Monitor Mix

by Carrie Brownstein

 
 

Sperry Top-Siders To Watch Out For

I just returned from New York City where I spent a long weekend. I would have blogged from the road but lack of sleep rendered me useless. In retrospect, I should have used the trip as a warm up for SXSW, where I will be blogging day and night with little or no rest. In NYC I recorded a preview of SXSW with NPR's Bob Boilen and Stephen Thompson and you can listen to that here.

Also while in New York, I went to see a taping of Saturday Night Live. It was memorable for a few reasons, one of which was that none other than Hillary Clinton made an appearance. The event unfolded in a very strange and oblique way. They were doing the opening bit, a parody of the recent Ohio debate between Obama and Clinton. The rest of the set was dark. Suddenly, the lights came up stage left and there she was. So much of SNL's political coverage has melded truth and fiction that it took a while for people to realize we were staring at the real thing. (The sudden onset of Secret Service roaming through the audience erased any doubts).

As many of you already know, or witnessed, Wilco performed on that night's show. I have never sat in the audience during a band's television performance. I could tell Wilco had been on tour; they were tight yet fluid, Tweedy's voice was warm and confident, the dynamic between band members was both genuine and generous. You don't often see a "band" on TV, especially on SNL, at least not anymore and not regularly. It is often a singer with a back up band or a performer surrounded by dancers and distractions. Being in the audience turned out not to be much different from watching it at home. Even in the same room as the music there remained a sterility. The context of television seems to put a gloss on both the sound and the images. But Wilco's musicianship pushed through, just enough to remind you that they are the real deal.

Soon, it will have been twenty years since the talented Jeff Tweedy began making music for people. Considering this fact, I am relieved that his band performed before Vampire Weekend, who will appear on this week's SNL. Vampire Weekend are a band whom I like, and whose popularity is well deserved, but whom I can't yet say that I love. Does anyone else feel that there is a waiting period before you dive in head first? To see if what you're experiencing is more than just the rush of excitement that comes with newness? Then again, sometimes one album, one note, is all it takes to love a band. But there is that confirmation, that reassurance, that happens when a band continues to delight you from album to album.

You know, my hesitation to fully embrace Vampire Weekend might stem from the fact that if you take preppy yacht rock too far, you end up back at Jimmy Buffet.

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1:37 PM ET | 03- 5-2008 | permalink

 

Comments (Send a comment)

I actually enjoyed watching that episode of SNL. I have such a huge crush on Ellen Page.

Sent by Eagle Eye Smith | 7:47 PM ET | 03-05-2008

A few things about this week's SNL:

The appearance may have given Clinton a trace of humanization that some of the fence riders were looking for.

I thought Wilco's selection of "Hate It Here" was perfect to snag some newbies that tuned in and happened not to flip around during the musical set. This would have snagged me:

"I try to stay busy
I do the dishes, I mow the lawn
I try to keep myself occupied
Even though I know you're not coming home"

Such a different perspective on a breakup song. Usually these type of songs either wallow in self-pity or go the opposite direction and throw darts at the one that left. This one reflects on the emptiness remaining, and the mundane domestic rituals that keep us numbly occupied.

Does anyone laugh out loud to SNL much anymore? Compare the laugh quotient to Mad TV and it appears obvious to me that SNL should consider trimming down to an hour.

It doesn't appear to me that there is anything edgy about the show anymore. Maybe it's become institutionalized.

Sent by Chad Bly | 8:38 PM ET | 03-05-2008

What about the half hug - half handshake thing? It's awkward, but you don't have to commit to the full embrace.

Sent by tim | 8:40 PM ET | 03-05-2008

You know, I agree about Vampire Weekend. There's something kind of smug and obnoxious about their whole preppy schtick. I just can't get on board. They're talented, but I just don't love them.

Sent by Wandie | 8:48 PM ET | 03-05-2008

I didn't see all of SNL 'cause I was at an amazing show (Wax Fang w/ The Whigs) but I'm sure I would've enjoy it because like so many other lesbians I crush hard on Ellen Page.

I agree with the Vampire Weekend reluctance and not whole-heartedly embracing certain bands right away. I really like Vampire Weekend but what may keep me distant is their unoriginalness? I don't know. Something like Wolf Parade I listened to and instantly fell in love with. Maybe it has to due with the amount of gusto and passion I can identify with. Or maybe it's what I'm identifying with and/or relating to overall that draws me in more. When I feel like there is something personal at stake. But maybe that's an entirely different subject.

Sent by Jaime | 9:39 PM ET | 03-05-2008

Making the transition from me liking a band to loving a band obsessively can happen because of one song. You hear one song you love, and it makes you hear all of the band's other songs with a new perspective. There are some songs I wish I could just crawl inside of. It's hard to hear music from an objective point of view... especially when there is so much hype about a new band. The hipsters can make you feel like there is something wrong with you if you don't fall in love with a band. My favorite bands have always been the ones I discover on my own because I feel a clarity as to why I like them... like they're my little secret that no one else knows about.

Sent by Amy | 9:57 PM ET | 03-05-2008

There is this failed musician part of me that resents a band selling out nearly every venue while having only existed for, what...14 months. Such as life in the internet age.

(I'm not really this bitter.)

Yet I tap my toe every time I hear them on the radio (WRUW.org--case western) and I can see why people like them. For now. I constantly sing that openly line to 'Mansard Roof'.

Those top-siders are the hip shoe here in the Cleve.

Sent by Jason M. | 10:19 PM ET | 03-05-2008

There's also the issue of bands who get hyped before they've put out very much music. I continue to think that an album or two "under the radar" is really helpful to forming a full musical personality (same holds true in other fields). I can count the number of bands (& authors, etc.) who come full-blown out of the gate in a rush of hype and end up living up to it. Esp those for whom it's a first release (as opposed to having been in some prior bands). The best first albums also tend to be ones that few people notice at the time. Of course there are exceptions, but for the most part... the number of hyped first-album bands who end up fizzling away is too big to keep track of, and the number of Clashes, Televisions, & Talking Heads (1976 was a good year wasn't it) is pretty small.

I remain blown away that you apparently were seen by the gobsmacked middle-ager in the prior post... I am gobsmacked enough that if I did see you in some place like NYC I'd figure I was seeing things.

Sent by David G. | 10:22 PM ET | 03-05-2008

I usually wait until I've liked two albums before I go gaga. There have been exceptions to this and I won't list them because who cares; usually a band either breaks even on a second album or goes downhill for me and thus the magic breaks. The outcome, very few bands I get excited for a new release.

Sent by Elizabeth | 12:00 AM ET | 03-06-2008

I think there's definitely an important waiting period before you can say you 'love' a band or piece of music; my theory is that in order to really love a song or record, it has to somehow become part of your life. Example: I recently got the chance to listen to Mates of States' last album, Bring it Back. I enjoyed it so much...but their song "Hoarding it For Home", from a much older album, is much more meaningful to me because it reminds me of a particular carride with one of my best friends. (Yes, singing the dual vocals together with said friend was involved.) I love the song not only because it is sonically, musically appealing to me, but because of the attached emotional value. To sum up, you can't really love a song or band until they remind you of a moment at a show, a moment with some special person, or some important period in your life, or something like that.

p.s. Yay for trips to my hometown! I hope you enjoyed New York, or 'the city', as I will always refer to it, no matter where I am.

Sent by jamie | 12:49 AM ET | 03-06-2008

I wrote about this very subject last month here.

Sent by Nick L. | 2:10 AM ET | 03-06-2008

You sound like you respect Wilco more than you love them. Me, I love them, though the SNL left me cold. I loved them way back in oldtimey days, before I saw them play. Since seeing them, especially with the new lineup (I'd pay a lot to see you shred against Nels Cline), I'm always impressed by their professionalism. But can respect for a band ever become love? It's a real question.

Actually, I love Wilco. -CB

Sent by piggy | 3:27 AM ET | 03-06-2008

i have a friend who is a secret service agent, and was the lead on hillary's detail when she was in town. someone at the rally asked to have her picture taken with my friend... because she was a woman. in the secret service.

Sent by puck | 4:43 AM ET | 03-06-2008

What i like about VW is that they drew on sources beyond the now standard indie-rock influences (VU, David Byrne, etc). Hopefully their willingness to embrace Afro-pop styles and bring aspects of this out of the realm of the "exotic" category of so-called World Beat will outlast their smug preppy posturing.

And yeah, yacht rock is never far off from Mr Buffets neighborhood. VW musicianship certainly suggests that they are more adventurous and ambitious than any parrothead ever was.

Sent by JD | 7:44 AM ET | 03-06-2008

I liked the Vampire Weekend album the first time I heard it, and as of right now, I still enjoy it.

However, my liking a band from the first moment I hear them usually means that I'm bound to lose interest in them just as quickly later on. VW is one of those easy-to-swallow bands, but that means they sound just tad bit disposable sometimes.

Sent by Andy C. | 8:52 AM ET | 03-06-2008

Don't forget Michael McDonald.

Sent by McCormack | 9:02 AM ET | 03-06-2008

I think that with the internet contributing to bands becoming media darlings before they've significantly toured or recorded more than one album is the biggest issue with pop music today. Those few years of work and touring before "making it" can be the difference between a band that crafted a fun album and a band that has longevity.

I think that it's easier to create that flash in the pan popularity with fun, catchy rhythms than it is to create meaningful art, and without the experience that comes with being a band for more than 6 months it becomes harder to sustain that magic.

To sum up I'll withhold final judgment on Vampire Weekend for an album or two.

Sent by Brian | 10:38 AM ET | 03-06-2008

ellen page and wilco were kind of a snoozefest. the snl with tina fey was way funnier. tina's thing on women during the weekend update made me love her like a sister from another mister.

i'm gonna try and see vampire weekend at sxsw, then i shall make a decision.

Sent by Lauren | 11:10 AM ET | 03-06-2008

If you're in Austin early enough, please consider going to the great party at Yard Dog on Wednesday 3/12 to see the annual Florida Bandango (which this year presents a few British bands, too).

Please catch the set by Tampa band Giddy-Up Helicopter! The band has three guitarists and the youngest one, Nikki Navarro, 22, is scary good.

Plus, everyone who goes gets free beer, alligator chili, and Cuban cigars! (I would not consume any of those things, but hey!)

See: http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=114556194&MyToken=92333b36-e883-46ae-8e67-8bc41025b6c3

Sent by Gina V. | 11:26 AM ET | 03-06-2008

vampire weekend's "M79" is a great song.

Agreed. -CB

Sent by paulb | 11:59 AM ET | 03-06-2008

You should read this article titled 'What to Expect From the Upcoming Vampire Weekend Backlash' featured in New York Magazine back in January?

http://nymag.com/daily/entertainment/2008/01/vampire_weekend_backlash.html


Sent by cb | 1:18 PM ET | 03-06-2008

I totally agree with "jumping in" on bands, and the waiting period...

On the flip side, theres plenty of CD's in my collection that i bought after hearing one song... just to never really get the CD out again... One of which i just got out the other day, Los Lonely Boys first album...

Sent by Kramer | 1:24 PM ET | 03-06-2008

I was in NYC this weekend also!

way too funny. way too funny.

Sent by Andrew | 1:26 PM ET | 03-06-2008

Might the reluctance be because all of Vampire Weekend's songs sound exactly the same?

Sent by Rachel | 1:56 PM ET | 03-06-2008

I agree. Vampire Weekend are good, but its nothing where I would anticipate and long for their next album. I would enjoy listening to them inadvertently on KEXP or would willingly listen to on a summer/vacation day.
I don???t think I can say that I would feel the same way about Jimmy Buffet.

Sent by Jess H | 2:39 PM ET | 03-06-2008

Missed Wilco on SNL, though I have seen them several times, and they're nothing if not a consistently strong live band. I will say I was more of a fan of their music when Bennett was on board. I know Tweedy was pretty sick of him (and in general) by YHF, and maybe that tension and personal turmoil was part of what made the album so great, but after that they seem to have lost their edge. I LOVE Nels Cline as a guitarist, but I prefer his work in the Geraldine Fibbers or his solo jazz stuff far more.

Speaking of Wilco, I just saw the behind-the-scenes doc when they recorded Mermaid Avenue. Fascinating stuff (particularly for me, having little knowledge about the life of Woody Guthrie). Tweedy is an ass a lot of the time, but I like their work on this album. Seems like there's an inverse relationship between Tweedy's general mood/stability and the inventiveness of his music.

I should clarify that I'm not saying the new Wilco isn't a really good band -- they are. They just don't grab me the same way anymore. I like it, but I don't love it.

Sent by Joel | 4:00 PM ET | 03-06-2008

does this mean you missed the sm+the jicks show? it was pretty sweet! im on about my 6th or 7th listen to the album, but hearing it straight through live was pretty sweet. damn, janet is a fine, fine drummer.

Sent by brittany | 5:06 PM ET | 03-06-2008

i'm not sure how to feel about the fact that topsiders are cool again. i remember them being pretty popular here in central illinois when i was in junior high, around 1987 or so. we called them 'boat shoes', and they were usually paired with tight rolled jeans.

now i feel extremely unfashionable and old.

Sent by scott | 8:17 PM ET | 03-06-2008

You nailed it - wilco pushed through both performances, and it was the musicianship - not tweedy's lyrics or heartfelt vocals- that saved rocky starts. I turned to SNL for the first time in years that night because nothing else was on. I had been struck by the recollection of catching Feist play on the program a few months back and thought "well maybe at least I can catch some good music". Little did I know.. .

As for my love of bands, It reveals itself so slowly that it takes me months or years before my true feelings come to light. Your pick, Boxer by The national, is a great example: Thought to be merely good upon purchase, it haunted my player until i was talking it up to anyone who would listen.

Sent by gcn | 10:22 PM ET | 03-06-2008

I give in. I bought it for real now (as opposed to haphazard mp3 blog downloads) and "M79" is pretty good. Then again, my random iTuneserator happened to flip next to the original 7" version of "Little Johnny Jewel"--& I dunno, maybe it is just me, but those were different times.

Sent by David G. | 11:05 PM ET | 03-06-2008

In response to the podcast, I saw Times New Viking in Houston when they opened for Yo La Tengo. I found them quite enjoyable live and didn't get worn down at all after their 45-minute set. I can't say the same for their CD I bought, which I find unbearably grating.

On the plus side, the entire band was quite friendly...chatting with me while I manned a Planned Parenthood booth next where they were selling merchandise. Further to their credit, they agreed to tour with Yo La Tengo on just a couple days notice after the original opening act cancelled.

Thanks for the heads up, I am excited to see them at SXSW. -CB

Sent by luvrhino | 11:34 PM ET | 03-06-2008

That's nice. However, I had tickets to Wilco's show in Charleston, SC - the one that was postponed due to said SNL performance. I am still a bit bitter, and believe that if I met Jeff Tweedy in a bar on the Landing in St. Louis, I would not buy him a drink.

Sent by Angela | 5:58 AM ET | 03-07-2008

There's a reluctance by middle-upper class white music fans to embrace 'happy' upbeat music...perhaps a kind of guilt. Radiohead is the undisputed perfect band for such taste, worthy of any amount of hype. Maybe because misery loves company?

Sent by Mike | 1:13 PM ET | 03-07-2008

The Radiohead = misery commentary is old and really one dimensional. Their music is more interesting than that. Today i "got" Wilco and listened to sky blue sky repeatedly. I wouldnt describe this album as happy or upbeat and yet it's a very inspiring album.

Sent by odrigo | 8:10 PM ET | 03-08-2008

aww yes SXSW. I'm originally frm Austin so sxsw just plain-o annoys me. lol. But I think its great for band exposure & what not. You know I think I can see why you like VW. They're sound is fun , cute & quite frankly uplifting & different in a sense. Oh and I totally dig their cover art but I have a thing for chandeliers so Im bias. lol. The only thing that really bothers me about them is seeing them on MTV's lil publicity commercials they have now while a segment show is ending. I'll use a word that kinda describes me to describe it- GAY. lmao. (smiles)

Sent by Marissa Dailey | 10:01 PM ET | 03-08-2008

Maybe it's because I get barraged with indie-plop on every commercial I see and every "hip" internet radio station, I don't care about bands like Vampire Weekend. I don't mind them and I know they make some good tunes. But I guess I figure I haven't enjoyed the musical spectrum (I'm barely on Elvis Costello and Paul Simon) and these bands just seem to be a rehash of all of that. I guess I'd rather listen to the bands that these new bands are influenced by.

Sent by Ivan | 3:18 PM ET | 03-11-2008

i think you should check out this band air waves while you are at sxsw. i saw them last night and they were SO good. jaime tambeur (ex unicorns & islands) is drumming for them and the singer & songwriter (nicole schneit) is amazing.. even dan deacon said so.

Sent by ld | 4:18 PM ET | 03-11-2008

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Carrie Brownstein

Carrie Brownstein

Carrie Brownstein is a writer and musician. She was a member of the critically acclaimed rock band Sleater-Kinney. Her writing has appeared in 'The New York Times,' 'The Believer,' 'Pitchfork,' and various book anthologies on music and culture. Read Carrie's F.A.Q.

 

 


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