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November 15, 2012 Alex Gibney's Mea Maxima Culpa: Silence in the House of God literally gives voice to four of the voiceless victims of sexual abuse in the Catholic church. As Mark Jenkins explains, the film delves more deeply into the issue than other documentaries before it. (Recommended)

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November 15, 2012 James Bond and The Rolling Stones both turn 50 this year. As critic John Powers points out, both may have been born in response to a dying British Empire, but their evolving legacies have reflected the times through which these brands have lived.

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On Fresh Air from WHYYPlaylist

November 9, 2012 Two of the year's most highly anticipated movies arrive this week. Steven Spielberg's Lincoln, starring Daniel Day-Lewis, and Skyfall, the third film starring Daniel Craig as James Bond 007, directed by American Beauty Oscar-winner Sam Mendes. Film critic David Edelstein has this review of both.

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On Fresh Air from WHYYPlaylist

November 8, 2012 Steven Spielberg's biographical drama portrays the 16th president of the United States as a conflicted leader not above twisting arms and exploiting the system to get the right thing done.

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November 8, 2012 Sean Baker's Starlet is a kind of Harold and Maude for a new generation. Critic Scott Tobias says the film's central relationship — a friendship between a young porn star and an octogenarian — is charming, perplexing and thoroughly true to life. (Recommended)

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November 8, 2012 Three separate narratives place three women named Anne in the same Korean beach town, where she'll face many of the same thematic issues. As Sam Stander explains, the film serves as a delightfully disorienting case study in human interaction. (Recommended)

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November 8, 2012 With an eye on an international audience, this Shanghai-set adaptation of the 18th-century French novel focuses most of its energy on being visually appealing. Critic Mark Jenkins says the setting of the film isn't entirely justified — but it does serve as a glossily seductive distraction.

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November 8, 2012 This year's foreign-film Oscar entry from Denmark is visually stunning and thematically timely; as critic Ella Taylor explains, the film shows that the road to autocracy is often paved with betrayal, scandal and gamesmanship. (Recommended)

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November 8, 2012 Photographer James Balog set up dozens of cameras around the world, hoping to compile a visual record of glacier melt. Jeff Orlowski's documentary is a striking chronicle of the results. (Recommended)

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November 8, 2012 Film's most iconic superspy is back in his 23rd movie, Skyfall, and the franchise's 50th-anniversary release doesn't disappoint, says NPR's Bob Mondello: With director Sam Mendes' sleek vision and a superb supporting cast, Skyfall may be one of the best Bond films to date. (Recommended)

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On All Things ConsideredPlaylist

November 1, 2012 Writer-director Jacob Aaron Estes tries to bring something new to a drama about infidelity and secrets within a marriage. Joel Arnold says that by taking tropes to their extremes, The Details is able to do just that.

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November 1, 2012 The veteran director teams up with the producers of the Paranormal Activity films for a found-footage thriller that breathes new life into the genre. Critic Jeanette Catsoulis says The Bay successfully plunges its audience into a world of suspense not too dissimilar from our own.

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November 1, 2012 Yaron Zilberman's A Late Quartet, which follows the internal collapse of a string quartet, goes down the all-too-familiar path of a work-family drama. But critic Ella Taylor praises the quiet performances from the film's seasoned stars, including Christopher Walken and Philip Seymour Hoffman.

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November 1, 2012 Italian director Paolo Sorrentino's first English-language film, This Must Be the Place, stars Sean Penn as a Goth rocker trying to settle his dead father's scores. Critic Mark Jenkins says the film is an eccentric showcase for the idea that even adults have a lot of growing up to do.

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November 1, 2012 Director Robert Zameckis returns to live action with Flight, about an alcoholic pilot who faces disaster of every kind. Critic Scott Tobias says the film situates its audience in a gray area, making it hard to point the finger of blame at any character. (Recommended)

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