In January, Harris Eisenstadt spent two weeks studying percussion in Matanzas and Havana. Here's what he gained from the experience.
Thanks to prohibition and trains, the Canadian city became known as a nightlife capital. A web documentary traces how Oscar Peterson and others emerged from the black neighborhood of Little Burgundy.
Growing up in Denver, Rudy and Shamie Royston dreamed about moving to a jazz hub like New York. After a few welcome delays to teach and raise a family, they're beginning to pursue careers as performing musicians.
It may seem as if jazz recordings have slowed to a flurry, but it's more like a blizzard, with dozens already coming down in the new year. Hear highlights from a few albums worth shoveling out, by Archie Shepp, Edward Simon, James Brandon Lewis and more.
Facing no interest from record labels, jazz bassist Mimi Jones made two albums under her own imprint. Along the way, she signed two "amazing, bad-ass" musicians — who also happen to be black female instrumentalists.
Sixty years ago, a jazz pianist found himself in much the same bittersweet position as a rapper did on Sunday night. Surely proud of their hard work, they also sensed that their privilege as white musicians had something to do with their new success.
When he was studying jazz in the '50s and becoming a revered guitarist, Kenny Burrell vowed to teach the subject one day. Now, decades after his first class, he's never committed more to music education.
The singer-songwriter remains influential in jazz, but improvisers have yet to fully mine his repertoire. Here are a few of the attempts so far, from musicians such as Kenny Garrett, Carmen Lundy and George Benson.
WBGOJazz writers and broadcasters recap the New York City event, now in its 10th year. Plus, see photos from the music marathon, which took place Friday and Saturday.
The highest federally supported award for jazz artistry goes to four individuals this year. In a live performance from Jazz at Lincoln Center in New York, Anthony Braxton, Richard Davis, Jamey Aebersold and Keith Jarrett are honored.
Faced with a rapid tempo one night, Kenny Clarke devised a new way to play the beat on the ride cymbal. His "spang-a-lang," and the rhythmic ideas it generated, wound up transforming the way we feel swing ever after.
WBGOThe New York music marathon turns 10 this year and expands far beyond its modest origins, but it remains a place to discover new views of improvisation. Hear tunes from groups like the Jeff Ballard Trio, Tillery and Aruán Ortiz's Orbiting Quartet.
Whether famous or obscure, dozens of artists, producers, documentarians and others who contributed to the music's growth left us last year. Here's a thorough list — and 12 who didn't make all the headlines.
The late jazz multi-instrumentalist, a bluesy experimentalist, was known for his soulful, internationally flavored music. He died Monday at 93. For one struggling photographer, he was also close counsel for more than a decade.
The guitarist said he didn't "really have all that much technique anyway," but it was clearly enough to influence half a century of jazz musicians. Peers and proteges like Sonny Rollins, Julian Lage and John Scofield reflect on one of the finest ever on his instrument.