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    <title>World of Opera's Hit Singles</title>
    <link>http://www.npr.org/templates/story/story.php?storyId=15846888&amp;ft=1&amp;f=15846888</link>
    <description>Nearly every opera is both a continuous drama and a collection of great songs.  Sometimes the best of those songs become as popular, or even more popular, than the operas themselves.  Here, &lt;em&gt;World of Opera&lt;/em&gt; presents a collection of opera's biggest hits.</description>
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    <lastBuildDate>Fri, 14 Nov 2008 14:27:00 -0500</lastBuildDate>
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      <title>World of Opera's Hit Singles</title>
      <link>http://www.npr.org/templates/story/story.php?storyId=15846888&amp;ft=1&amp;f=15846888</link>
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    <item>
      <title>The Death of Bajazet</title>
      <description>Placido Domingo sings the key scene from one of the first great tenor roles ever composed — Bajazet, in Handel's &lt;em&gt;Tamerlano&lt;/em&gt;.  Bajazet's death is among the most dramatic solo scenes in all of Baroque opera.</description>
      <pubDate>Fri, 14 Nov 2008 14:27:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=97023049&amp;ft=1&amp;f=15846888</link>
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      <content:encoded><![CDATA[<p>Placido Domingo sings the key scene from one of the first great tenor roles ever composed — Bajazet, in Handel's <em>Tamerlano</em>.  Bajazet's death is among the most dramatic solo scenes in all of Baroque opera.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=97023049">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D97023049">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Monteverdi's 'Tu se morta ...'</title>
      <description>Orfeo reacts to the news that his wife, Euridice, has died of a poisonous snakebite, in the aria "Tu se' morte, mia vita, ed io respiro?" — "You are dead, my life, yet I still breathe?"</description>
      <pubDate>Fri, 07 Mar 2008 14:39:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=88067418&amp;ft=1&amp;f=15846888</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=88067418&amp;ft=1&amp;f=15846888</guid>
      <content:encoded><![CDATA[<p>Orfeo reacts to the news that his wife, Euridice, has died of a poisonous snakebite, in the aria "Tu se' morte, mia vita, ed io respiro?" — "You are dead, my life, yet I still breathe?"</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=88067418">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D88067418">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Verdi's 'O patria mia'</title>
      <description>In the moving aria "O patria mia," the title character in Verdi's &lt;em&gt;Aida&lt;/em&gt;, an Ethiopian princess held captive in Egypt, longs for her homeland and fears that she'll never see it again.</description>
      <pubDate>Fri, 23 Nov 2007 00:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=16534097&amp;ft=1&amp;f=15846888</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=16534097&amp;ft=1&amp;f=15846888</guid>
      <content:encoded><![CDATA[<p>In the moving aria "O patria mia," the title character in Verdi's <em>Aida</em>, an Ethiopian princess held captive in Egypt, longs for her homeland and fears that she'll never see it again.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=16534097">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D16534097">&raquo; Add to Del.icio.us</a></p><a rel="nofollow" href="http://ad.doubleclick.net/jump/n6735.NPR.MUSIC/music_discover_songs;agg=15846888;theme=15846888;sz=300x80;ord=1972466578"><img alt="" src="http://ad.doubleclick.net/ad/n6735.NPR.MUSIC/music_discover_songs;agg=15846888;theme=15846888;sz=300x80;ord=1972466578"/></a>]]></content:encoded>
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      <title>Rossini's 'Non piu mesta'</title>
      <description>In &lt;em&gt;La Cenerentola&lt;/em&gt;, Rossini's take on the familiar story of Cinderella, the title character forgives her abusive family and rejoices at her own good fortune, in the aria "Non piu mesta" — "No longer sad."</description>
      <pubDate>Fri, 16 Nov 2007 13:44:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=16359073&amp;ft=1&amp;f=15846888</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=16359073&amp;ft=1&amp;f=15846888</guid>
      <content:encoded><![CDATA[<p>In <em>La Cenerentola</em>, Rossini's take on the familiar story of Cinderella, the title character forgives her abusive family and rejoices at her own good fortune, in the aria "Non piu mesta" — "No longer sad."</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=16359073">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D16359073">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Mozart's 'Catalog Aria'</title>
      <description>In &lt;em&gt;Don Giovanni&lt;/em&gt;, the title character's manservant, Leporello, bluntly describes his boss's prodigious love life to Elvira, one of Giovanni's recent conquests, in the frank but witty "Catalog Aria."</description>
      <pubDate>Fri, 02 Nov 2007 17:02:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=15897704&amp;ft=1&amp;f=15846888</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=15897704&amp;ft=1&amp;f=15846888</guid>
      <content:encoded><![CDATA[<p>In <em>Don Giovanni</em>, the title character's manservant, Leporello, bluntly describes his boss's prodigious love life to Elvira, one of Giovanni's recent conquests, in the frank but witty "Catalog Aria."</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=15897704">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D15897704">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Puccini's 'O mio babbino caro'</title>
      <description>At a crucial moment in Puccini's &lt;em&gt;Gianni Schicchi&lt;/em&gt;, Lauretta sings "O mio babbino caro," a tender appeal to Schicchi, her father, to assist her boyfriend's greedy family, so the two of them can finally marry.  Amanda Squitieri sings it at the Washington National Opera.</description>
      <pubDate>Fri, 21 Sep 2007 15:47:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=15891416&amp;ft=1&amp;f=15846888</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=15891416&amp;ft=1&amp;f=15846888</guid>
      <content:encoded><![CDATA[<p>At a crucial moment in Puccini's <em>Gianni Schicchi</em>, Lauretta sings "O mio babbino caro," a tender appeal to Schicchi, her father, to assist her boyfriend's greedy family, so the two of them can finally marry.  Amanda Squitieri sings it at the Washington National Opera.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=15891416">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D15891416">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>'Un bel di,' by Giacomo Puccini</title>
      <description>It woud be difficult for a single tune from &lt;em&gt;Madame Butterfly&lt;/em&gt; to be more popular than the opera itself, but there's one that comes close:  Cio-cio-San's poignant aria, "Un bel di" — "One fine day."</description>
      <pubDate>Tue, 04 Sep 2007 14:44:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=15855063&amp;ft=1&amp;f=15846888</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=15855063&amp;ft=1&amp;f=15846888</guid>
      <content:encoded><![CDATA[<p>It woud be difficult for a single tune from <em>Madame Butterfly</em> to be more popular than the opera itself, but there's one that comes close:  Cio-cio-San's poignant aria, "Un bel di" — "One fine day."</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=15855063">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D15855063">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Rossini's 'Largo al factotum'</title>
      <description>Rossini's "Largo al factotum " — sometimes called "The Figaro Aria" — is the boastfully buoyant  number sung by Figaro to explain exactly why he's the most famous barber in Seville.</description>
      <pubDate>Fri, 03 Aug 2007 17:59:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=15901438&amp;ft=1&amp;f=15846888</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=15901438&amp;ft=1&amp;f=15846888</guid>
      <content:encoded><![CDATA[<p>Rossini's "Largo al factotum " — sometimes called "The Figaro Aria" — is the boastfully buoyant  number sung by Figaro to explain exactly why he's the most famous barber in Seville.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=15901438">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D15901438">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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