley is fat and black, and Lee was at that time, too, and I think that they saw me as this thing that was closer to them than I was to Hollywood, and they were celebrating that. And it hurt my feelings. It hurt my feelings. But it also was a lesson in this is what they think and this is what they will always think, and there's no way of being too talented or too pretty or too confident around it. People will still have their opinions....

I never got that cover. ... I'm not sure I want it.

Shannon Rhoades, Maddalena Richards and Nicole Cohen contributed to this story.