Plaster casts taken from soldiers' mutilated faces (top row), new sculpted faces (bottom row), and final masks (on the table) sit in the studio of Anna Coleman Ladd in 1918. American Red Cross/Anna Coleman Ladd papers/Archives of American Art/Smithsonian Institution hide caption

toggle caption American Red Cross/Anna Coleman Ladd papers/Archives of American Art/Smithsonian Institution
One Sculptor's Answer To WWI Wounds: Plaster, Copper And Paint
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A cross-section of skeletal muscle in this light micrograph shows the individual, parallel muscle fibers (red). These fibers work in concert to power movement. Thomas Deerinck, NCMIR/ScienceSource hide caption

toggle caption Thomas Deerinck, NCMIR/ScienceSource
Experimental Technique Coaxes Muscles Destroyed By War To Regrow
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