Sunday Baroque Conversations

Sunday Baroque Conversations

From WSHU

Sunday Baroque Conversations features Interviews with classical musicians and music enthusiasts.More from Sunday Baroque Conversations »

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Sunday Baroque Conversations 26: Sharon Isbin

Guitarist Sharon Isbin is a passionate and articulate advocate for her instrument and for music in general. As an international performer, recording artist, teacher and mentor she is shaping the future of the popular instrument. Suzanne spoke with Sharon Isbin about her impressive career

Sunday Baroque Conversations 27: Richard Savino

The visual arts and artists of the 17th century are much better known than the music and composers of that same time period, and guitarist Richard Savino wanted to address that oversight. He embarked on a comprehensive project to integrate the paintings of artists such as Artemisia Gentileschi and her contemporaries with music by composers such as Andrea Falconieri, Dario Castello, Giovanni Kapsberger and others. The result is the 2015 recording What Artemesia Heard featuring Richard Savino and his group El Mundo, and he spoke with Sunday Baroque host Suzanne Bona about it.

Sunday Baroque Conversations 28: Avi Avital

Avi Avital is a mandolin player and a composer with a broad repertory for his instrument, from many different genres. Suzanne spoke with him about the mandolin and his 2015 recording of Vivaldi Mandolin Concertos with the Venice Baroque Orchestra.

Sunday Baroque Conversations 25: Matthias Maute

German-born musician Matthias Maute has achieved an international reputation as conductor, recorder and flute player and as a composer. He is artistic director of Ensemble Caprice in Canada, and performs all over the world at festivals and with other ensembles. His many recordings are regularly featured on Sunday Baroque, and Suzanne had the chance to welcome him in the studio to discuss his creative approach to being a musician.

Sunday Baroque Conversations 24: Gut, Wind and Wire

Ronn McFarlane and Mark Cudek are among the most sought-after performers specializing in baroque and early music. The founding members of the Baltimore Consort spoke with Suzanne about their trio with Mindy Rosenfeld -- Gut, Wind and Wire. They explained the inside scoop on the group's name, talked about some of the unusual instruments they play, and revealed of their surprising and diverse musical tastes.

Sunday Baroque Conversations 23: Yale Baroque Opera Project

Claudio Monteverdi (1567-1643) is often called the first great opera composer, and the opera Il ritorno d'Ulisse (The Return of Ulysses) was one of Monteverdi's late masterpieces. Unfortunately it's not often performed, so The Yale Baroque Opera Project's production in early May 2012 marks its New Haven premiere. The semester-long preparations have brought together talented undergraduate and graduate students, and faculty from Yale's Music and Theatre departments as part of a larger project to promote the study and performance of Baroque opera. Three Yale professors who are working on YBOP, Ellen Rosand, Toni Dorfman and Grant Herreid, had a lively and informative discussion with Suzanne about this thrilling production and their ongoing baroque opera collaboration.

Sunday Baroque Conversations 22: Lara St. John and Marie-Pierre Langlamet

Canadian violinist Lara St. John and French harpist Marie-Pierre Langlamet are old friends who enjoy making music together for fun, and decided to share their enthusiasm and talent on an album featuring Sonatas by Johann Sebastian Bach. Since Bach didn't compose any violin and harp music, their collaboration features intriguing arrangements. Hear their conversation with Suzanne about adapting these lovely works, what is special to them about Bach's music, and which Sonata is their favorite.

Sunday Baroque Conversations 22: Lara St. John and Marie-Pierre Langlamet

Sunday Baroque Conversations 21: Rick Steves

Rick Steves is a tried and true expert on European travel, so Suzanne invited him to share his advice about hearing great, live music while you're on vacation in Europe. He talked about some of his favorite musical destinations, and gave suggestions for finding the kinds of venues and concerts to suit your tastes. (Make sure you listen for his insider's tip about getting the best seat in the house at Saint-Sulpice in Paris.)

Sunday Baroque Conversations 19: Dennis Keene

With its 6,183 pipes, 95 stops, 111 ranks, 2 consoles and 7 keyboards, installation of the new French organ at New York City's Church of the Ascension was completed in early 2011. Master builder Pascal Quoirin was chosen to design the instrument by the Church's Music Director, distinguished organist and conductor Dennis Keene. Suzanne Bona visited Dr. Keene to discuss the magnificent new instrument, what makes it so special and his plans to introduce it to the musical community.

Sunday Baroque Conversations 18: Simone Dinnerstein

Pianist Simone Dinnerstein made a big splash in 2007 with her recording of Johann Sebastian Bach's Goldberg Variations. Jan. 2011 brings her first recording for the Sony label, BACH: A Strange Beauty. The all-Bach recording includes the English Suite #3, transcriptions of three Chorale Preludes, and Keyboard Concertos #1 and #5. Once again, she demonstrates her artistry and her sensitivity to Bach's musical line and harmonic genius. Dinnerstein invited Suzanne Bona for a conversation in her parents' Brooklyn home, where she talked about her passion for Bach's music, her newest recording and her upcoming projects.

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