What do viewers want from musician biopics, like last month's VH1 movie about TLC? And what makes some of them work while others fail (horribly, horribly fail)?
Interviews, analysis and behind-the-scenes reporting about the many ways music moves from the people who make it to the people who listen to it.
A furniture company recorded all of the top African-American blues and jazz performers of the 1920s. Despite its roster's firepower, the label folded after just 15 years in business. A new reissue project tries to recapture some of the Paramount Records magic.
An industry vet weighs the pros and cons of musicians dropping albums with little warning.
Based on the data, Katy Perry's "Roar" feels like a culture-dominating No. 1 hit, while "Wrecking Ball" feels a bit like a trollgaze meme. But on a chart with a history of one-off, faddish but surprisingly enduring No. 1 hits, Cyrus' song is part of a long tradition.
The label run by engineer Cookie Marenco sells super high-definition downloads — a development even she thought impossible 15 years ago. The downloads may be expensive, but she says, the sound is superior to current popular audio formats like MP3.
Pandora, Rdio and Spotify are changing the way we listen to music, but all have had money issues. Apple and Google join the fray this year and music producer Jimmy Iovine is launching a service with Beats by Dr. Dre.
A new book provides evidence of racial mixing in country music as far back as the 1930s, but today is the red Solo cup (to quote a Toby Keith lyric) half full or half empty?
He said what we've all been saying: rappers need to try harder. And if the past week is any indication, this fall there will be a marked dispensation of niceties — and a renewed focus on craft and song-making.
WNYCSteinway Musical Instruments is on the auction block and a mystery bidder, rumored to be hedge fund manager John Paulson, appears to have the winning bid at $458 million. Ilya Marritz explains why the fairly healthy company is seeking a buyout in the first place.
After 55 years, the voracious creature, built to absorb whatever medium is delivering music to the masses at any given time, is complicated and imperfect — any chart where Bob Dylan, Bruce Springsteen and Missy Elliott peak only at No. 2 is — but it's still the best benchmark we have to measure the bigness of hits.