Take Five: A Weekly Jazz Sampler

Five Titans Of Texas Tenor Sax

Partner content from Jazz24

When jazz fans talk about the Texas Tenor saxophone sound, they're talking about a sound which is very robust, sometimes raw, and which mixes the musical vocabularies of swing, bebop, blues and R&B. It's that honking, bar-walking saxophone sound that used to blast from jukeboxes coast-to-coast. Here are five examples of that sound from saxophonists who hail (and wail) from Texas.

Five Titans Of Texas Tenor Sax

Cover for Bottoms Up

Illinois Jacquet

  • Album: Bottoms Up
  • Song: Bottoms Up

First of all, don't let the name "Illinois" fool you. Illinois Jacquet was born in Louisiana, but grew up in Houston, Texas. He basically became immortal in 1942 at the age of 19 when he recorded his famous sax solo in Lionel Hampton's original recording of "Flying Home." The song you'll hear now, "Bottoms Up," was also one of Jacquet's signature songs, and was described by one writer as "'Flying Home,' backwards." However you want to describe it, it's a classic example of Texas Tenor at its best.

Purchase Featured Music

Song
Bottoms Up
Album
Bottoms Up
Artist
Illinois Jacquet
Label
Prestige/OJC
Released
1968

Your purchase helps support NPR Programming. How?

Cover for Deep Purple

Arnett Cobb

  • Album: Deep Purple
  • Song: Cobb's Blues

Houston's Arnett Cobb came up hard on the heels of Illinois Jacquet. He replaced Jacquet in Lionel Hampton's band, and really started making a name for himself as a bandleader in the late 1940s. Poor health and bad luck made it difficult for Cobb to tour and record throughout the 1950s and '60s, but it doesn't seem that his saxophone playing suffered. "Cobb's Blues" was recorded in the early '70s with Milt Buckner (organ), Michael Silva (drums) and fellow Texan Clarence "Gatemouth" Brown (guitar). Cobb's solos are textbook examples of how to play Texas Tenor blues: cool and smooth at the beginning, but sassy and feisty at the end.

Purchase Featured Music

Song
Cobb's Blues
Album
Deep Purple
Artist
Arnett Cobb
Label
Black & Blue
Released
2002

Your purchase helps support NPR Programming. How?

Cover for Buddy Tate Meets Abdullah Ibrahim: The Legendary Encounter

Buddy Tate

  • Album: Buddy Tate Meets Abdullah Ibrahim: The Legendary Encounter
  • Song: Heyt Mazurki

In the previous two songs, Illinois Jacquet and Arnett Cobb have laid out the basic language of the Texas Tenor. We'll now see what happens when Southwest America meets South Africa. Buddy Tate was born in Sherman, Texas, and added his Texas Tenor sound to Count Basie's band for nearly 10 years. In 1977, Tate teamed up with South African pianist and composer Abdullah Ibrahim for one recording session, which also featured drummer Roy Brooks and bassist Cecil McBee. Ibrahim starts this song with one of his Capetown-feeling riffs, and Tate plays along for a while, but when the rhythm switches to straight-ahead swing, Abdullah drops out and Tate takes over. After a solo from McBee, Abdullah comes back in with his solo and brings the song back around to its Capetown origins, with Tate again along for the ride out. It's a compelling experiment that features fine playing from everyone.

Purchase Featured Music

Song
Heyt Mazurki
Album
Buddy Tate Meets Abdullah Ibrahim: The Legendary Encounter
Artist
Buddy Tate
Label
Chiaroscuro

Your purchase helps support NPR Programming. How?

Cover for Fathead Comes On

David "Fathead" Newman

  • Album: Fathead Comes On
  • Song: Cellar Groove

David "Fathead" Newman was raised in Dallas, where he was mentored by alto saxophonist Buster Smith, who was one of the fathers of Texas saxophone and also a great influence on Charlie Parker. Newman eventually left Smith for a 12-year stint with Ray Charles, who encouraged Newman to make his own records while still working in Charles' band. In fact, for "Cellar Groove," recorded in 1962, Newman recruited some of his colleagues from the Ray Charles Band to perform with him, most notably (in this song) trumpeter Marcus Belgrave.

Purchase Featured Music

Song
Cellar Groove
Album
Fathead Comes On
Artist
David "Fathead" Newman
Label
Collectables Records
Released
1963

Your purchase helps support NPR Programming. How?

Cover for Plays Great Memphis Hits/King Size Soul

King Curtis

  • Album: Plays Great Memphis Hits/King Size Soul
  • Song: You Don't Miss Your Water

Fort Worth, Texas, gave us King Curtis, the man who introduced the Texas Tenor sound to the world of pop music in the 1950s and '60s. As a teenager, he worked with Lionel Hampton's band (Hampton had great luck with Texas Tenor players), but soon became a studio musician, appearing on a number of rock and R&B records by Buddy Holly, The Coasters and many others. He really found the spotlight in the mid-'60s, when he began leading the band that backed Aretha Franklin. We'll hear him here doing his version of William Bell's R&B classic "You Don't Miss Your Water." Nothing like a little sweet soul music to wrap up a session with some of the titans of Texas Tenor saxophone.

Purchase Featured Music

Song
You Don't Miss Your Water
Album
Plays Great Memphis Hits/King Size Soul
Artist
King Curtis
Label
Koch Records
Released
1998

Your purchase helps support NPR Programming. How?

Purchase Featured Music

Fathead Comes On

Purchase Music

Purchase Featured Music

Album
Fathead Comes On
Artist
David "Fathead" Newman
Label
Collectables Records
Released
1963

Your purchase helps support NPR Programming. How?

 

Comments

 

Please keep your community civil. All comments must follow the NPR.org Community rules and Terms of Use. NPR reserves the right to use the comments we receive, in whole or in part, and to use the commenter's name and location, in any medium. See also the Terms of Use, Privacy Policy and Community FAQ.