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NPR: Fresh Air

Fresh Air from WHYY, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Hosted by Terry Gross, the show features intimate conversations with today's biggest luminaries.More from NPR: Fresh Air »

Most Recent Episodes

The Science Of The Teenage Brain

Why do teenagers behave like — teenagers? We get an explanation from neuroscientist Dr. Frances Jensen, who says our brains are still maturing through our 20s and that the front part of the brain is the last to develop. "And what's in the front? Your frontal cortex and prefrontal cortex; these are the areas where we have insight, empathy, impulse control," she says. "Risk-taking behavior is suppressed by activity in your frontal lobes." Her new book is called The Teenage Brain.  Also critic at large John Powers comments on the controversy surrounding American Sniper. He says the film isn't as simple as some people seem to think. 

Listen47:28

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How The Beatles Changed The BBC

We talk to Kevin Howlett, the executive producer of The Beatles: On Air Live at the BBC Volume 2. The album is a collection of recordings of the Beatles performing originals, covers, and chatting with BBC hosts in the early '60s.

Listen46:23

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Crime Reporter Jill Leovy

Veteran crime reporter Jill Leovy talks about the epidemic of unsolved murder cases in African American communities. Leovy, with a unit of LAPD homicide detectives, got to know the families of victims and saw the impact on a community besieged by crime, violence and witness intimidation. Her new book is called Ghettoside.Also book critic Maureen Corrigan reviews Almost Famous Women, a collection of short stories about historical women with unruly lives. 

Listen47:54

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Fresh Air Weekend: Al Michaels, Review Of Sleater-Kinney's New Album, David Morris

Broadcaster Al Michaels talks about anchoring the Super Bowl; Rock critic Ken Tucker reviews Sleater-Kinney's latest album; Journalist David Morris talks about his book The Evil Hours about PTSD.

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Producer Cosimo Matassa Always Believed In New Orleans

In the '60s, musicians left New Orleans, major labels lost interest, and Motown and Memphis took over the black music charts. But one producer didn't give up.

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