First things first: It's hard to figure out exactly how to talk about the BBC America series Orphan Black in any way that's remotely meaningful without revealing at least the premise, which takes a couple of episodes to develop in the first season. So while we — including Petra Mayer of NPR Books — did our best not to spoil you on the season that's past, and while we say nothing at all about the opening of the second season (which we watched in preparation), understand that the basic What's Going On? question that arises in the pilot is the premise of our conversation. Not the twists and not the turns, but the general road we're on, if that makes sense. And as promised, we can tell you that BBC America is indeed marathoning that first season — it's underway as of 9:00 a.m. Eastern time Friday, and will begin again at Episode 1 at 8:00 p.m.
If you prefer to skip the Orphan Black discussion, you can skip to about the 19:30 mark, where you'll find our second topic this week: dream sequences. David Lynch! Buster Keaton! My So-Called Life! Emotional work and narrative work and another taxonomy courtesy of Glen! We talk about dream logic (as Glen calls it, "my teeth are falling out I gotta take a test I'm naked") and dream locales, and Buffy The Vampire Slayer gets its second mention of the week.
As always, we close the show with what's making us happy this week. Stephen is happy about a Buzzfeed longread that he's too modest to tell you should lead you to a classic A.V. Club longread. As many (many, many) of you knew he would be, Glen is happy about the release of a new record that echoes an idea Glen told you about long, long ago. Petra is happy about the noises that baby animals make, because sometimes, that's just what the heart needs. More substantively, she's also happy about some gaming news. And I'm happy about a movie and story that taught me a lot about adaptation.
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