<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:npr="http://www.npr.org/rss/" xmlns:nprml="http://api.npr.org/nprml" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0">
  <channel>
    <title>Music Interviews</title>
    <link>http://www.npr.org/templates/story/story.php?storyId=1105&amp;ft=1&amp;f=1105</link>
    <description>Explore NPR Music's best musician interviews and profiles as heard on Morning Edition, All Things Considered and other award-winning NPR programs.</description>
    <language>en</language>
    <copyright>Copyright 2013 NPR - For Personal Use Only</copyright>
    <generator>NPR API RSS Generator 0.94</generator>
    <lastBuildDate>Sat, 18 May 2013 05:13:00 -0400</lastBuildDate>
    <image>
      <url>http://media.npr.org/images/podcasts/thumbnail/npr_music_image_75.jpg</url>
      <title>Music Interviews</title>
      <link>http://www.npr.org/templates/story/story.php?storyId=1105&amp;ft=1&amp;f=1105</link>
    </image>
    <itunes:image href="http://media.npr.org/images/podcasts/primary/npr_music_image_300.jpg"/>
    <itunes:keywords>concert,performance,recording,album,band,composer,instrument,grammy,guitar,bass,drums,piano,violin,viola,cello,flute,piccolo,clarinet,oboe,english horn,rap,NPR,National Public Radio,Music,Morning Edition,All Things Considered,Fresh Air</itunes:keywords>
    <itunes:category text="Music"/>
    <item>
      <title>Ana Popovic Shreds The Belgrade Blues</title>
      <description>The Serbian guitarist fell in love with American blues music as a kid — well before she could understand the words.</description>
      <pubDate>Sat, 18 May 2013 05:13:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/18/183970525/ana-popovic-shreds-the-belgrade-blues?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/18/183970525/ana-popovic-shreds-the-belgrade-blues?ft=1&amp;f=1105</guid>
      <itunes:summary>The Serbian guitarist fell in love with American blues music as a kid — well before she could understand the words.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>567</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The Serbian guitarist fell in love with American blues music as a kid — well before she could understand the words.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=183970525">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D183970525">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/wesat/2013/05/20130518_wesat_09.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/wesat/2013/05/20130518_wesat_cantyousee.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/wesat/2013/05/20130518_wesat_boysnight.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Audra McDonald, A Broadway Star Gone Roaming, Comes Home</title>
      <description>After extended jaunts in TV and on the road, McDonald's first new album in seven years marks a return to her roots in musical theater.</description>
      <pubDate>Sat, 18 May 2013 02:00:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/18/183965997/audra-mcdonald-a-broadway-star-gone-roaming-comes-home?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/18/183965997/audra-mcdonald-a-broadway-star-gone-roaming-comes-home?ft=1&amp;f=1105</guid>
      <itunes:summary>After extended jaunts in TV and on the road, McDonald's first new album in seven years marks a return to her roots in musical theater.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>424</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>After extended jaunts in TV and on the road, McDonald's first new album in seven years marks a return to her roots in musical theater.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=183965997">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D183965997">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/wesat/2013/05/20130518_wesat_19.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/wesat/2013/05/20130518_wesat_illbehere.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/wesat/2013/05/20130518_wesat_gobackhome.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bobby McFerrin: Spirituals As Sung Prayers </title>
      <description>On &lt;em&gt;&lt;/em&gt;&lt;em&gt;Spirityouall&lt;/em&gt;, McFerrin performs classic black spirituals with roots in enslaved communities, as well as songs he composed himself. Throughout the album, he says, he hears the influence of his father, Robert McFerrin Sr., a renowned operatic baritone.</description>
      <pubDate>Fri, 17 May 2013 16:10:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/17/184797055/bobby-mcferrin-spirituals-as-sung-prayers?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/17/184797055/bobby-mcferrin-spirituals-as-sung-prayers?ft=1&amp;f=1105</guid>
      <itunes:summary>On &lt;em&gt;&lt;/em&gt;&lt;em&gt;Spirityouall&lt;/em&gt;, McFerrin performs classic black spirituals with roots in enslaved communities, as well as songs he composed himself. Throughout the album, he says, he hears the influence of his father, Robert McFerrin Sr., a renowned operatic baritone.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>539</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>On <em></em><em>Spirityouall</em>, McFerrin performs classic black spirituals with roots in enslaved communities, as well as songs he composed himself. Throughout the album, he says, he hears the influence of his father, Robert McFerrin Sr., a renowned operatic baritone.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184797055">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184797055">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130517_atc_12.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130517_atc_2515.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130517_atc_swinglow.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sam Amidon: Reshaping An American Folk Tradition </title>
      <description>Shape-note singing is a communal form of music that began in New England 200 years ago, mostly from townsfolk without any musical training. Sam Amidon says the melodies of shape-note hymns are some of the "deepest-seated for me."</description>
      <pubDate>Fri, 17 May 2013 02:00:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/17/184547006/sam-amidon-reshaping-an-american-folk-tradition?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/17/184547006/sam-amidon-reshaping-an-american-folk-tradition?ft=1&amp;f=1105</guid>
      <itunes:summary>Shape-note singing is a communal form of music that began in New England 200 years ago, mostly from townsfolk without any musical training. Sam Amidon says the melodies of shape-note hymns are some of the "deepest-seated for me."</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>182</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Shape-note singing is a communal form of music that began in New England 200 years ago, mostly from townsfolk without any musical training. Sam Amidon says the melodies of shape-note hymns are some of the "deepest-seated for me."</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184547006">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184547006">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/me/2013/05/20130517_me_06.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daft Punk On 'The Soul That A Musician Can Bring'</title>
      <description>In spite of the robotic persona they've cultivated for years, Thomas Bangalter and Guy-Manuel de Homem-Christo elected to make their new album, &lt;em&gt;Random Access Memories,&lt;/em&gt; in a real studio, with real musicians. Hear the elusive electronic duo in conversation with &lt;em&gt;All Things Considered&lt;/em&gt;'s Audie Cornish.</description>
      <pubDate>Thu, 16 May 2013 16:29:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/16/184499357/daft-punk-on-the-soul-that-a-musician-can-bring?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/16/184499357/daft-punk-on-the-soul-that-a-musician-can-bring?ft=1&amp;f=1105</guid>
      <itunes:summary>In spite of the robotic persona they've cultivated for years, Thomas Bangalter and Guy-Manuel de Homem-Christo elected to make their new album, &lt;em&gt;Random Access Memories,&lt;/em&gt; in a real studio, with real musicians. Hear the elusive electronic duo in conversation with &lt;em&gt;All Things Considered&lt;/em&gt;'s Audie Cornish.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>346</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>In spite of the robotic persona they've cultivated for years, Thomas Bangalter and Guy-Manuel de Homem-Christo elected to make their new album, <em>Random Access Memories,</em> in a real studio, with real musicians. Hear the elusive electronic duo in conversation with <em>All Things Considered</em>'s Audie Cornish.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184499357">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184499357">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130516_atc_19.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>A Songwriter And An Army Dad Share One Touching Story</title>
      <description>The song "I Drive Your Truck" is a No. 1 country hit. It began with a father's remembrance of his son, who was killed in action in Afghanistan — and a songwriter who just happened to be listening.</description>
      <pubDate>Wed, 15 May 2013 17:32:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/15/184246172/a-songwriter-and-an-army-dad-share-one-touching-story?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/15/184246172/a-songwriter-and-an-army-dad-share-one-touching-story?ft=1&amp;f=1105</guid>
      <itunes:summary>The song "I Drive Your Truck" is a No. 1 country hit. It began with a father's remembrance of his son, who was killed in action in Afghanistan — and a songwriter who just happened to be listening.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>540</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The song "I Drive Your Truck" is a No. 1 country hit. It began with a father's remembrance of his son, who was killed in action in Afghanistan — and a songwriter who just happened to be listening.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184246172">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184246172">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130515_atc_14.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vampire Weekend: New Sounds Signal The End Of An Era</title>
      <description>Singer Ezra Koenig says the band's new album, &lt;em&gt;Modern Vampires of the City&lt;/em&gt;, is the final part of a trilogy — and the product of a lot of reflection on time and aging.</description>
      <pubDate>Tue, 14 May 2013 16:36:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/14/183922426/vampire-weekend-new-sounds-signal-the-end-of-an-era?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/14/183922426/vampire-weekend-new-sounds-signal-the-end-of-an-era?ft=1&amp;f=1105</guid>
      <itunes:summary>Singer Ezra Koenig says the band's new album, &lt;em&gt;Modern Vampires of the City&lt;/em&gt;, is the final part of a trilogy — and the product of a lot of reflection on time and aging.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>500</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Singer Ezra Koenig says the band's new album, <em>Modern Vampires of the City</em>, is the final part of a trilogy — and the product of a lot of reflection on time and aging.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=183922426">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D183922426">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130514_atc_17.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dawes Knows Where It's Been And Where It's Headed</title>
      <description>Dawes has just released its third album, &lt;em&gt;Stories Don't End&lt;/em&gt;. The band has cited Neil Young and Crosby, Stills &amp; Nash among its influences, but channels them with good humor and confidence that its own distinctiveness will shine through.</description>
      <pubDate>Tue, 14 May 2013 12:07:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/14/176709173/dawes-knows-where-its-been-and-where-its-headed?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/14/176709173/dawes-knows-where-its-been-and-where-its-headed?ft=1&amp;f=1105</guid>
      <itunes:summary>Dawes has just released its third album, &lt;em&gt;Stories Don't End&lt;/em&gt;. The band has cited Neil Young and Crosby, Stills &amp; Nash among its influences, but channels them with good humor and confidence that its own distinctiveness will shine through.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>451</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Dawes has just released its third album, <em>Stories Don't End</em>. The band has cited Neil Young and Crosby, Stills & Nash among its influences, but channels them with good humor and confidence that its own distinctiveness will shine through.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=176709173">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D176709173">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/05/20130514_fa_02.mp3?orgId=1&amp;topicId=1104" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>When The Right One Comes Along: How 'Nashville' Tells Stories In Song</title>
      <description>The mostly unreleased songs on the TV show &lt;em&gt;Nashville&lt;/em&gt; are easily woven into the drama. They appear organically in living room songwriting sessions, late night honky-tonks or stadium dress rehearsals. But someone has to track them all down.</description>
      <pubDate>Mon, 13 May 2013 16:00:00 -0400</pubDate>
      <link>http://www.npr.org/blogs/therecord/2013/05/14/183643357/when-the-right-one-comes-along-how-nashville-tells-stories-in-song?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/blogs/therecord/2013/05/14/183643357/when-the-right-one-comes-along-how-nashville-tells-stories-in-song?ft=1&amp;f=1105</guid>
      <itunes:summary>The mostly unreleased songs on the TV show &lt;em&gt;Nashville&lt;/em&gt; are easily woven into the drama. They appear organically in living room songwriting sessions, late night honky-tonks or stadium dress rehearsals. But someone has to track them all down.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>501</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The mostly unreleased songs on the TV show <em>Nashville</em> are easily woven into the drama. They appear organically in living room songwriting sessions, late night honky-tonks or stadium dress rehearsals. But someone has to track them all down.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=183643357">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D183643357">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130513_atc_16.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Balancing Influences: Saxophonist Mahanthappa Blends Styles</title>
      <description>Rudresh Mahanthappa's work always seems to be filed under jazz, but it's hard to find a style he doesn't touch: hip-hop, country, metal and soul fused with traditional sounds from India, Africa and Indonesia. And he makes it rock.</description>
      <pubDate>Sun, 12 May 2013 15:49:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/12/182956820/balancing-influences-saxophonist-mahanthappa-blends-styles?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/12/182956820/balancing-influences-saxophonist-mahanthappa-blends-styles?ft=1&amp;f=1105</guid>
      <itunes:summary>Rudresh Mahanthappa's work always seems to be filed under jazz, but it's hard to find a style he doesn't touch: hip-hop, country, metal and soul fused with traditional sounds from India, Africa and Indonesia. And he makes it rock.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Rudresh Mahanthappa's work always seems to be filed under jazz, but it's hard to find a style he doesn't touch: hip-hop, country, metal and soul fused with traditional sounds from India, Africa and Indonesia. And he makes it rock.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182956820">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182956820">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130512_atc_08.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130512_atc_waiting.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130512_atc_abhogi.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>LL Cool J On 'Accidental Racist' And Authenticity</title>
      <description>"The last thing that I want to do is be a hack," says the rapper and actor. His latest album, his first since splitting with the record label that launched his career, is called &lt;em&gt;Authentic&lt;/em&gt;.</description>
      <pubDate>Sat, 11 May 2013 16:54:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/11/182956651/ll-cool-j-on-accidental-racist-and-authenticity?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/11/182956651/ll-cool-j-on-accidental-racist-and-authenticity?ft=1&amp;f=1105</guid>
      <itunes:summary>"The last thing that I want to do is be a hack," says the rapper and actor. His latest album, his first since splitting with the record label that launched his career, is called &lt;em&gt;Authentic&lt;/em&gt;.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>572</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>"The last thing that I want to do is be a hack," says the rapper and actor. His latest album, his first since splitting with the record label that launched his career, is called <em>Authentic</em>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182956651">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182956651">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130511_atc_08.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yngwie Malmsteen: 'I've Always Been A Little Bit Of An Extremist'</title>
      <description>Malmsteen is the king of the neoclassical shred guitar. The Swedish musician and composer has somehow bridged centuries, from Paganini to his own arpeggiated acrobatics. Here, the guitarist speaks with NPR's Scott Simon about being a family man and growing up on Bach and Jimi Hendrix.</description>
      <pubDate>Sat, 11 May 2013 02:00:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/11/182627398/yngwie-malmsteen-ive-always-been-a-little-bit-of-an-extremist?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/11/182627398/yngwie-malmsteen-ive-always-been-a-little-bit-of-an-extremist?ft=1&amp;f=1105</guid>
      <itunes:summary>Malmsteen is the king of the neoclassical shred guitar. The Swedish musician and composer has somehow bridged centuries, from Paganini to his own arpeggiated acrobatics. Here, the guitarist speaks with NPR's Scott Simon about being a family man and growing up on Bach and Jimi Hendrix.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>432</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Malmsteen is the king of the neoclassical shred guitar. The Swedish musician and composer has somehow bridged centuries, from Paganini to his own arpeggiated acrobatics. Here, the guitarist speaks with NPR's Scott Simon about being a family man and growing up on Bach and Jimi Hendrix.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182627398">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182627398">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/wesat/2013/05/20130511_wesat_20.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>'It Led Us On A Journey': The Musical World Of 'The Great Gatsby'</title>
      <description>In overseeing the new film's soundtrack, music supervisor Anton Monsted says he hoped to create a "sliding door" effect between the Jazz Age and the hip-hop era.</description>
      <pubDate>Fri, 10 May 2013 17:18:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/10/182882003/it-led-us-on-a-journey-the-musical-world-of-the-great-gatsby?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/10/182882003/it-led-us-on-a-journey-the-musical-world-of-the-great-gatsby?ft=1&amp;f=1105</guid>
      <itunes:summary>In overseeing the new film's soundtrack, music supervisor Anton Monsted says he hoped to create a "sliding door" effect between the Jazz Age and the hip-hop era.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>500</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>In overseeing the new film's soundtrack, music supervisor Anton Monsted says he hoped to create a "sliding door" effect between the Jazz Age and the hip-hop era.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182882003">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182882003">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130510_atc_15.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130510_atc_gatsby.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>A Funky-Fresh Sound From Somalia, With A Political History</title>
      <description>A dance band called Dur-Dur Band ruled the nightclub scene in 1980s Mogadishu, thanks to a unique sound made possible by access to Western culture and instruments.</description>
      <pubDate>Sun, 05 May 2013 15:49:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/05/180871371/a-funky-fresh-sound-from-somalia-with-a-political-history?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/05/180871371/a-funky-fresh-sound-from-somalia-with-a-political-history?ft=1&amp;f=1105</guid>
      <itunes:summary>A dance band called Dur-Dur Band ruled the nightclub scene in 1980s Mogadishu, thanks to a unique sound made possible by access to Western culture and instruments.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>A dance band called Dur-Dur Band ruled the nightclub scene in 1980s Mogadishu, thanks to a unique sound made possible by access to Western culture and instruments.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=180871371">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D180871371">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130505_atc_06.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/specials/2013/05/20130503_specials_cashaqa.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/specials/2013/05/20130503_specials_dooyo.mp3?orgId=1&amp;topicId=1105" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natalie Maines On Motherhood, Eddie Vedder And Leaving Country Music</title>
      <description>A decade after the Dixie Chicks' frontwoman came out against the Iraq War — the response to which brought the band's career to a halt — Maines returns with her solo debut, &lt;em&gt;Mother&lt;/em&gt;.</description>
      <pubDate>Thu, 02 May 2013 16:42:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/02/180594953/natalie-maines-on-motherhood-eddie-vedder-and-leaving-country-music?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/02/180594953/natalie-maines-on-motherhood-eddie-vedder-and-leaving-country-music?ft=1&amp;f=1105</guid>
      <itunes:summary>A decade after the Dixie Chicks' frontwoman came out against the Iraq War — the response to which brought the band's career to a halt — Maines returns with her solo debut, &lt;em&gt;Mother&lt;/em&gt;.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>500</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>A decade after the Dixie Chicks' frontwoman came out against the Iraq War — the response to which brought the band's career to a halt — Maines returns with her solo debut, <em>Mother</em>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=180594953">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D180594953">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/atc/2013/05/20130502_atc_18.mp3?orgId=1&amp;topicId=1105&amp;aggIds=100920965" length="100000" type="audio/mpeg"/>
    </item>
  </channel>
</rss>
