How to Live

Or a Life of Montaigne in One Question and Twenty Attempts at an Answer

by Sarah Bakewell

Paperback, 399 pages, Random House Inc, List Price: $16.95 | purchase

Purchase Featured Book

Title
How to Live
Subtitle
Or a Life of Montaigne in One Question and Twenty Attempts at an Answer
Author
Sarah Bakewell

Your purchase helps support NPR Programming. How?

Other editions available for purchase:

Hardcover, 389 pages, Random House Inc, $25, published October 19 2010 | purchase

Purchase Featured Book

Title
How to Live
Subtitle
Or a Life of Montaigne in One Question and Twenty Attempts at an Answer
Author
Sarah Bakewell

Your purchase helps support NPR Programming. How?

NPR Summary

More than 400 years after his death, the words of writer and philosopher Michel Eyquem de Montaigne still ring true. In this engaging biography, Sarah Blakewell profiles the man known to many as the "first truly modern individual."

Read an excerpt of this book

Awards and Recognition

1 week on NPR Paperback Nonfiction Bestseller List

Note: Book excerpts are provided by the publisher and may contain language some find offensive.

Excerpt: How To Live

The riding accident, which so altered Montaigne’s perspective, lasted only a few moments in itself, but one can unfold it into three parts and spread it over several years. First, there is Montaigne lying on the ground, clawing at his stomach while experiencing euphoria. Then comes Montaigne in the weeks and months that followed, reflecting on the experience and trying to reconcile it with his philosophical reading. Finally, there is Montaigne a few years later, sitting down to write about it – and about a multitude of other things. The first scene could have happened to anyone; the second to any sensitive, educated young man of the Renaissance. The last makes Montaigne unique.
     The connection is not a simple one: he did not sit up in bed and immediately start writing about the accident. He began the Essays a couple of years later, around 1572, and, even then, he wrote other chapters before coming to the one about losing consciousness. When he did turn to it, however, the experience made him try a new kind of writing, barely attempted by other writers: that of re-creating a sequence of sensations as they felt from the inside, following them from instant to instant.