New American Haggadah

by Jonathan Safran Foer and Nathan Englander

Hardcover, 160 pages, Little Brown & Co., List Price: $29.99 |


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New American Haggadah
Jonathan Safran Foer and Nathan Englander

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Book Summary

The author of Extremely Loud and Incredibly Close offers a new translation of the text of prayer and song used by Jewish familes each year to celebrate Passover and the story of Exodus, with the text augmented by commentary by a number of modern-day thinkers, including Michael Pollan, Lemony Snicket, Tony Kushner and Judith Shulevitz.

Read an excerpt of this book

Awards and Recognition

3 weeks on NPR Hardcover Nonfiction Bestseller List

NPR stories about New American Haggadah

Nathan Englander grew up in an Orthodox Jewish family. He now splits his time between New York and Madison, Wis. Juliana Sohn hide caption

toggle caption Juliana Sohn

Nathan Englander grew up in an Orthodox Jewish family. He now splits his time between New York and Madison, Wis. Juliana Sohn hide caption

toggle caption Juliana Sohn

Note: Book excerpts are provided by the publisher and may contain language some find offensive.

Excerpt: "New American Haggadah"

Here we are. Here we are, gathered to celebrate the oldest continually practiced ritual in the Western world, to retell what is arguably the best known of all stories, to take part in the most widely practiced Jewish holiday. Here we are as we were last year, and as we hope to be next year. Here we are, as night descends in succession over all of the Jews of the world, with a book in front of us.

Jews have a special relationship to books, and the Haggadah has been translated more widely, and reprinted more often, than any other Jewish book. It is not a work of history or philosophy, not a prayer book, user's manual, timeline, poem, or palimpsest — and yet it is all of these things. The Torah is the foundational text for Jewish law, but the Haggadah is our book of living memory. We are not merely telling a story here. We are being called to a radical act of empathy. Here we are, embarking on an ancient, perennial attempt to give human life — our lives — dignity.

The need for new Haggadahs does not imply the failure of existing ones, but the struggle to engage everyone at the table in a time that is unlike any that has come before. Our translation must know our idiom, our commentaries must wrestle with our conflicts, our design must respond to how our world looks and feels.

This Haggadah makes no attempt to redefine what a Haggadah is, or overlay any particular political or regional agenda. (It is called New American Haggadah not because there is anything uniquely American about it, but in the tradition of naming a Haggadah after where it was made.) Like all Haggadahs before it, this one hopes to excite the mind and heart. Like all Haggadahs before it, this one hopes to be replaced.

Here we are: Individuals remembering a shared past and in pursuit of a shared destiny. The seder is a protest against despair. The universe might appear deaf to our fears and hopes, but we are not — so we gather, and share them, and pass them down. We have been waiting for this moment for thousands of years — more than one hundred generations of Jews have been here as we are — and we will continue to wait for it. And we will not wait idly.

As you read these words — as our people's ink-stained fingers turn its wine-stained pages — new Haggadahs are being written. And as future Jews at future tables read those Haggadahs, other Haggadahs will be written. New Haggadahs will be written until there are no more Jews to write them. Or until our destiny has been fulfilled, and there is no more need to say, "Next year in Jerusalem."

From The New American Haggadah, edited by Jonathan Safran Foer, with a new translation by Nathan Englander. Copyright 2012 by Jonathan Safran Foer. Translation copyright 2012 by Nathan Englander. Excerpted with permission from Little, Brown and Company.

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