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  <channel>
    <title>NPR Series: CD Reviews</title>
    <link>http://www.npr.org/templates/story/story.php?storyId=4465028&amp;ft=1&amp;f=4465028</link>
    <description>NPR Music reviewers discuss new CD releases for rock, pop, folk, jazz, classical, world, and urban music.</description>
    <copyright>Copyright 2009 NPR - For Personal Use Only</copyright>
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    <lastBuildDate>Fri, 05 Jun 2009 12:23:00 -0400</lastBuildDate>
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      <title>CD Reviews</title>
      <link>http://www.npr.org/templates/story/story.php?storyId=4465028&amp;ft=1&amp;f=4465028</link>
    </image>
    <item>
      <title>Neil Young Sets New Anthology Gold Standard</title>
      <description>Being a Neil Young fan isn't always easy. There have been lean years, puzzling political stances and quite a few less-than-satisfying concept albums. But most fans are determined to stick it out. In many ways, the gargantuan &lt;em&gt;Neil Young Archives, Vol. 1: 1963-1972&lt;/em&gt; is payback.</description>
      <pubDate>Fri, 05 Jun 2009 12:23:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=105014182&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=105014182&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>Being a Neil Young fan isn't always easy. There have been lean years, puzzling political stances and quite a few less-than-satisfying concept albums. But most fans are determined to stick it out. In many ways, the gargantuan <em>Neil Young Archives, Vol. 1: 1963-1972</em> is payback.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=105014182">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D105014182">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Eminem: A 'Relapse' Of Horror?</title>
      <description>A full year out of rehab, the controversial rapper Eminem is back with &lt;em&gt;Relapse,&lt;/em&gt; his first album since 2004. Curiously, he brings back an obscure rap subgenre called horror-core, and critic Robert Christgau thinks he should have stayed home a little longer.</description>
      <pubDate>Wed, 20 May 2009 13:49:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=104349227&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=104349227&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>A full year out of rehab, the controversial rapper Eminem is back with <em>Relapse,</em> his first album since 2004. Curiously, he brings back an obscure rap subgenre called horror-core, and critic Robert Christgau thinks he should have stayed home a little longer.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=104349227">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D104349227">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Ran Blake: Ghosts In The Piano</title>
      <description>The grainy, blurry portrait of Ran Blake on the cover of his album, &lt;em&gt;Driftwoods&lt;/em&gt;, looks like spirit photography: the pianist as ghostly presence. His playing can be spooky, too. The CD radically transforms popular vocal standards from Billie Holiday, Hank Williams, Quincy Jones and more.</description>
      <pubDate>Wed, 22 Apr 2009 11:02:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=103362259&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=103362259&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>The grainy, blurry portrait of Ran Blake on the cover of his album, <em>Driftwoods</em>, looks like spirit photography: the pianist as ghostly presence. His playing can be spooky, too. The CD radically transforms popular vocal standards from Billie Holiday, Hank Williams, Quincy Jones and more.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=103362259">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D103362259">&raquo; Add to Del.icio.us</a></p><a rel="nofollow" href="http://u.npr.org/adclick/site=NPRMUSIC/area=Music.Music_Reviews/agg=4465028/theme=4465028/aamsz=300x80/position=rss1/pageid=1">&#13;
<img alt="" src="http://u.npr.org/iserver/site=NPRMUSIC/area=Music.Music_Reviews/agg=4465028/theme=4465028/aamsz=300x80/position=rss1/pageid=1"/></a>]]></content:encoded>
    </item>
    <item>
      <title>Eva Ayllon: Afro-Peruvian Queen</title>
      <description>Eva Ayllon is sometimes called Peru's Tina Turner. On &lt;em&gt;Kimba Fa,&lt;/em&gt; the 30-year veteran takes all sorts of liberties with Afro-Peruvian music, adding in piano and sometimes a brass section, as well as jazz harmony and ideas from other Afro Latin styles.</description>
      <pubDate>Fri, 17 Apr 2009 13:04:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=103169173&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=103169173&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>Eva Ayllon is sometimes called Peru's Tina Turner. On <em>Kimba Fa,</em> the 30-year veteran takes all sorts of liberties with Afro-Peruvian music, adding in piano and sometimes a brass section, as well as jazz harmony and ideas from other Afro Latin styles.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=103169173">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D103169173">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Amadou And Mariam: Well Beyond Mali</title>
      <description>The self-billed "blind couple of Mali" have been recording since the '80s, but they've never stuck to one style. On &lt;em&gt;Welcome to Mali&lt;/em&gt;, Amadou and Mariam absorb ideas from everywhere and sound like they're having a ball.</description>
      <pubDate>Thu, 26 Mar 2009 13:32:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=102383925&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=102383925&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>The self-billed "blind couple of Mali" have been recording since the '80s, but they've never stuck to one style. On <em>Welcome to Mali</em>, Amadou and Mariam absorb ideas from everywhere and sound like they're having a ball.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=102383925">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D102383925">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Marianne Faithfull Sings The New Golden Era</title>
      <description>Despite a constant flood of new music, people still like to insist it was all better in times past. But Marianne Faithfull, who has survived a bunch of musical decades, recognizes that right now is a golden era of its own. Her new record, &lt;em&gt;Easy Come, Easy Go,&lt;/em&gt; is all covers, but alongside old standards are what might be some new staples.</description>
      <pubDate>Wed, 25 Mar 2009 13:27:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=102296995&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=102296995&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>Despite a constant flood of new music, people still like to insist it was all better in times past. But Marianne Faithfull, who has survived a bunch of musical decades, recognizes that right now is a golden era of its own. Her new record, <em>Easy Come, Easy Go,</em> is all covers, but alongside old standards are what might be some new staples.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=102296995">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D102296995">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>'Downriver Revival': Documenting The Double U</title>
      <description>In the mid-1960s, an electrician converted his basement into a jerry-built, custom studio he dubbed Double U Sound. Between 1967 and 1981, Felton Williams recorded more than 300 reels of tape. &lt;em&gt;Downriver Revival&lt;/em&gt; is the first in a series of compilations focusing on the recordings of these local studios.</description>
      <pubDate>Wed, 18 Mar 2009 14:22:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=102059710&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=102059710&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>In the mid-1960s, an electrician converted his basement into a jerry-built, custom studio he dubbed Double U Sound. Between 1967 and 1981, Felton Williams recorded more than 300 reels of tape. <em>Downriver Revival</em> is the first in a series of compilations focusing on the recordings of these local studios.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=102059710">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D102059710">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Green Goes Blue With 'Grant's First Stand'</title>
      <description>Originally released in 1961, electric guitarist Grant Green's first album with Blue Note Records, &lt;em&gt;Grant's First Stand&lt;/em&gt;, has been reissued. Green has a solid swinger's knack for skippy, airborne jazz rhythms, but some of his lines wouldn't sound out of place in a Chicago blues bar.</description>
      <pubDate>Tue, 10 Mar 2009 10:18:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=101646825&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=101646825&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>Originally released in 1961, electric guitarist Grant Green's first album with Blue Note Records, <em>Grant's First Stand</em>, has been reissued. Green has a solid swinger's knack for skippy, airborne jazz rhythms, but some of his lines wouldn't sound out of place in a Chicago blues bar.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=101646825">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D101646825">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Not Such Heartless Bastards After All</title>
      <description>The heart of the blues-rock group Heartless Bastards is Erika Wennerstrom, who wears hers on her sleeve. Her band's new album, &lt;em&gt;The Mountain&lt;/em&gt;, features a bold, hard-hitting sound.</description>
      <pubDate>Mon, 09 Mar 2009 11:46:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=101617716&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=101617716&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>The heart of the blues-rock group Heartless Bastards is Erika Wennerstrom, who wears hers on her sleeve. Her band's new album, <em>The Mountain</em>, features a bold, hard-hitting sound.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=101617716">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D101617716">&raquo; Add to Del.icio.us</a></p><a rel="nofollow" href="http://u.npr.org/adclick/site=NPRMUSIC/area=Music.Music_Reviews/agg=4465028/theme=4465028/aamsz=300x80/position=rss2/pageid=1">&#13;
<img alt="" src="http://u.npr.org/iserver/site=NPRMUSIC/area=Music.Music_Reviews/agg=4465028/theme=4465028/aamsz=300x80/position=rss2/pageid=1"/></a>]]></content:encoded>
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      <title>Animal Collective: The Electronic Turns Organic</title>
      <description>Animal Collective is an experimental pop band that's cultivated an air of mystery over the past few years, as well as a passionate following. Will Hermes reviews the band's new album, &lt;em&gt;Merriweather Post Pavilion&lt;/em&gt;.</description>
      <pubDate>Wed, 21 Jan 2009 14:39:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=99419750&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=99419750&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>Animal Collective is an experimental pop band that's cultivated an air of mystery over the past few years, as well as a passionate following. Will Hermes reviews the band's new album, <em>Merriweather Post Pavilion</em>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=99419750">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D99419750">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Moody And Jones' Jazz Reunion Is A 'Delight'</title>
      <description>On their first recording together in more than 50 years, saxophonist James Moody and pianist Hank Jones show that the elder statesmen of jazz can still play beautifully. &lt;em&gt;Our Delight&lt;/em&gt; displays the golden virtues of jazz with warmth and grace.</description>
      <pubDate>Fri, 05 Dec 2008 10:37:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=97850465&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=97850465&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>On their first recording together in more than 50 years, saxophonist James Moody and pianist Hank Jones show that the elder statesmen of jazz can still play beautifully. <em>Our Delight</em> displays the golden virtues of jazz with warmth and grace.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=97850465">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D97850465">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>David Cook: 'Idol' Busy With New Album</title>
      <description>Every fall, the latest winner of the &lt;em&gt;American Idol&lt;/em&gt; competition arrives with an album. This year it's David Cook, who won by the largest margin in the show's seven-year history.</description>
      <pubDate>Tue, 18 Nov 2008 16:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=97170653&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=97170653&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>Every fall, the latest winner of the <em>American Idol</em> competition arrives with an album. This year it's David Cook, who won by the largest margin in the show's seven-year history.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=97170653">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D97170653">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Bebo Valdes Brings Havana To Village Vanguard</title>
      <description>Bebo Valdes left Havana 50 years ago, but at the piano, it's as if he's still there. He's not reviving anything; he just kept on doing it the old way, long after music in Cuba had moved on. On &lt;em&gt;Live at the Village Vanguard&lt;/em&gt;, Valdes shares billing with his frequent duo partner, bassist Javier Colina.</description>
      <pubDate>Thu, 13 Nov 2008 10:47:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=96952296&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=96952296&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>Bebo Valdes left Havana 50 years ago, but at the piano, it's as if he's still there. He's not reviving anything; he just kept on doing it the old way, long after music in Cuba had moved on. On <em>Live at the Village Vanguard</em>, Valdes shares billing with his frequent duo partner, bassist Javier Colina.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=96952296">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D96952296">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>A Pretender's Aching, 'Concrete' Return</title>
      <description>Chrissie Hynde has gathered up a new batch of Pretenders &amp;mdash; including the great drummer Jim Keltner &amp;mdash; and wants you to know she's still up for some adventure, anger and lust.</description>
      <pubDate>Tue, 11 Nov 2008 13:46:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=96865732&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=96865732&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>Chrissie Hynde has gathered up a new batch of Pretenders &mdash; including the great drummer Jim Keltner &mdash; and wants you to know she's still up for some adventure, anger and lust.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=96865732">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D96865732">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
    </item>
    <item>
      <title>Sex, Gender Equality In New Girl Talk Album</title>
      <description>Gregg Gillis is a Pittsburgh DJ and musical mixologist who was known only by his stage name, Girl Talk, until his music took off and he could quit his day job as a biomedical engineer. Often, music by mixologists sounds esoteric, but that could hardly be claimed of Girl Talk's latest mashup album, &lt;em&gt;Feed the Animals&lt;/em&gt;.</description>
      <pubDate>Wed, 29 Oct 2008 16:00:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=96284161&amp;ft=1&amp;f=4465028</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=96284161&amp;ft=1&amp;f=4465028</guid>
      <content:encoded><![CDATA[<p>Gregg Gillis is a Pittsburgh DJ and musical mixologist who was known only by his stage name, Girl Talk, until his music took off and he could quit his day job as a biomedical engineer. Often, music by mixologists sounds esoteric, but that could hardly be claimed of Girl Talk's latest mashup album, <em>Feed the Animals</em>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=96284161">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D96284161">&raquo; Add to Del.icio.us</a></p><a rel="nofollow" href="http://u.npr.org/adclick/site=NPRMUSIC/area=Music.Music_Reviews/agg=4465028/theme=4465028/aamsz=300x80/position=rss3/pageid=1">&#13;
<img alt="" src="http://u.npr.org/iserver/site=NPRMUSIC/area=Music.Music_Reviews/agg=4465028/theme=4465028/aamsz=300x80/position=rss3/pageid=1"/></a>]]></content:encoded>
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