Theater

Song Travels

David Hyde Pierce On 'Song Travels'()  

"Any show that's any good is much better a month later," Davie Hyde Pierce says of Broadway critics who only show up the first night. "And if it's been done right, it's way better a year later, but such is life."

April 26, 2013 The TV and Broadway star performs his favorite standards and talks Beethoven, rap and Spamalot.

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'Pippin' Revival Is A Circus Of A Show()  

The role of the Leading Player (Patina Miller) becomes a kind of circus ringmaster in the new Broadway revival of Stephen Schwartz's 1972 musical Pippin.

April 25, 2013 The smash-hit '70s musical, which made a name for Wicked composer Stephen Schwartz, gets a shiny new production set at the circus — with real-life acrobats and Broadway pros alike in the center ring.

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On Broadway, One Runt To Rule Them All()  

The Broadway musical Matilda put NPR's Bob Mondello in mind of two other big-budget tuners with plucky kids at the center of the action — and got him thinking about what these shows say about their eras.

April 25, 2013 Bob Mondello looks at Broadway's new child-friendly musical Matilda through the prism of his very first commentary for NPR 29 years ago today — a piece about how Annie was really Oliver! in drag.

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L.A. On B'way: Midler, Mengers Take Manhattan()  

Bette Midler in I'll Eat You Last: A Chat With Sue Mengers. Midler stars as Mengers, a legendary and larger-than-life Hollywood agent whose sharp wit won her both friends and foes in the film industry.

April 21, 2013 The Divine Miss M has had a colorful career, but even she's not as outsize a personality as larger-than-life Hollywood superagent Sue Mengers, whom she portrays in the new solo show I'll Eat You Last. Midler spoke with NPR's Rachel Martin about the role, her career and her love of classic Hollywood.

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On Weekend Edition SundayPlaylist

A 'Caesar' With An African Accent()  

Patterson Joseph plays Brutus, the friend whose betrayal wounds Caesar most — and whose suicide caps off the play's second act.

April 13, 2013 The plays of William Shakespeare are known for their enduring universality, so the Royal Shakespeare Company's new production of Julius Caesar — set in a chaotic African dictatorship, with an all-black cast — makes a certain sense.

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