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Guest DJ: Decoding Debussy With Pierre-Laurent Aimard

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Guest DJ: Decoding Debussy With Pierre-Laurent Aimard

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Guest DJ: Decoding Debussy With Pierre-Laurent Aimard

Guest DJ: Decoding Debussy With Pierre-Laurent Aimard

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Claude Debussy (1862-1918) ignored the old rules about how to write music and created a brave new world of sonic possibilities. adoc-photos/Corbis hide caption

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Claude Debussy (1862-1918) ignored the old rules about how to write music and created a brave new world of sonic possibilities.

adoc-photos/Corbis

In the western suburbs of Paris 150 years ago today, a boy was born to an unassuming couple, proprietors of a china shop who had no great taste for music. But that little boy felt otherwise, and grew up to write music of bold color, timbre and harmonic daring.

Claude Debussy ignored the old rules about how to write music and in the process created a brave new world of sonic possibilities.

To mark the Debussy sesquicentennial, French pianist Pierre-Laurent Aimard stopped by to spin a few of his favorite Debussy recordings. The 54-year-old pianist knows a few things about adventurous music himself. At age 19, Pierre Boulez chose him as the first solo pianist in the Ensemble Intercontemporain, a group devoted to avant-garde music. A year later, Aimard performed the demanding solo part in Olivier Messiaen's Turangalila Symphony with the Chicago Symphony Orchestra. These days, his repertoire ranges widely from contemporary music back to J.S. Bach.

Exclusive Sneak Preview: Pierre-Laurent Aimard Plays Debussy

Pierre-Laurent Aimard plays Debussy.
DG

The Sunken Cathedral

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The Sunken Cathedral

  • from Debussy: Preludes
  • by Pierre-Laurent Aimard

Pierre-Laurent Aimard's recording of Debussy's Preludes will be released Oct. 9. Hear a sample of it, courtesy of Deutsche Grammophon.

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Song
Debussy: Preludes
Album
Debussy: Preludes
Artist
Pierre-Laurent Aimard
Label
DG
Released
2012

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Some of Aimard's very first musical memories are of being "overwhelmed" at hearing Debussy's music. For Aimard, Debussy is still radical and his veiled, complex music has "a troubling dimension."

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"We don't always know exactly what it is about," Amaird says, "because things are mixed, and they are not also completely clearly said. They remain hidden."

Aimard has made a case for Debussy in this anniversary year by playing a lot of the composer's music. His new recording of Debussy's Preludes will be released in October; in November Aimard plays them at Carnegie Hall.

Below are longer excerpts of the pieces Aimard chose to talk about in our discussion (which you can hear by clicking the audio link) and his condensed remarks about them.

Hear Aimard's Handpicked Debussy

Susan Graham at Carnegie Hall.
Warner

Proses lyriques (4), song collection for voice & piano, L. 84 [De fleurs]

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'De fleurs' (sung by Susan Graham)

  • from Susan Graham at Carnegie Hall
  • by Susan Graham

I've chosen this piece not because it's one of my favorite songs by Debussy. I prefer when he's more adventurous in his harmonic language. But what I've found very significant is that in in this case is that he has written the poetry. And one can feel first of all how musical his French language is, and second of all how [much] culture he had in terms of visual arts, in terms of literature and poetry.

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Susan Graham at Carnegie Hall
Album
Susan Graham at Carnegie Hall
Artist
Susan Graham
Label
Warner Classics
Released
2003

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Debussy's Pelleas et Melisande (recorded in 1941)
EMI

Pelléas et Mélisande, opera in 5 acts, L. 88 [Act 3. Scene 4. Ah! Ah! Petite mère a allumé sa lampe]

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Pelléas et Mélisande: Act 3, finale scene

  • from Debussy: Pelléas et Mélisande
  • by Roger Desormiere

I've chosen this scene because it is a very disturbing one that shows a lot about Debussy. This is the scene when the child, Yniold, will be carried by Golaud to look at Mélisande's window. And Golaud, who is jealous, feels already that Mélisande is in love with Pelléas. We'll discover what Yniold sees in Mélisande's room. At the end of the scene, Yniold doesn't say anything. He says, "No, I am too afraid, I am too afraid." And this fact, not to say something, tells much more about what happens in the entire drama than the reality.

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Song
Debussy: Pelléas et Mélisande
Album
Debussy: Pelléas et Mélisande
Artist
Roger Desormiere
Label
EMI
Released
2006

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Cover for Debussy: Preludes; L'Isle joyeuse; Chopin: Ballade No. 3; Scherzo No. 4; Etc.

Préludes (12) for piano, Book I, L. 117 [No. 4, Les Sons et les parfums tournent dans l'air du soir]

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Préludes, Book I: 'The Sounds and Fragrances Swirl Through the Evening Air'

  • from Debussy: Preludes; L'Isle joyeuse; Chopin: Ballade No. 3; Scherzo No. 4; Etc.
  • by Sviatoslav Richter

In this Prelude written on poetry by Baudelaire he writes music with incredibly rich sonorities, very sensual, and presents an extreme complexity of colors. He creates a very particular form that is not directional, like a traditional piece, but that is always coming back to what it was.

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Song
Debussy: Preludes; L'Isle joyeuse; Chopin: Ballade No. 3; Scherzo No. 4; Etc.
Album
Debussy: Preludes; L'Isle joyeuse; Chopin: Ballade No. 3; Scherzo No. 4; Etc.
Artist
Sviatoslav Richter
Label
BBC Music
Released
1999

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Cover for Debussy: Preludes; L'Isle joyeuse; Chopin: Ballade No. 3; Scherzo No. 4; Etc.

Préludes (12) for piano, Book I, L. 117 [No. 6, Des Pas sur la neige [Triste et lent]]

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Préludes, Book I: 'Footprints in the Snow'

  • from Debussy: Preludes; L'Isle joyeuse; Chopin: Ballade No. 3; Scherzo No. 4; Etc.
  • by Sviatoslav Richter

It speaks to us about Debussy's depth and hopelessness. We see very often Debussy as somebody who writes nice, a little superficial, pleasing music. And this is so wrong. This was a man that suffered a lot and has got his own way to write very deep music — a kind of sensual depth. There are some pieces by Debussy that are as deep as the deepest music ever composed, and this is one of them.

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Song
Debussy: Preludes; L'Isle joyeuse; Chopin: Ballade No. 3; Scherzo No. 4; Etc.
Album
Debussy: Preludes; L'Isle joyeuse; Chopin: Ballade No. 3; Scherzo No. 4; Etc.
Artist
Sviatoslav Richter
Label
BBC Music
Released
1999

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Pierre Boulez conducts Debussy.
DG

Jeux, ballet, L. 126

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Jeux (ballet)

  • from Claude Debussy: Nocturnes/Premiere Rhapsodie/Jeux/La Mer
  • by Pierre Boulez

If the song that Susan Graham sang magnificently (above) was a little Debussy in the French tradition, with Jeux we have Debussy in complete modernity, in which we can't find any more rules in terms of orchestration, of form, of harmony, of music-making. This music is as no music has been until then and opening the doors for a new era. It's very hard to describe it, because Debussy is like that. You can't catch it, really.

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Song
Claude Debussy: Nocturnes/Premiere Rhapsodie/Jeux/La Mer
Album
Claude Debussy: Nocturnes/Premiere Rhapsodie/Jeux/La Mer
Artist
Pierre Boulez
Label
Deutsche Grammophon
Released
1995

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Purchase Featured Music

Buy Featured Music

Album
Debussy: Preludes
Artist
Pierre-Laurent Aimard
Label
DG
Released
2012

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