In radio, they often say that you get your best tape as soon as the formal interview ends. Sometimes the same thing is true in photography. Philippe Halsman, for example, shot an unsurpassed 101 covers for Life magazine, working with some of the most iconic and influential public figures of that era. And at the end of his sessions, he would ask his models to jump.

  • Salvador Dali, Atomicus, 1947
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    Salvador Dali, Atomicus, 1947
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Grace Kelly, 1959
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    Grace Kelly, 1959
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Ed Sullivan, 1955
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    Ed Sullivan, 1955
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Audrey Hepburn, 1955
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    Audrey Hepburn, 1955
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Aldous Huxley, 1958
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    Aldous Huxley, 1958
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Bridgette Bardot, 1951
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    Bridgette Bardot, 1951
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Benny Goodman, 1957
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    Benny Goodman, 1957
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Dick Clark, 1952
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    Dick Clark, 1952
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Eva Marie Saint, 1954
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    Eva Marie Saint, 1954
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Jackie Gleason, 1955
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    Jackie Gleason, 1955
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Jean Seberg with Cat, 1959
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    Jean Seberg with Cat, 1959
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Richard Nixon
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    Richard Nixon
    Philippe Halsman/Courtesy of Laurence Miller Gallery
  • Philippe Halsman and Marilyn Monroe
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    Philippe Halsman and Marilyn Monroe
    Philippe Halsman/Courtesy of Laurence Miller Gallery

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More than fifty of these whimsical candids are on display at New York City's Laurence Miller Gallery: Benny Goodman stiff and straight as his clarinet, Salvador Dali in a surreal scene of flying cats and floating chairs, Audrey Hepburn sporting a full-faced grin. Halsman's levity (pun intended) will make you smile.

Actually, the Dali photograph is one of the few in this collection that is posed. The two artists met in Europe in the in 1940s and collaborated frequently through the years. Halsman eventually became one of the most successful portrait photographers in the 1950s. You may have seen his portraits of Dali, Albert Einstein and countless others.

It must have taken some real charisma to convince both Marilyn Monroe and Richard Nixon to jump. Halsman's story is fascinating and worth exploring. You can learn more here and here.