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    <title>Hip-Hop/R&amp;B</title>
    <link>http://www.npr.org/templates/story/story.php?storyId=10005&amp;ft=1&amp;f=10005</link>
    <description>Urban music and features from NPR news, NPR cultural programs, and NPR Music stations.</description>
    <language>en</language>
    <copyright>Copyright 2013 NPR - For Personal Use Only</copyright>
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    <lastBuildDate>Tue, 21 May 2013 15:00:00 -0400</lastBuildDate>
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      <title>Hip-Hop/R&amp;B</title>
      <link>http://www.npr.org/templates/story/story.php?storyId=10005&amp;ft=1&amp;f=10005</link>
    </image>
    <item>
      <title>Kanye West Stands Alone</title>
      <description>On his new songs, the rapper points fingers in every direction, including back at himself.</description>
      <pubDate>Tue, 21 May 2013 15:00:00 -0400</pubDate>
      <link>http://www.npr.org/blogs/therecord/2013/05/21/185781341/kanye-west-stands-alone?ft=1&amp;f=10005</link>
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      <content:encoded><![CDATA[<p>On his new songs, the rapper points fingers in every direction, including back at himself.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=185781341">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D185781341">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Marques Toliver: An R&amp;B Crooner With Strings Attached</title>
      <description>Toliver's music is anchored by the violin, on which he is classically trained. He says he discovered the instrument in fifth grade — and that in a way, it chose him.</description>
      <pubDate>Sun, 19 May 2013 05:41:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/19/184852129/marques-toliver-an-r-b-crooner-with-strings-attached?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/2013/05/19/184852129/marques-toliver-an-r-b-crooner-with-strings-attached?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>Toliver's music is anchored by the violin, on which he is classically trained. He says he discovered the instrument in fifth grade — and that in a way, it chose him.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184852129">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184852129">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>First Listen: G&amp;D, 'The Lighthouse'</title>
      <description>On &lt;em&gt;The Lighthouse&lt;/em&gt;, Georgia Anne Muldrow and Dudley Perkins engineer an overstuffed, idea-packed collision of funk, soul, hip-hop, jazz, psychedelic space-rock, spoken-word poetry, protest music and more. Along the way, they examine innumerable intersections of love, politics, spirituality, healthy living, parenthood and world citizenship.</description>
      <pubDate>Sun, 12 May 2013 22:30:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/12/182912777/first-listen-g-d-the-lighthouse?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/2013/05/12/182912777/first-listen-g-d-the-lighthouse?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>On <em>The Lighthouse</em>, Georgia Anne Muldrow and Dudley Perkins engineer an overstuffed, idea-packed collision of funk, soul, hip-hop, jazz, psychedelic space-rock, spoken-word poetry, protest music and more. Along the way, they examine innumerable intersections of love, politics, spirituality, healthy living, parenthood and world citizenship.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182912777">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182912777">&raquo; Add to Del.icio.us</a></p><a rel="nofollow" href="http://ad.doubleclick.net/jump/n6735.NPR.MUSIC/music;genre=hip_hop_r_b;sz=300x80;ord=2115861490"><img alt="" src="http://ad.doubleclick.net/ad/n6735.NPR.MUSIC/music;genre=hip_hop_r_b;sz=300x80;ord=2115861490"/></a>]]></content:encoded>
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    <item>
      <title>LL Cool J On 'Accidental Racist' And Authenticity</title>
      <description>"The last thing that I want to do is be a hack," says the rapper and actor. His latest album, his first since splitting with the record label that launched his career, is called &lt;em&gt;Authentic&lt;/em&gt;.</description>
      <pubDate>Sat, 11 May 2013 16:54:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/11/182956651/ll-cool-j-on-accidental-racist-and-authenticity?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/2013/05/11/182956651/ll-cool-j-on-accidental-racist-and-authenticity?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>"The last thing that I want to do is be a hack," says the rapper and actor. His latest album, his first since splitting with the record label that launched his career, is called <em>Authentic</em>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182956651">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182956651">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>On Two New R&amp;B Albums, An Old Soul Sound That Glows</title>
      <description>New York's Charles Bradley and London's James Hunter Six both mix inspiration and replication.</description>
      <pubDate>Wed, 08 May 2013 15:55:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/08/182310396/on-two-new-r-b-albums-an-old-soul-sound-that-glows?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/2013/05/08/182310396/on-two-new-r-b-albums-an-old-soul-sound-that-glows?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>New York's Charles Bradley and London's James Hunter Six both mix inspiration and replication.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182310396">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182310396">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>20 Years Ago Biz Markie Got The Last Laugh</title>
      <description>&lt;em&gt;&lt;/em&gt;After the rapper lost a legal battle with far-reaching consequences over sampling, the mere existence of &lt;em&gt;All Samples Cleared! &lt;/em&gt;was a triumph.</description>
      <pubDate>Mon, 06 May 2013 12:50:00 -0400</pubDate>
      <link>http://www.npr.org/blogs/therecord/2013/05/01/180375856/20-years-ago-biz-markie-got-the-last-laugh?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/blogs/therecord/2013/05/01/180375856/20-years-ago-biz-markie-got-the-last-laugh?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p><em></em>After the rapper lost a legal battle with far-reaching consequences over sampling, the mere existence of <em>All Samples Cleared! </em>was a triumph.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=180375856">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D180375856">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>First Listen: Music From Baz Luhrmann's Film 'The Great Gatsby'</title>
      <description>The soundtrack to &lt;em&gt;The Great Gatsby&lt;/em&gt;, Baz Luhrmann's latest high-end refurbishing of a lived-in classic, doesn't try to re-imagine Jazz Age tunes in a modern context. Instead, it attempts to transplant the sensibility of the 1920s to the hip-hop era, with genre-busting collaborations overseen by Jay-Z.</description>
      <pubDate>Thu, 02 May 2013 09:43:00 -0400</pubDate>
      <link>http://www.npr.org/2013/04/30/180098344/first-listen-music-from-baz-luhrmanns-film-the-great-gatsby?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/2013/04/30/180098344/first-listen-music-from-baz-luhrmanns-film-the-great-gatsby?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>The soundtrack to <em>The Great Gatsby</em>, Baz Luhrmann's latest high-end refurbishing of a lived-in classic, doesn't try to re-imagine Jazz Age tunes in a modern context. Instead, it attempts to transplant the sensibility of the 1920s to the hip-hop era, with genre-busting collaborations overseen by Jay-Z.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=180098344">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D180098344">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>'The Talent Comes First': Roc Marciano Takes An A&amp;R Gig</title>
      <description>The New York rapper on his new role, Lil B's brilliance and doing business with good people.</description>
      <pubDate>Tue, 30 Apr 2013 15:30:00 -0400</pubDate>
      <link>http://www.npr.org/blogs/therecord/2013/04/30/180065166/the-talent-comes-first-roc-marciano-takes-an-a-r-gig?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/blogs/therecord/2013/04/30/180065166/the-talent-comes-first-roc-marciano-takes-an-a-r-gig?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>The New York rapper on his new role, Lil B's brilliance and doing business with good people.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=180065166">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D180065166">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>The Tyler Interview: Silly, But With A Purpose</title>
      <description>In front of a paying audience, Tyler answered the questions of rap journalist Elliott Wilson. Tyler's buoyancy contrasted with Wilson's laid-back style, and resulted in a conversation that was at turns intimate and crude.</description>
      <pubDate>Fri, 26 Apr 2013 14:00:00 -0400</pubDate>
      <link>http://www.npr.org/blogs/therecord/2013/04/25/179044243/the-tyler-interview-silly-but-with-a-purpose?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/blogs/therecord/2013/04/25/179044243/the-tyler-interview-silly-but-with-a-purpose?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>In front of a paying audience, Tyler answered the questions of rap journalist Elliott Wilson. Tyler's buoyancy contrasted with Wilson's laid-back style, and resulted in a conversation that was at turns intimate and crude.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=179044243">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D179044243">&raquo; Add to Del.icio.us</a></p><a rel="nofollow" href="http://ad.doubleclick.net/jump/n6735.NPR.MUSIC/music;genre=hip_hop_r_b;sz=300x80;ord=1663367835"><img alt="" src="http://ad.doubleclick.net/ad/n6735.NPR.MUSIC/music;genre=hip_hop_r_b;sz=300x80;ord=1663367835"/></a>]]></content:encoded>
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      <title>Talib Kweli On Mainstream Hip-Hop And Honoring The Old School</title>
      <description>The New York rapper's political and layered rhymes have been pegged as "conscious rap," a label that has now become pejorative. His latest album challenges that image, paying homage to old-school hip-hop and working with the present.</description>
      <pubDate>Wed, 24 Apr 2013 17:30:00 -0400</pubDate>
      <link>http://www.npr.org/blogs/therecord/2013/04/25/178844118/talib-kweli-on-mainstream-hip-hop-parenting-and-honoring-the-old-school?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/blogs/therecord/2013/04/25/178844118/talib-kweli-on-mainstream-hip-hop-parenting-and-honoring-the-old-school?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>The New York rapper's political and layered rhymes have been pegged as "conscious rap," a label that has now become pejorative. His latest album challenges that image, paying homage to old-school hip-hop and working with the present.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=178844118">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D178844118">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>The Ghostface Killah Rises Again</title>
      <description>A high-concept collaborative album by a veteran rapper and a film composer knits together hip-hop and soul music.</description>
      <pubDate>Mon, 22 Apr 2013 06:00:00 -0400</pubDate>
      <link>http://www.npr.org/blogs/therecord/2013/04/22/177334335/the-ghostface-killah-rises-again?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/blogs/therecord/2013/04/22/177334335/the-ghostface-killah-rises-again?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>A high-concept collaborative album by a veteran rapper and a film composer knits together hip-hop and soul music.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=177334335">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D177334335">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>This Was 1993: 20 Years Ago I Heard The Perfect Rap Song</title>
      <description>Writer Kiese Laymon says back then he would have sworn on everything he loved that hip-hop would never be the same after The Coup's "Not Yet Free."</description>
      <pubDate>Wed, 17 Apr 2013 12:00:00 -0400</pubDate>
      <link>http://www.npr.org/blogs/therecord/2013/04/17/177326079/this-was-1993-20-years-ago-i-heard-the-perfect-rap-song?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/blogs/therecord/2013/04/17/177326079/this-was-1993-20-years-ago-i-heard-the-perfect-rap-song?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>Writer Kiese Laymon says back then he would have sworn on everything he loved that hip-hop would never be the same after The Coup's "Not Yet Free."</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=177326079">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D177326079">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Tall Glass Of Rock Star-Ness: A Q&amp;A With Questlove</title>
      <description>Questlove, drummer and co-founder of The Roots, is coming out with a memoir in June called &lt;em&gt;Mo' Meta Blues, &lt;/em&gt;co-written with Ben Greenman. The musician spoke with NPR intern Lidia Jean Kott about why the movie &lt;em&gt;Spring Breakers &lt;/em&gt;made him feel like less of a rock star, and whether you can ever outgrow being a dweeb.</description>
      <pubDate>Mon, 15 Apr 2013 07:00:00 -0400</pubDate>
      <link>http://www.npr.org/2013/04/15/176061633/tall-glass-of-rock-star-ness-a-q-a-with-questlove?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/2013/04/15/176061633/tall-glass-of-rock-star-ness-a-q-a-with-questlove?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>Questlove, drummer and co-founder of The Roots, is coming out with a memoir in June called <em>Mo' Meta Blues, </em>co-written with Ben Greenman. The musician spoke with NPR intern Lidia Jean Kott about why the movie <em>Spring Breakers </em>made him feel like less of a rock star, and whether you can ever outgrow being a dweeb.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=176061633">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D176061633">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>The Wu-Tang Clan's 20-Year Plan</title>
      <description>The group's 1993 debut was the opening shot of an audacious plan to open the music industry to hip-hop made way outside the mainstream.</description>
      <pubDate>Mon, 08 Apr 2013 06:00:00 -0400</pubDate>
      <link>http://www.npr.org/blogs/therecord/2013/04/08/176519640/the-wu-tang-clans-20-year-plan?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/blogs/therecord/2013/04/08/176519640/the-wu-tang-clans-20-year-plan?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>The group's 1993 debut was the opening shot of an audacious plan to open the music industry to hip-hop made way outside the mainstream.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=176519640">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D176519640">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
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      <title>First Listen: Ghostface Killah And Adrian Younge, 'Twelve Reasons To Die'</title>
      <description>In the grand tradition of the Wu-Tang Clan, this collaboration is brash and Technicolor and heartfelt.</description>
      <pubDate>Mon, 08 Apr 2013 03:28:00 -0400</pubDate>
      <link>http://www.npr.org/2013/04/08/176043665/first-listen-ghostface-killah-and-adrian-younge-twelve-reasons-to-die?ft=1&amp;f=10005</link>
      <guid>http://www.npr.org/2013/04/08/176043665/first-listen-ghostface-killah-and-adrian-younge-twelve-reasons-to-die?ft=1&amp;f=10005</guid>
      <content:encoded><![CDATA[<p>In the grand tradition of the Wu-Tang Clan, this collaboration is brash and Technicolor and heartfelt.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=176043665">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D176043665">&raquo; Add to Del.icio.us</a></p><a rel="nofollow" href="http://ad.doubleclick.net/jump/n6735.NPR.MUSIC/music;genre=hip_hop_r_b;sz=300x80;ord=1071497461"><img alt="" src="http://ad.doubleclick.net/ad/n6735.NPR.MUSIC/music;genre=hip_hop_r_b;sz=300x80;ord=1071497461"/></a>]]></content:encoded>
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