![]() ![]() Pastoral Music with John Dixon Hunt On this edition of Milestones of the Millennium, we experience the great outdoors in music. Landscape architect John Dixon Hunt joins PTs Lisa Simeone to discuss pastoral music--music depicting and inspired by life in the country. With the season of summer music festivals in full bloom, the time is ripe to explore the long-standing connection between classical music and nature. We begin the hour with two movements from the Summer concerto from The Four Seasons by Antonio Vivaldi, performed by violinist Gil Shaham and the Orpheus Chamber Orchestra. Its hard to imagine Beethoven writing country music, but that's one way to describe his Symphony No. 6, also known as the Pastoral Symphony. Beethoven liked to get away from the city, and often depicted his own outdoor experiences with vivid musical imagery. We hear the opening movement of his "Pastoral" Symphony, Awakening of Pleasant Feelings Upon Arrival in the Country, performed by the Aspen Festival Orchestra and conductor David Zinman. Hunt says that the yearning to escape the civilized world has long made pastoral music a favorite theme of audiences. Realism has never been the goal; an urban aristocrats idea of what country life would be like could be just as potent, without revealing the daily drudgery of tending sheep. Such an idealized view of country life has had an "enormous hold upon imaginations for the last 2000 years, says Hunt. Imitations of shepherds pipes have been a common feature of pastoral music. We hear an example from an interlude in Handels Messiah, and Richard Strausss tone poem, Don Quixote, which even depicts the sheep. We also hear other selections that paint musical pictures of twittering birds and babbling brooks. After discussing the great pastoral traditions of English composers, we conclude our excursion with Ralph Vaughan Williams lyrical romance, A Lark Ascending, performed by violinist Hugh Bean with Sir Adrian Boult and the New Philharmonia Orchestra.
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