<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	>

<channel>
	<title>NPR INTERN EDITION</title>
	<atom:link href="http://www.npr.org/internedition/spring09/?feed=rss2" rel="self" type="application/rss+xml" />
	<link>http://www.npr.org/internedition/spring09</link>
	<description>Intern Edition is a web-based radio and multimedia project from National Public Radio. It’s produced entirely by public radio’s next generation of contributors.</description>
	<pubDate>Sun, 21 Jun 2009 15:22:04 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.7</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Journalism Is Dead. Long Live Journalism!</title>
		<link>http://www.npr.org/internedition/spring09/?p=1414</link>
		<comments>http://www.npr.org/internedition/spring09/?p=1414#comments</comments>
		<pubDate>Fri, 24 Apr 2009 21:14:35 +0000</pubDate>
		<dc:creator>Blog Editor</dc:creator>
		
		<category><![CDATA[Published Work]]></category>

		<guid isPermaLink="false">http://www.npr.org/internedition/spring09/?p=1414</guid>
		<description><![CDATA[-By Lauren Evans for NPR Opinion-
This weekend, I bought a newspaper.
Sure, I&#8217;ve bought them in the past. But this time, it was more than the simple business transaction it used to be. When I handed over my $1.50, I swelled with the same sense of noble do-gooding I feel when I donate money to save [...]]]></description>
			<content:encoded><![CDATA[<p>-By <a href="http://www.npr.org/internedition/spring09/?p=610">Lauren Evans</a> for <a href="http://www.npr.org/templates/story/story.php?storyId=103459321">NPR Opinion</a>-</p>
<p>This weekend, I bought a newspaper.</p>
<p>Sure, I&#8217;ve bought them in the past. But this time, it was more than the simple business transaction it used to be. When I handed over my $1.50, I swelled with the same sense of noble do-gooding I feel when I donate money to save an endangered animal or a threatened rainforest. Sure, I believe in those causes, but right now, I think journalism needs to be reminded that I believe in it, too.</p>
<p>I have wanted to be a journalist since I was 11 years old. OK, that&#8217;s not quite true. I wanted to sit at a desk with a camera pointed at me, my hair perfectly coiffed and my power suit starched, reading the news in a way that suggested my deep-seated distress for the kitten in the tree one minute and the heartfelt accolades for the girl who won the local spelling bee the next. To me, journalism was a combination of deftly executed facial expressions, all subtle brow wrinkles and head tilts.</p>
<p>It wasn&#8217;t until I got to college that my ambitions took a loftier turn. Since my university lacked a broadcast journalism major, I reluctantly enrolled in the next closest thing: print journalism. Though my dreams of staring meaningfully into the camera might not come to pass, the glory of my byline radiating from atop the page would suffice. I pictured the trench coats I would wear as I prowled the campus for the &#8220;scoop.&#8221; I pictured myself using words like &#8220;scoop.&#8221; This possibility was more inviting than the starched power suit: I was sold.</p>
<p>A number of journalism classes later, I was disappointed to discover that journalism wasn&#8217;t the glamorous profession I&#8217;d envisioned. After covering such trifling events as &#8220;parent&#8217;s weekend,&#8221; I began a mental tally of the number of these stories I&#8217;d have to cover before I could expect to see my face plastered beside Maureen Dowd&#8217;s. I won&#8217;t bore you with the calculations, but the answer was, succinctly, a lot.</p>
<p>But I discovered something. Journalism — real journalism — means finding the interesting, the obscure, the truth in the seemingly banal. Anyone can report facts. A journalist looks past the facts and asks &#8220;why?&#8221;</p>
<p>There is nothing glamorous about sitting in front of a computer at 3 a.m, surrounded by mounds of scribbled notes, with a blank page staring at you, the cursor blinking expectantly like a foot tapping, waiting for you to type something true and real, something that captures the essence of all those notes. It is a grave responsibility. It is a daunting responsibility, and nothing is further removed from the glow of the studio lights or the flick of the touch-up brush.</p>
<p>When I handed over my $1.50 for my newspaper, I did it because I believe in journalism. Sure, I love newspapers. They make handy fly swatters, and I can think of no better material with which to housetrain my hypothetical puppy. But I don&#8217;t care if my news comes printed on a souvenir grain of rice or expelled in smoke from the back of a plane. To obsess over the delivery is to miss the point. No matter how it&#8217;s told, journalism will live on. There are enough people willing to do the unglamorous dirty work — who want to know &#8220;why&#8221; so much that it doesn&#8217;t matter that it&#8217;s difficult, lonely and often thankless. Journalists have endured torture and imprisonment. You think these people are going to stop telling stories because the paper is gone? Losing the paper isn&#8217;t going to silence journalism. As long as there are stories, there are journalists who will risk life and limb to tell them.</p>
<p>&#8220;How do you know?&#8221; you ask, the incredulous reporter that you are. &#8220;Who are these people who are willing to do so much, just for a story?&#8221;</p>
<p>This is one &#8220;who&#8221; that&#8217;s easy to answer: Because I&#8217;m one of them. </p>
<p><i><a href="http://www.npr.org/templates/story/story.php?storyId=103459321">Original Post</a></i></p>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=1414</wfw:commentRss>
		</item>
		<item>
		<title>College Activists Surge Into &#8216;Power&#8217;</title>
		<link>http://www.npr.org/internedition/spring09/?p=1321</link>
		<comments>http://www.npr.org/internedition/spring09/?p=1321#comments</comments>
		<pubDate>Thu, 23 Apr 2009 21:30:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.npr.org/internedition/spring09/?p=1321</guid>
		<description><![CDATA[- by Ellen Grafton -
On Feb. 27 to March 2, almost 12,000 young people gathered at the Convention Center in Washington D.C. for Power Shift 2009.  
Power Shift is an annual event that encourages young people to lobby for environmental causes.  This year, participants attended three days of forums, lectures and workshops about [...]]]></description>
			<content:encoded><![CDATA[<p>- by <a href="http://www.npr.org/internedition/spring09/?p=558">Ellen Grafton</a> -</p>
<p>On Feb. 27 to March 2, almost 12,000 young people gathered at the Convention Center in Washington D.C. for Power Shift 2009.  </p>
<p>Power Shift is an annual event that encourages young people to lobby for environmental causes.  This year, participants attended three days of forums, lectures and workshops about environmental issues and lobbying. The event culminated on March 2 with a day of lobbying on capitol hill.</p>
<p><img alt="" src="http://www.npr.org/internedition/spring09/images/post/03.jpg" class="alignnone" width="590" height="333" /><br />
<strong>The lobby of the Washington Convention Center was filled with people passionate about the environment during PowerShift 2009.</strong><i>Photo by <a href="http://www.npr.org/internedition/spring09/?p=625">Christopher Toothman</a></i></p>
<p>The second largest student group at Power Shift 2009 came from Middlebury College, a small liberal arts college in Vermont.  Nearly 10% of Middlebury&#8217;s student population—194 students—travelled 500 miles to attend Power Shift. </p>
<p>Middlebury&#8217;s enthusiastic participation is due, in part, to a campus-based environmental activist group called the Saturday Night Group, or SNG.   As Middlebury senior Chester Harvey explains, &#8220;SNG is a group of kids on the Middlebury Campus—anywhere from 15 kids on a night to 150 kids on a night—that meet in a room on campus every Sunday night at 9pm.  And we talk about issues related to climate change, energy use, and other environmental issues.&#8221;  </p>
<p>Nate Blumenshine, another senior member of SNG, calls Power Shift the &#8220;logical national coalition for us [SNG] to be a part of.&#8221;  Both groups focus on empowering individuals within the environmental movement.  &#8220;That&#8217;s what I think a grassroots movement is all about,&#8221; Blumenshine says.  &#8220;People feeling really important in their role, and feeling really unique in their role, but at the same time being way, way bigger.&#8221;</p>
<p><img alt="" src="http://www.npr.org/internedition/spring09/images/post/02.jpg" class="alignnone" width="590" height="333" /><br />
<strong>Nate Blumenshine attends a PowerShift rally on the lawn of the U.S. Capitol.</strong> <i>Photo by <a href="http://www.npr.org/internedition/spring09/?p=625">Christopher Toothman</a></i> </p>
<p>At the end of their second day at Power Shift, the students from Middlebury College gathered in the Convention Center Lobby and walked to the National Mall to take pictures of the group in front of the capitol.  While walking downtown, first-year student Kelsey Calhoun told me about the lasting impression Power Shift had made on her.  The panels and speakers had convinced her to continue lobbying after she returned to Vermont.  &#8220;I&#8217;m going to go home and start writing letters, start talking, start making my voice heard—to use the cliché,&#8221; Calhoun said.  </p>
<p>One of the panels that made such a strong impression on Calhoun was &#8220;The Road To Copenhagen.&#8221;  The panel featured several speakers including Middlebury professor Bill McKibben.  The forum was so popular that it filled to capacity both days that it ran, and organizers had to turn away people at the door.  The panel discussed the expectations and goals that need to be met in the upcoming global Climate Conference in Copenhagen in December 2009.  </p>
<p>McKibben is one of the founders of www.350.org, an organization focused on reducing carbon emissions and combating climate change.  350.org emphasizes the need to reduce atmospheric carbon dioxide to 350 parts per million—a number identified by some scientists as the upper limit of CO2 that can exist in the atmosphere without catastrophic results.</p>
<p>McKibben re-iterated the timely importance of Power Shift: &#8220;2009 is the most important year we&#8217;ve ever had in dealing with climate,&#8221; McKibben insists. &#8220;We&#8217;ve got this huge international meeting in Copenhagen coming up, we&#8217;ve got the Obama administration so there&#8217;s the possibility of doing something right—we&#8217;ve got to make it happen.&#8221;</p>
<p style="text-align: center;"><object width="425" height="400" data="http://www.npr.org/internedition/spring09/multimedia/powershift/soundslider.swf?size=2&amp;format=xml&amp;autoload=false" type="application/x-shockwave-flash"><param name="id" value="soundslider" /><param name="allowScriptAccess" value="always" /><param name="quality" value="high" /><param name="allowFullScreen" value="true" /><param name="menu" value="false" /><param name="bgcolor" value="#000000" /><param name="src" value="http://www.npr.org/internedition/spring09/multimedia/powershift/soundslider.swf?size=2&amp;format=xml&amp;autoload=false" /><param name="allowfullscreen" value="true" /></object></p>
<h6 style="text-align: right;"><span style="color: #808080;"><br />
<i>Posted by Christopher Toothman</i></span></h6>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=1321</wfw:commentRss>
		</item>
		<item>
		<title>Inaugural Dance Party</title>
		<link>http://www.npr.org/internedition/spring09/?p=1306</link>
		<comments>http://www.npr.org/internedition/spring09/?p=1306#comments</comments>
		<pubDate>Thu, 23 Apr 2009 19:47:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Multimedia]]></category>

		<category><![CDATA[Jason Sparks]]></category>

		<category><![CDATA[Whitney Gratton]]></category>

		<guid isPermaLink="false">http://www.npr.org/internedition/spring09/?p=1306</guid>
		<description><![CDATA[During inauguration weekend a group gathered on a D.C. sidewalk with a different sort of celebration in mind  After practicing for less than an hour in an office, they took to the streets to celebrate inauguration in their own way: they were going to dance.
Whitney Gratton: Photographer
Jason Sparks: Audio Reporter
Inaugural Dance Party from Jason [...]]]></description>
			<content:encoded><![CDATA[<p>During inauguration weekend a group gathered on a D.C. sidewalk with a different sort of celebration in mind  After practicing for less than an hour in an office, they took to the streets to celebrate inauguration in their own way: they were going to dance.</p>
<p><a href="http://www.npr.org/internedition/spring09/?p=545">Whitney Gratton</a>: Photographer<br />
<a href="http://www.npr.org/internedition/spring09/?p=569">Jason Sparks</a>: Audio Reporter</p>
<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=4294351&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=4294351&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><br /><a href="http://vimeo.com/4294351">Inaugural Dance Party</a> from <a href="http://vimeo.com/user1567434">Jason Sparks</a> on <a href="http://vimeo.com">Vimeo</a></p>
<p><strong>This piece is featured in the <a href="http://www.npr.org/internedition/spring09/?p=307">IE Premiere</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=1306</wfw:commentRss>
		</item>
		<item>
		<title>Accentuating Johnny Mercer</title>
		<link>http://www.npr.org/internedition/spring09/?p=1228</link>
		<comments>http://www.npr.org/internedition/spring09/?p=1228#comments</comments>
		<pubDate>Fri, 10 Apr 2009 21:29:27 +0000</pubDate>
		<dc:creator>Blog Editor</dc:creator>
		
		<category><![CDATA[Radio]]></category>

		<category><![CDATA[Lori Grisham]]></category>

		<guid isPermaLink="false">http://www.npr.org/internedition/spring09/?p=1228</guid>
		<description><![CDATA[-by Lori Grisham-
Play Audio:


(Image Courtesy Special Collections and Archives, Georgia State University Library)
Johnny Mercer wrote lyrics to over a thousand songs &#8212; classics like “Moon River” and “Accentuate the Positive.” He performed many of the songs he wrote, won four academy awards and founded Capitol Records.
Born in 1909, this year marks the 100th anniversary of [...]]]></description>
			<content:encoded><![CDATA[<p>-by <a href="http://www.npr.org/internedition/spring09/?p=547">Lori Grisham</a>-</p>
<p><strong><span style="color: #003366;">Play Audio</span></strong>:<br />
</p>
<p style="text-align: center;"><img class="aligncenter" src="http://www.npr.org/internedition/spring09/images/mr.jpg" alt="" width="400" /></p>
<p><span style="color: #c0c0c0;">(Image Courtesy Special Collections and Archives, Georgia State University Library)</span></p>
<p>Johnny Mercer wrote lyrics to over a thousand songs &#8212; classics like “Moon River” and “Accentuate the Positive.” He performed many of the songs he wrote, won four academy awards and founded Capitol Records.</p>
<p>Born in 1909, this year marks the 100th anniversary of his birth.</p>
<p>Mercer&#8217;s hometown of Savannah, Ga., is observing the occasion with a year-long celebration. Mercer maintained close ties to his hometown and locals say they remember Mercer for more than just his musical talent.</p>
<p>Mercer&#8217;s music is infused with the culture of Savannah, according to Rob Gibson, the executive director of the <a href="http://www.savannahmusicfestival.org">Savannah Music Festival</a>.</p>
<p>&#8220;[Mercer] loved the way people talked, southern accents, the way people said &#8216;you got to accentuate the positive&#8217; or &#8216;anyplace I hang my hat is home,&#8217;&#8221; he says.</p>
<p>Dianne Thurman, vice president of the  <a href="http://www.friendsofjohnnymercer.com">Friends of Johnny Mercer</a> a local Mercer fan club, says Mercer was known for his generosity.</p>
<p>&#8220;He was a man that was brought up to believe that a good man does good deeds in the dead of night,&#8221; she says. Mercer helped put a roof on a local church, paid for a child’s operation and settled his father’s debt years after he died.</p>
<p>Nancy Mercer Keith Gerard is Mercer&#8217;s niece. She says he was like a father to her and even walked her down the aisle at her wedding.</p>
<p>One Christmas, he took her shopping and surprised her the next morning, Gerard says.</p>
<p>&#8220;I don’t know how he did this but that Christmas morning, every single thing that I admired or looked at was under the tree for me,&#8221; she says.</p>
<p>Nancy Gerard is paying tribute to her uncle by helping the city to host <a href="http://www.johnnymercercentennial.com ">centennial events</a> in his honor all year long &#8212; including concerts, a community picnic and art exhibits.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=1228</wfw:commentRss>
<enclosure url="http://www.npr.org/internedition/spring09/audio/mopho.mp3" length="2901773" type="audio/mpeg" />
<enclosure url="http://www.npr.org/internedition/spring09/audio/johnny.mp3" length="3626839" type="audio/mpeg" />
		</item>
		<item>
		<title>Cherries Bloom In The District</title>
		<link>http://www.npr.org/internedition/spring09/?p=1157</link>
		<comments>http://www.npr.org/internedition/spring09/?p=1157#comments</comments>
		<pubDate>Fri, 10 Apr 2009 21:22:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Photos]]></category>

		<guid isPermaLink="false">http://www.npr.org/internedition/spring09/?p=1157</guid>
		<description><![CDATA[-by Christopher Toothman-
I wandered down to the Tidal Basin in DC on Thursday to enjoy the sunset and to capture the finale of the peak bloom season of some 300 cherry trees that line the waterfront.
Each year, around April 4th, the trees bloom and attract thousands of visitors from all over the world.
The trees were [...]]]></description>
			<content:encoded><![CDATA[<p>-by <a href="http://www.npr.org/internedition/spring09/?p=625">Christopher Toothman</a>-</p>
<p>I wandered down to the Tidal Basin in DC on Thursday to enjoy the sunset and to capture the finale of the peak bloom season of some 300 cherry trees that line the waterfront.</p>
<p>Each year, around April 4th, the trees bloom and attract thousands of visitors from all over the world.</p>
<p>The trees were given to the United States by Japan in 1912.</p>
<p style="text-align: center;"><object width="425" height="400" data="http://www.npr.org/internedition/spring09/multimedia/cherry/soundslider.swf?size=2&amp;format=xml&amp;autoload=false" type="application/x-shockwave-flash"><param name="id" value="soundslider" /><param name="allowScriptAccess" value="always" /><param name="quality" value="high" /><param name="allowFullScreen" value="true" /><param name="menu" value="false" /><param name="bgcolor" value="#000000" /><param name="src" value="http://www.npr.org/about/nextgen/internedition/spring09/multimedia/cherry/soundslider.swf?size=2&amp;format=xml&amp;autoload=false" /><param name="allowfullscreen" value="true" /></object></p>
<h5 style="text-align: right;"><span style="color: #888888;"><i>Posted by Christopher Toothman</i></span></h5>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=1157</wfw:commentRss>
		</item>
		<item>
		<title>IE Premiere</title>
		<link>http://www.npr.org/internedition/spring09/?p=307</link>
		<comments>http://www.npr.org/internedition/spring09/?p=307#comments</comments>
		<pubDate>Fri, 10 Apr 2009 15:30:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Highlights]]></category>

		<guid isPermaLink="false">http://www.npr.org/about/nextgen/internedition/spring09/blog/?p=307</guid>
		<description><![CDATA[

DOWNLOAD the radio version (mp3). Also, don&#8217;t miss these web-exclusive radio features:
At The Academy of Washington, Family Is A Drag &#124; Shauna Miller

Immigration Law &#38; Same-Sex Marriage &#124; Julia Thompson 

Street Superheroes &#124; Rachel Kowal 

]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;">
<p style="text-align: center;"><object width="400" height="300" data="http://vimeo.com/moogaloop.swf?clip_id=3960833&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=3960833&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /></object></p>
<p style="text-align: center;"><strong><a href="http://www.mediafire.com/?t2wy2tztijz">DOWNLOAD</a> the radio version (mp3). Also, don&#8217;t miss these web-exclusive radio features:</strong></p>
<p style="text-align: left;"><a href="http://www.npr.org/internedition/spring09/?p=921"><i>At The Academy of Washington, Family Is A Drag</i></a> | <a href="http://www.npr.org/internedition/spring09/?p=538">Shauna Miller</a><br />
</p>
<p style="text-align: left;"><a href="http://www.npr.org/internedition/spring09/?p=917"><i>Immigration Law &amp; Same-Sex Marriage</i></a> | <a href="http://www.npr.org/internedition/spring09/?p=607">Julia Thompson </a><br />
</p>
<p style="text-align: left;"><a href="http://www.npr.org/internedition/spring09/?p=915"><i>Street Superheroes</i></a> | <a href="http://www.npr.org/internedition/spring09/?p=573">Rachel Kowal </a><br />
</p>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=307</wfw:commentRss>
<enclosure url="http://www.npr.org/internedition/spring09/audio/mopho.mp3" length="2901773" type="audio/mpeg" />
		</item>
		<item>
		<title>An Artful Protest</title>
		<link>http://www.npr.org/internedition/spring09/?p=1134</link>
		<comments>http://www.npr.org/internedition/spring09/?p=1134#comments</comments>
		<pubDate>Thu, 09 Apr 2009 15:56:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Multimedia]]></category>

		<guid isPermaLink="false">http://www.npr.org/internedition/spring09/?p=1134</guid>
		<description><![CDATA[-Produced by Eleanor Kagan &#038; Whitney Gratton-
An Artful Protest from Eleanor Kagan on Vimeo.
For the 6th annual protest against the U.S. invasion of Iraq, thousands of people gathered on the National Mall on March 21, 2009 to march toward the Pentagon. Many protestors carried cardboard &#8216;coffins,&#8217; wrapped in Israeli, American, Iranian, Afghani and Iraqi flags [...]]]></description>
			<content:encoded><![CDATA[<p>-Produced by <a href="http://www.npr.org/internedition/spring09/?p=554">Eleanor Kagan</a> &#038; <a href="http://www.npr.org/internedition/spring09/?p=545">Whitney Gratton</a>-</p>
<p><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=4080487&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=4080487&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><br /><a href="http://vimeo.com/4080487">An Artful Protest</a> from <a href="http://vimeo.com/user1562874">Eleanor Kagan</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>For the 6th annual protest against the U.S. invasion of Iraq, thousands of people gathered on the National Mall on March 21, 2009 to march toward the Pentagon. Many protestors carried cardboard &#8216;coffins,&#8217; wrapped in Israeli, American, Iranian, Afghani and Iraqi flags that they planned to dump on the steps of the Pentagon. The deafening chants called for peace, an end to U.S. occupation of the Middle East, no blood for oil, freeing Palestine and the general spirit of solidarity.</p>
<p>It was your typical anti-war protest.</p>
<p>The most striking sights and sounds of the day, however, were the artistic representations of protest we encountered.  Holly Gump led a group of 8 people who held cut-out characters from Picasso&#8217;s Guernica. He painted the original in 1937 to depict the horrors of the Spanish Civil War. </p>
<p>Later in the march, we came across a woman named Patricia who was singin&#8217; the blues. &#8220;This is a rich man&#8217;s war/What is that poor man fighting for?&#8221; she called, in a well-worn voice that was fraught with grief. I told her that I hadn&#8217;t heard any good protest songs lately. She laughed, and kept right on singing.</p>
<p>&#8220;Absolutely the arts have power,&#8221; Holly says.</p>
<p>Don&#8217;t believe her? See for yourself.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=1134</wfw:commentRss>
		</item>
		<item>
		<title>Omar Sosa Plays NPR&#8217;s Studio 4A</title>
		<link>http://www.npr.org/internedition/spring09/?p=1130</link>
		<comments>http://www.npr.org/internedition/spring09/?p=1130#comments</comments>
		<pubDate>Thu, 09 Apr 2009 15:19:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Published Work]]></category>

		<guid isPermaLink="false">http://www.npr.org/internedition/spring09/?p=1130</guid>
		<description><![CDATA[-Photos by Christopher Toothman-

Jazz pianist Omar Sosa, known for his Afro-Cuban rhythms, placed an effigy on the piano during his performance. 

Childo Thomas (left), Sosa&#8217;s longtime collaborator from Mozambique, Tell Me More host Michel Martin and Omar Sosa pose after the performance.

Childo Thomas plays the kalimba, or thumb piano, is a modernized version of the [...]]]></description>
			<content:encoded><![CDATA[<p>-Photos by <a href="http://www.npr.org/internedition/spring09/?p=625">Christopher Toothman</a>-</p>
<p><img alt="" src="http://www.npr.org/internedition/spring09/images/post/omar1.jpg" class="alignnone" width="590" height="200" /></p>
<p>Jazz pianist Omar Sosa, known for his Afro-Cuban rhythms, placed an effigy on the piano during his performance. </p>
<p><img alt="" src="http://www.npr.org/internedition/spring09/images/post/omar2.jpg" class="alignnone" width="590" height="200" /></p>
<p>Childo Thomas (left), Sosa&#8217;s longtime collaborator from Mozambique, Tell Me More host Michel Martin and Omar Sosa pose after the performance.</p>
<p><img alt="" src="http://www.npr.org/internedition/spring09/images/post/omar3.jpg" class="alignnone" width="590" height="133" /></p>
<p>Childo Thomas plays the kalimba, or thumb piano, is a modernized version of the African mbira.</p>
<p>Check out the original post: <a href="http://www.npr.org/templates/story/story.php?storyId=102876397">Omar Sosa: The Afro-Cuban Alchemist Of Jazz</a> | <i>NPR Tell Me More</i> | April 9, 2009</p>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=1130</wfw:commentRss>
		</item>
		<item>
		<title>Staying Fit After Marathon Days Are Over</title>
		<link>http://www.npr.org/internedition/spring09/?p=1109</link>
		<comments>http://www.npr.org/internedition/spring09/?p=1109#comments</comments>
		<pubDate>Mon, 06 Apr 2009 17:35:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Published Work]]></category>

		<guid isPermaLink="false">http://www.npr.org/internedition/spring09/?p=1109</guid>
		<description><![CDATA[-Photos by Christopher Toothman-

For some long distance runners, scaling back on mileage to ease the pressure on aging joints is an even tougher test of willpower than running a marathon. But doctors and coaches say there are plenty of good ways to stay fit and get the rush of running without pounding the pavement.
Retired Navy [...]]]></description>
			<content:encoded><![CDATA[<p>-Photos by <a href="http://www.npr.org/internedition/spring09/?p=625">Christopher Toothman</a>-<br />
<img alt="" src="http://www.npr.org/internedition/spring09/images/post/marathon1.jpg" class="center" width="250" height="167" /><br />
For some long distance runners, scaling back on mileage to ease the pressure on aging joints is an even tougher test of willpower than running a marathon. But doctors and coaches say there are plenty of good ways to stay fit and get the rush of running without pounding the pavement.</p>
<p>Retired Navy Capt. Howard Stoodley has run dozens of marathons in his 73 years. He has what he calls an &#8220;I love me&#8221; wall: a display of photos and mementos of his days as a pilot and his running accomplishments. He points to himself in a photo of the 1979 Boston Marathon, which he finished in three hours and 12 minutes.<br />
<img alt="" src="http://www.npr.org/internedition/spring09/images/post/marathon3.jpg" class="center" width="250" height="167" /><br />
&#8220;This is me right here — I did 47 marathons, 103 triathlons and many other races — I used to be a pretty dedicated runner, &#8217;til my knees gave out.&#8221;</p>
<p>Reporting by <a href="http://www.npr.org/templates/story/story.php?storyId=2100208">Allison Aubrey</a></p>
<p>Check out the original post: <a href="http://www.npr.org/templates/story/story.php?storyId=102703029">Staying Fit After Marathon Days Are Over</a> | <i>NPR Morning Edition</i> | April 6, 2009</p>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=1109</wfw:commentRss>
		</item>
		<item>
		<title>Snow Day</title>
		<link>http://www.npr.org/internedition/spring09/?p=1316</link>
		<comments>http://www.npr.org/internedition/spring09/?p=1316#comments</comments>
		<pubDate>Wed, 01 Apr 2009 21:13:10 +0000</pubDate>
		<dc:creator>Blog Editor</dc:creator>
		
		<category><![CDATA[Photos]]></category>

		<guid isPermaLink="false">http://www.npr.org/internedition/spring09/?p=1316</guid>
		<description><![CDATA[-by Whitney Gratton-
So maybe it doesn’t compare to the legendary “Knickerbocker Storm” of January 1922, or even the more recent blizzard of February ‘03.  Measuring up at about a half foot, depending upon where you were standing, the March ’09 storm at least brought a decent heap of snow to the District during a [...]]]></description>
			<content:encoded><![CDATA[<p>-by <a href="http://www.npr.org/internedition/spring09/?p=545">Whitney Gratton</a>-</p>
<p>So maybe it doesn’t compare to the legendary “Knickerbocker Storm” of January 1922, or even the more recent blizzard of February ‘03.  Measuring up at about a half foot, depending upon where you were standing, the March ’09 storm at least brought a decent heap of snow to the District during a winter in which precipitation had been mostly wet and slushy.  </p>
<p>Here&#8217;s a glimpse from my morning commute along Connecticut Avenue on what turned out to be DC’s snowiest day this season. </p>
<p style="text-align: center;"><object width="425" height="400" data="http://www.npr.org/internedition/spring09/multimedia/snow/soundslider.swf?size=2&amp;format=xml&amp;autoload=false" type="application/x-shockwave-flash"><param name="id" value="soundslider" /><param name="allowScriptAccess" value="always" /><param name="quality" value="high" /><param name="allowFullScreen" value="true" /><param name="menu" value="false" /><param name="bgcolor" value="#000000" /><param name="src" value="http://www.npr.org/about/nextgen/internedition/spring09/multimedia/snow/soundslider.swf?size=2&amp;format=xml&amp;autoload=false" /><param name="allowfullscreen" value="true" /></object></p>
<h5 style="text-align: right;"><span style="color: #888888;"><i>Posted by Whitney Gratton</i></span></h5>
]]></content:encoded>
			<wfw:commentRss>http://www.npr.org/internedition/spring09/?feed=rss2&amp;p=1316</wfw:commentRss>
		</item>
	</channel>
</rss>
