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Blacks on the Broadway Stage and in the Audience

The stage is often a mirror to life.

Now for some, the Broadway stage has become both an imitation of life and an invitation to participate. Tennessee Williams' Cat on a Hot Tin Roof recently landed on Broadway with an all-black cast bringing in a largely black audience.

'Cat,' which stars James Earl Jones, Terrence Howard and Anika Noni Rose, has a large audience, all right; last week it sold nearly $700,000 in tickets, an outstanding number for a nonmusical. Stephen C. Byrd, the rookie producer of 'Cat,' estimates the audience to be between 70 percent and 80 percent African-American.

The 1958 film version of Williams' classic starred Paul Newman and Elizabeth Taylor, and various stage adaptations of the play were produced over the years, including a version starring the Tony nominated Kathleen Turner in 1990, and a 2003 adaptation with Ashely Judd and Jason Patric.

The recent version is the first to showcase an all-black cast.

How does the altering of race inhibit or augment the effectiveness of the play? What other plays would you like to see with a racial update? And who would you like to see in them?

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I saw Cat. I saw us, African-Americans, in all our beauty and strength as a people attend Cat. Amazing. I was as excited being part of that audience as I was about the play. Now, a Tennesse Williams play with all black folks? Amazing. Our oppression-laden experience brings immense power to characters who missed out on love in their lives but hunger for it. This production is filled with very mature, gifted actors. Without their superb treatment Williams's characters might have come off as simply pathetic instead of richly complex. Richly complex and expert at surviving are middle names of the African-American heritage. We are amazing.

Sent by Aisha Gabriel | 6:34 PM ET | 03-20-2008

Don't forget....Laurence Fishburne is headed to Broadway with a one man play about Thurgood Marshall...

Sent by Farai | 7:56 PM ET | 03-21-2008



   
   
   
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