• Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
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    Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Shantel Mitchell for NPR
  • Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Hide caption
    Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Shantel Mitchell for NPR
  • Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Hide caption
    Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Shantel Mitchell for NPR
  • Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Hide caption
    Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Shantel Mitchell for NPR
  • Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Hide caption
    Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Shantel Mitchell for NPR
  • Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Hide caption
    Laura Marling performs at Sixth & I Synagogue in Washington, D.C., on Sept. 27.
    Shantel Mitchell for NPR

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Live in Concert

Laura Marling In Concert

Laura Marling In Concert

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In spite of Laura Marling's admission that she doesn't play encores, the audience couldn't be faulted for standing and hollering at the end of the singer's set at the 6th & I Historic Synagogue on Sept. 27. At just 21, the British folk-rock musician put on a captivating show that wound smoothly through songs from all three of her full-length albums and even included one new, unreleased song.

Marling, who frequently performs with nothing more than her voice and guitar, brought along a full band this time, complete with banjo, electric guitar, drums, horn, cello and upright bass. The singer took turns performing solo and alongside the band, holding her audience rapt with either arrangement, as Marling's smoky voice reverberated across the pews and soared upward toward the dome of the sanctuary. In quieter solo moments, the only audible sounds were that voice, Marling's deftly plucked acoustic guitar and the creaking of old wooden floorboards.

Of course, those quiet moments were offset by walloping numbers in which Marling stood howling before her full band. The cacophony from so many instruments could have become muddled in such an intimate space, but instead it lent the songs thunderous power that seemed to shake the dust from the old synagogue's ceiling.

The set wasn't all dark and stormy, though. Although Marling claimed to be bad at stage banter, she quickly proved otherwise, putting the audience at ease with her candor and easy charm. She demonstrated sharp comedic timing and a dry sense of humor when explaining how she copes with her lack of stage presence by simply addressing the audience with a series of basic facts. ("The first fact is, this is the guitar we recorded the album on. The second fact is, this is a song from the album.") Her struggle to keep herself from swearing produced even more laughter.

It was a show that worked on all emotional levels, full of rage and gorgeous, tear-jerking music, but also a refreshing sense of lightness. Although Marling didn't return to the stage for an encore as she'd warned, she expertly left the crowd begging for more.

Set List
  • Rambling Man
  • Alpha Shallows
  • Alas I Cannot Swim
  • Ghosts
  • I Was Just A Card
  • The Muse
  • Hope In The Air
  • Don't Ask Me Why
  • Salinas
  • England (Covered In Snow)
  • New Song (Untitled)
  • Night After Night
  • Blackberry Stone
  • Sophia
  • I Speak Because I Can
  • All My Rage
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