
| The PT Young Artists-in-Residence program is made possible by the generous assistance of the Helen F. Whitaker Fund. |
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PT Young Artist-in-Residence
International Sejong Soloists
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| International Sejong Soloists
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Nov. 3-7, 2003 -- The sounds of strings fill NPR's Studio 4A. The International Sejong Soloists have been praised as a "top notch conductor-less string orchestra" by the Washington Post. For most of the year, each of these 14 musicians has his or her own successful solo career. But for 20 weeks out of the year, these soloists come together to form the International Sejong Soloists, and one of those weeks is being spent as PT's newest Young Artists-in-Residence.
All this week, we'll get to know each of the 14 Sejongs, and hear music ranging from Bach to Takemitsu, performed live in Studio 4A.
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Browse the ISS Member Bios
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INTERNATIONAL SEJONG SOLOISTS LIVE IN STUDIO 4A AUDIO
Friday, November 7
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Violinist Yu-Jeong Lee, the only founding ISS-member playing this week, reflects on how the ensemble has evolved over the past eight years. Violinist Russ Stewart gets an audio blast from the past. Violist Richard O'Neill describes a few of the priceless instruments used by the group. Violist Melissa Reardon settles in, having just become the newest ISS member two weeks ago. And Se-Young Lee reveals why she makes the long commute from San Francisco to play with this New York-based ensemble.
SCHUBERT: Rondo in A for Violin and Strings
GRIEG: Holberg Suite
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Thursday, November 6
Wednesday, November 5
Tuesday, November 4
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An "acquired taste" for Brandy -- Violists Richard O'Neill and Beth Guterman take front and center in what was their least favorite Brandenburg Concerto growing up, Bach's violin-less Brandenburg Concerto No. 6. And for something completely different, cellist Ani Aznavoorian takes solo bows in a passionate tango by Italian-born Argentinian composer José Bragato. Plus, composer and Juilliard professor Eric Ewazen gives the background on his Sinfonia for Strings, a piece he wrote expressly for the ISS. According to Ewazen, "[The ISS] are extremely expressive players. They know how to really make their instruments sing, and I love that. As a composer I enjoy so much that they're always letting their emotions be heard through the music that they're playing." We also hear from the sole ISS bassist Stephen Sas, who brings to light his role as a "secret leader."
J.S. BACH: Brandenburg Concerto No. 6, BWV 1051
BRAGATO: Graciela y Buenos Aires, Tango for Cello and Strings
EWAZEN: Sinfonia for Strings, Mvt. 3 from the CD, Sejong Plays Ewazen |
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Monday, November 3
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With a name as complex as International Sejong Soloists, comes much explanation. As members of the group reveal, 'International' reflects their widespread reach through tours, plus all the different cultural backgrounds represented in the group; 'Sejong' was a 15th century Korean emperor who was a fervent advocate and contributor to the arts; while 'Soloists' reaffirms that each member is a successful solo musician and has an equally strong voice and opinion in the ensemble.
As the ISS is conspicuously without a conductor, violinist Frank Huang explains how he acts as a pseudo concertmaster to cue entrances and to make sure little things are together. Violist Beth Guterman also asserts the importance of eye contact among all the members of the group. "Frank is not the only one who gives cues... we all really work together. It's very easy, when you respect each other so much, to play with one another."
GRIEG: 'The Last Spring'
DVORÁK: Serenade for Strings
GLAZUNOV: Suite for Strings, Op. 35, Mvt. 2 from the Aspen Music Festival 2002 |
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The International Sejong Soloists rehearse in NPR's Studio 4A
Photos: Nerissa Paglinauan, NPR Online
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