The Pursuit of Happyness

by Quincy Troupe, Mim Eichler Rivas and Chris Gardner

Hardcover, 302 pages, Harpercollins, List Price: $25.99 | purchase

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The Pursuit of Happyness
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Book Summary

In a candid, intensely personal memoir, a successful entrepreneur traces his journey from growing up with an abusive stepfather, to life on the streets as a homeless man with a small toddler in tow, to his triumphant battle to the top as a self-made millionaire. 100,000 first printing.

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Excerpt: The Pursuit Of Happyness

The Pursuit of Happyness


HarperCollins Publishers, Inc.

Copyright © 2006 Chris Gardner
All right reserved.

ISBN: 0060744863

Chapter One

Candy

In my memory's sketch of early childhood, drawn by an artist of the impressionist school, there is one image that stands out above the rest — which when called forth is preceded by the mouth-watering aroma of pancake syrup warming in a skillet and the crackling, bubbling sounds of the syrup transforming magically into homemade pull candy. Then she comes into view, the real, real pretty woman who stands at the stove, making this magic just for me.

Or at least, that's how it feels to a boy of three years old. There is another wonderful smell that accompanies her presence as she turns, smiling right in my direction, as she steps closer to where I stand in the middle of the kitchen — waiting eagerly next to my sister, seven-year-old Ophelia, and two of the other children, Rufus and Pookie, who live in this house. As she slips the cooling candy off the wooden spoon, pulling and breaking it into pieces that she brings and places in my outstretched hand, as she watches me happily gobbling up the tasty sweetness, her wonderful fragrance is there again. Not perfume or anything floral or spicy — it's just a clean, warm, good smell that wraps around me like a Superman cape, making me feel strong, special, and loved — even if I don't have words for those concepts yet.

Though I don't know who she is, I sense a familiarity about her, not only because she has come before and made candy in this same fashion, but also because of how she looks at me — like she's talking to me from her eyes, saying, You remember me, don't you?

At this point in childhood, and for most of the first five years of my life, the map of my world was broken strictly into two territories — the familiar and the unknown. The happy, safe zone of the familiar was very small, often a shifting dot on the map, while the unknown was vast, terrifying, and constant.

What I did know by the age of three or four was that Ophelia was my older sister and best friend, and also that we were treated with kindness by Mr. and Mrs. Robinson, the adults whose house we lived in. What I didn't know was that the Robinsons' house was a foster home, or what that meant. Our situation — where our real parents were and why we didn't live with them, or why we sometimes did live with uncles and aunts and cousins — was as mysterious as the situations of the other foster children living at the Robinsons'.

What mattered most was that I had a sister who looked out for me, and I had Rufus and Pookie and the other boys to follow outside for fun and mischief. All that was familiar, the backyard and the rest of the block, was safe turf where we could run and play games like tag, kick-the-can, and hide-and-seek, even after dark. That is, except, for the house two doors down from the Robinsons.

Every time we passed it I had to almost look the other way, just knowing the old white woman who lived there might suddenly appear and put an evil curse on me — because, according to Ophelia and everyone else in the neighborhood, the old woman was a witch.

When Ophelia and I passed by the house together once and I confessed that I was scared of the witch, my sister said, "I ain't scared," and to prove it she walked right into the front yard and grabbed a handful of cherries off the woman's cherry tree.

Ophelia ate those cherries with a smile. But within the week I was in the Robinsons' house when here came Ophelia, racing up the steps and stumbling inside, panting and holding her seven-year-old chest, describing how the witch had caught her stealing cherries and grabbed her arm, cackling, "I'm gonna get you!"

Scared to death as she was now, Ophelia soon decided that since she had escaped an untimely death once, she might as well go back to stealing cherries. Even so, she made me promise to avoid the strange woman's house. "Now, remember," Ophelia warned, "when you walk by, if you see her on the porch, don't you look at her and never say nuthin' to her, even if she calls you by name."

I didn't have to promise because I knew that nothing and no one could ever make me do that. But I was still haunted by nightmares so real that I could have sworn I actually snuck into her house and found myself in the middle of a dark, creepy room where I was surrounded by an army of cats, rearing up on their back legs, baring their claws and fangs. The nightmares were so intense that for the longest time I had an irrational fear and dislike of cats. At the same time, I was not entirely convinced that this old woman was in fact a witch. Maybe she was just different. Since I'd never seen any white people other than her, I figured they might all be like that.

Then again, because my big sister was my only resource for explaining all that was unknown, I believed her and accepted her explanations. But as I pieced together fragments of information about our family over the years, mainly from Ophelia and also from some of our uncles and aunts, I found the answers much harder to grasp.

How the real pretty woman who came to make the candy fit into the puzzle, I was never told, but something old and wise inside me knew that she was important. Maybe it was how she seemed to pay special attention to me, even though she was just as nice to Ophelia and the other kids, or maybe it was how she and I seemed to have a secret way of talking without words. In our unspoken conversation, I understood her to be saying that seeing me happy made her even happier, and so . . .

Continues...