These collages are very, very odd. Comically whimsical and borderline frightening — a la Alice in Wonderland. And I have to say: I have a newfound respect for the Victorian women who made them. In the late 19th century, photography was all the rage — but it was dominated by men.

  • Mixed Pickles from the Westmorland Album,  circa 1870, Victoria Alexandrina Anderson-Pelham and Eva Macdonald.
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    Mixed Pickles from the Westmorland Album, circa 1870, Victoria Alexandrina Anderson-Pelham and Eva Macdonald.
    Courtesy of the J. Paul Getty Museum, Los Angeles
  • Untitled page from the Gough Album, circa 1870s, Kate Edith Gough
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    Untitled page from the Gough Album, circa 1870s, Kate Edith Gough
    Courtesy of V&A Images/Victoria and Albert Museum, London
  • Untitled page from the Bouverie Album, 1872, Elizabeth Pleydell-Bouverie, Jane Pleydell-Bouverie and Janet Pleydell-Bouverie.
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    Untitled page from the Bouverie Album, 1872, Elizabeth Pleydell-Bouverie, Jane Pleydell-Bouverie and Janet Pleydell-Bouverie.
    Courtesy of George Eastman House
  • Untitled page from the Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier.
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    Untitled page from the Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier.
    Courtesy of The Art Institute of Chicago
  • Untitled page from the Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier
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    Untitled page from the Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier
    The Art Institute of Chicago
  • Untitled page from the Berkeley Album, 1867, Georgina Berkeley.
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    Untitled page from the Berkeley Album, 1867, Georgina Berkeley.
    Courtesy of Reunion des Musees Nationaux/Art Resource, New York
  • Untitled page from the Cator Album, circa 1870s, Maria Harriet Elizabeth Cator.
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    Untitled page from the Cator Album, circa 1870s, Maria Harriet Elizabeth Cator.
    Courtesy of Hans P. Kraus Jr., New York
  • Mary Georgiana Caroline, Lady Filmer, Untitled loose page from the Filmer Album, mid-1860s.
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    Mary Georgiana Caroline, Lady Filmer, Untitled loose page from the Filmer Album, mid-1860s.
    Courtesy of Paul F. Walter
  • Untitled page from the Sackville-West Album, circa 1870
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    Untitled page from the Sackville-West Album, circa 1870
    Courtesy of George Eastman House

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Women posed for photographs and collected photos of friends and family, but they rarely snapped the shutter. (OK fine, there were some female photographers, but they were way outnumbered.) So it's interesting to see some of the other things women did with their photo collections. Playing with Pictures, a new exhibition at the Metropolitan Museum of Art, takes a look at those Victorian photo collages.

Malcolm Daniel, curator in charge of the Department of Photographs at the Metropolitan, had this to say in the exhibition's press release:

What is so exciting about this exhibition is that we see a different type of artist — almost exclusively aristocratic women — using photography in highly imaginative ways, and
creating pictures meant for private pleasure rather than public consumption. It is an
aspect of photography's history that has rarely been seen or written about.

It's funny to compare this crafty stuff with, say, the photo montages of the Dadaist, abstract expressionist or surrealist movements. You might say it really spiraled out of control.

Read more after the jump!

 

Plenty of artists are still using the technique today — like Joanne Leonard, a bastion of the female Victorian legacy. But unlike her predecessors, Leonard takes the photos, too.

And it's taken on new life in the digital age. Check out National Geographic's infinite photograph. It's basically an ... infinite photo collage of photos submitted by users:

And there are other kitschy applications floating around the Web like this one, which allows you to assemble your photos in a certain shape, and this Steve Jobs collage of gadgets, for all you technophiles out there:

Anyway, we could go on forever about how people play with pictures. It's fun and, if you're a Victorian woman, it's really weird. The exhibition will be on display from Feb. 2 — May 9, 2010.

Have an idea? Pitch it!

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