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Arturo O'Farrill conducts during recording sessions in Havana last winter.
David Garten/Courtesy of the artist
August 20, 2015 Alt.Latino talks to a bandleader with deep roots in Cuban music and a role in current events. O'Farrill just released a new album called Cuba: The Conversation Continues.
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Wynton Marsalis leads a group of musicians through upper Manhattan's Riverside Church for the New Orleans-style funeral of vibraphonist Lionel Hampton in 2002.
Doug Kanter/AFP/Getty Images
May 25, 2014 Around 1945, jazz's traditional funeral rites manifested in a more modern form of tribute. Now, some of the music's most powerful tunes are written in memory of late colleagues. Hear five examples.
Clarinet and saxophone player Paquito D'Rivera wore a James Moody T-shirt during a recent recording session in Brazil.
Jorge Rosenberg/Courtesy of the artist
October 19, 2012 Reedman Paquito D'Rivera called him "the most beloved jazz musician in the world." Naturally, a lot of fellow musicians are lining up to pay tribute to the man during a jazz festival named in Moody's honor. Here's a chance to explore their connections to the great saxophonist.
Arturo Sandoval and Dizzy Gillespie on tour in Europe in 1991. Sandoval's new album, Dear Diz (Every Day I Think of You), is a tribute to his friend and mentor.
Courtesy of the artist
May 12, 2012 The Cuban trumpeter first met Dizzy Gillespie in 1977, when the American jazzman came to Havana to play a concert. It was the start of a friendship that would last until Gillespie's death in 1993.
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Dizzy Gillespie in 1947.
William P. Gottlieb/Library of Congress
April 6, 2012 The jazz legend scored a soundtrack and voiced the character Father Time for a short animated film.
Brad Barket/Getty Images Entertainment
November 23, 2010 Millions of listeners know James Moody, even if they don't know him by name. He composed "Moody's Mood for Love," one of the most enduring songs in American music, and he did it with on-the-spot improvisation. Even Aretha Franklin sang it.
Dizzy Gillespie wasn't content to stick with music people could dance to.
William Gottlieb/Library of Congress via Flickr
October 19, 2010 Dizzy Gillespie wasn't content to stick with music people could dance to. The jazz trumpeter had more complex melodies, harmonies and rhythms in mind.
Conguero Poncho Sanchez gave Frank Foster's swing classic, "Shiny Stockings," a new identity as a mambo.
Charley Gallay/Getty Images Entertainment
February 22, 2010 Jazz musicians have long mined Broadway, the Great American Songbook, and even pop music for material. Here are five Latin interpretations of songs written by jazz musicians, a process that isn't as easy as playing the chords of a jazz composition over a mambo rhythm.
A collage of records.
April 30, 2009 At the record store, Tom Cole spent most of his time warding off scornful looks as he toted Mothers of Invention LPs around. One day, he decided he needed to learn about jazz. A clerk at Discount Records and Books in Washington, D.C., suggested these five records. No standards; just his absolute favorites.
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January 14, 2009 Alumni of Gillespie's many different bands still get together to ensure that his dazzling songwriting gets heard with the power and verve it demands. The Dizzy Gillespie All-Stars (the big-band edition) played a special celebration with the vocal quartet New York Voices, live from the Kennedy Center in Washington, D.C., to ring in 2009.
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