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      <title>Song Premiere: Lindstrom, 'De Javu' (Mark McGuire Remix)</title>
      <description>Layer of vintage synthesizers collide with slow-burning electric guitar on this remix of a new track by the Norwegian producer.</description>
      <pubDate>Wed, 18 Jan 2012 17:15:00 -0500</pubDate>
      <link>http://www.npr.org/blogs/allsongs/2012/01/17/145367252/song-premiere-lindstrom-deja-vu-road-chief-remix?ft=1&amp;f=10006</link>
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      <itunes:summary>Layer of vintage synthesizers collide with slow-burning electric guitar on this remix of a new track by the Norwegian producer.</itunes:summary>
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      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Layer of vintage synthesizers collide with slow-burning electric guitar on this remix of a new track by the Norwegian producer.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=145367252">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D145367252">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>New 'Clear Day' A Test For Harry Connick Jr.</title>
      <description>Connick is starring in a new Broadway production of the musical &lt;em&gt;On a Clear Day You Can See Forever&lt;/em&gt;. He says a twist on the original premise drew him to the role — but has also presented one of the biggest challenges of his career.</description>
      <pubDate>Sun, 01 Jan 2012 12:41:00 -0500</pubDate>
      <link>http://www.npr.org/2012/01/01/144491666/new-clear-day-a-test-for-harry-connick-jr?ft=1&amp;f=10006</link>
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      <itunes:summary>Connick is starring in a new Broadway production of the musical &lt;em&gt;On a Clear Day You Can See Forever&lt;/em&gt;. He says a twist on the original premise drew him to the role — but has also presented one of the biggest challenges of his career.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>580</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Connick is starring in a new Broadway production of the musical <em>On a Clear Day You Can See Forever</em>. He says a twist on the original premise drew him to the role — but has also presented one of the biggest challenges of his career.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=144491666">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D144491666">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Hugh Martin's 'Hidden Treasures' Explored</title>
      <description>Martin wrote "Have Yourself a Merry Little Christmas" for Judy Garland's 1944 movie &lt;em&gt;Meet Me in St. Louis&lt;/em&gt;, along with dozens of other songs for MGM and Broadway musicals. His career is celebrated on a new CD and 88-page booklet with essays by Stephen Sondheim and Michael Feinstein.</description>
      <pubDate>Thu, 22 Dec 2011 10:31:00 -0500</pubDate>
      <link>http://www.npr.org/2011/12/22/144021664/hugh-martins-hidden-treasures-explored?ft=1&amp;f=10006</link>
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      <itunes:summary>Martin wrote "Have Yourself a Merry Little Christmas" for Judy Garland's 1944 movie &lt;em&gt;Meet Me in St. Louis&lt;/em&gt;, along with dozens of other songs for MGM and Broadway musicals. His career is celebrated on a new CD and 88-page booklet with essays by Stephen Sondheim and Michael Feinstein.</itunes:summary>
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      <itunes:duration>1122</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Martin wrote "Have Yourself a Merry Little Christmas" for Judy Garland's 1944 movie <em>Meet Me in St. Louis</em>, along with dozens of other songs for MGM and Broadway musicals. His career is celebrated on a new CD and 88-page booklet with essays by Stephen Sondheim and Michael Feinstein.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=144021664">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D144021664">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Trent Reznor: The Fresh Air Interview</title>
      <description>The man behind Nine Inch Nails composed the music for the U.S. film adaptation of &lt;em&gt;The Girl With the Dragon Tattoo. &lt;/em&gt;Here, he discusses composing the film's unsettling score, his early days making music in Cleveland and his work with Nine Inch Nails. &lt;em&gt;&lt;/em&gt;</description>
      <pubDate>Mon, 19 Dec 2011 11:22:00 -0500</pubDate>
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      <itunes:summary>The man behind Nine Inch Nails composed the music for the U.S. film adaptation of &lt;em&gt;The Girl With the Dragon Tattoo. &lt;/em&gt;Here, he discusses composing the film's unsettling score, his early days making music in Cleveland and his work with Nine Inch Nails. &lt;em&gt;&lt;/em&gt;</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>2276</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The man behind Nine Inch Nails composed the music for the U.S. film adaptation of <em>The Girl With the Dragon Tattoo. </em>Here, he discusses composing the film's unsettling score, his early days making music in Cleveland and his work with Nine Inch Nails. <em></em></p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=143834396">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D143834396">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Reviving 'Songs For The Jewish-American Jet Set'</title>
      <description>Tikva Records was founded as an independent Jewish record label in 1947. For the next 30 years, it would record everything from folk songs to klezmer pop. A new compilation celebrates the now-defunct label, which once recorded some of the Jewish music world's biggest names.</description>
      <pubDate>Thu, 15 Dec 2011 12:05:00 -0500</pubDate>
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      <itunes:summary>Tikva Records was founded as an independent Jewish record label in 1947. For the next 30 years, it would record everything from folk songs to klezmer pop. A new compilation celebrates the now-defunct label, which once recorded some of the Jewish music world's biggest names.</itunes:summary>
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      <itunes:duration>1076</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Tikva Records was founded as an independent Jewish record label in 1947. For the next 30 years, it would record everything from folk songs to klezmer pop. A new compilation celebrates the now-defunct label, which once recorded some of the Jewish music world's biggest names.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=143771771">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D143771771">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>The History Of Hillbilly Boogie's Earliest Days</title>
      <description>Boogie-woogie was a piano style that began sometime in the early 20th century — and, by the 1930s, became a huge pop-music fad. Rock historian Ed Ward explains how the genre re-emerged in country music after WWII, when it was an important precursor to rock 'n' roll.</description>
      <pubDate>Tue, 15 Nov 2011 11:06:00 -0500</pubDate>
      <link>http://www.npr.org/2011/11/15/140112547/the-history-of-hillbilly-boogies-earliest-days?ft=1&amp;f=10006</link>
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      <itunes:summary>Boogie-woogie was a piano style that began sometime in the early 20th century — and, by the 1930s, became a huge pop-music fad. Rock historian Ed Ward explains how the genre re-emerged in country music after WWII, when it was an important precursor to rock 'n' roll.</itunes:summary>
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      <itunes:duration>448</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Boogie-woogie was a piano style that began sometime in the early 20th century — and, by the 1930s, became a huge pop-music fad. Rock historian Ed Ward explains how the genre re-emerged in country music after WWII, when it was an important precursor to rock 'n' roll.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=140112547">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D140112547">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Seth MacFarlane: TV's 'Family Guy' Makes Music, Too</title>
      <description>MacFarlane is best known for creating the animated TV shows &lt;em&gt;Family Guy, American Dad!&lt;/em&gt; and &lt;em&gt;The Cleveland Show&lt;/em&gt;. But he's also a singer whose new album features songs from the Great American Songbook.&lt;em&gt;&lt;/em&gt;</description>
      <pubDate>Mon, 17 Oct 2011 12:00:00 -0400</pubDate>
      <link>http://www.npr.org/2011/10/17/140946967/seth-macfarlane-tvs-family-guy-makes-music-too?ft=1&amp;f=10006</link>
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      <itunes:summary>MacFarlane is best known for creating the animated TV shows &lt;em&gt;Family Guy, American Dad!&lt;/em&gt; and &lt;em&gt;The Cleveland Show&lt;/em&gt;. But he's also a singer whose new album features songs from the Great American Songbook.&lt;em&gt;&lt;/em&gt;</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>2290</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>MacFarlane is best known for creating the animated TV shows <em>Family Guy, American Dad!</em> and <em>The Cleveland Show</em>. But he's also a singer whose new album features songs from the Great American Songbook.<em></em></p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=140946967">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D140946967">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>The Mad Musical Scientist Of Burbank, Calif.</title>
      <description>Composer Diego Stocco has coaxed stunning music out of trees and sand, and turned orchestral instruments into otherworldly hybrids. He says experimentation is vital to keeping music interesting.</description>
      <pubDate>Fri, 23 Sep 2011 15:07:00 -0400</pubDate>
      <link>http://www.npr.org/2011/09/24/140719607/the-mad-musical-scientist-of-burbank-california?ft=1&amp;f=10006</link>
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      <itunes:summary>Composer Diego Stocco has coaxed stunning music out of trees and sand, and turned orchestral instruments into otherworldly hybrids. He says experimentation is vital to keeping music interesting.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>331</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Composer Diego Stocco has coaxed stunning music out of trees and sand, and turned orchestral instruments into otherworldly hybrids. He says experimentation is vital to keeping music interesting.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=140719607">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D140719607">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Blake Shelton: Out Of The Ordinary, A Country Everyman</title>
      <description>Singer Blake Shelton has just scored his fourth consecutive No. 1 country hit with "Honey Bee," from his just-released album &lt;em&gt;Red River Blue&lt;/em&gt;. Rock critic Ken Tucker says the album shows Shelton's playful and unpredictable side.</description>
      <pubDate>Mon, 18 Jul 2011 09:33:00 -0400</pubDate>
      <link>http://www.npr.org/2011/07/25/138465891/blake-shelton-an-out-of-the-ordinary-country-everyman?ft=1&amp;f=10006</link>
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      <itunes:summary>Singer Blake Shelton has just scored his fourth consecutive No. 1 country hit with "Honey Bee," from his just-released album &lt;em&gt;Red River Blue&lt;/em&gt;. Rock critic Ken Tucker says the album shows Shelton's playful and unpredictable side.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>421</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Singer Blake Shelton has just scored his fourth consecutive No. 1 country hit with "Honey Bee," from his just-released album <em>Red River Blue</em>. Rock critic Ken Tucker says the album shows Shelton's playful and unpredictable side.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=138465891">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D138465891">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Like Gilbert And Sullivan? You'll Love These DVDs</title>
      <description>You don't have to be an aficionado to enjoy Criterion's reissues of &lt;em&gt;Topsy-Turvy&lt;/em&gt; and &lt;em&gt;The Mikado.&lt;/em&gt; Classical music critic Lloyd Schwartz says these operettas on DVD are indispensable for people who love G&amp;S, and might just change the minds of those who don't.</description>
      <pubDate>Mon, 20 Jun 2011 12:13:00 -0400</pubDate>
      <link>http://www.npr.org/2011/06/20/136830607/love-or-loathe-gilbert-and-sullivan-watch-these-dvds?ft=1&amp;f=10006</link>
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      <itunes:summary>You don't have to be an aficionado to enjoy Criterion's reissues of &lt;em&gt;Topsy-Turvy&lt;/em&gt; and &lt;em&gt;The Mikado.&lt;/em&gt; Classical music critic Lloyd Schwartz says these operettas on DVD are indispensable for people who love G&amp;S, and might just change the minds of those who don't.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>You don't have to be an aficionado to enjoy Criterion's reissues of <em>Topsy-Turvy</em> and <em>The Mikado.</em> Classical music critic Lloyd Schwartz says these operettas on DVD are indispensable for people who love G&S, and might just change the minds of those who don't.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=136830607">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D136830607">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Jimmie Dale Gilmore: Classic Sounds On 'Heirloom Music'</title>
      <description>Gilmore travels back to the 1930s for inspiration on his forthcoming album, &lt;em&gt;Heirloom Music&lt;/em&gt;. The Texas singer talks about his songs and his performance at the 2011 South by Southwest music festival in Austin.</description>
      <pubDate>Fri, 20 May 2011 10:35:00 -0400</pubDate>
      <link>http://www.npr.org/2011/05/20/136438620/jimmie-dale-gilmore-classic-sounds-on-heirloom-music?ft=1&amp;f=10006</link>
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      <itunes:summary>Gilmore travels back to the 1930s for inspiration on his forthcoming album, &lt;em&gt;Heirloom Music&lt;/em&gt;. The Texas singer talks about his songs and his performance at the 2011 South by Southwest music festival in Austin.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>864</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Gilmore travels back to the 1930s for inspiration on his forthcoming album, <em>Heirloom Music</em>. The Texas singer talks about his songs and his performance at the 2011 South by Southwest music festival in Austin.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=136438620">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D136438620">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Roy Orbison: A 'Monument' To A Pop Legend</title>
      <description>Although Roy Orbison started out as a rockabilly performer on Sun Records, he didn't really find his identity until he signed with a small Nashville label, Monument, in 1959. Rock historian Ed Ward looks at the 17 singles that put him, and the Monument label, on the map.</description>
      <pubDate>Fri, 29 Apr 2011 11:00:00 -0400</pubDate>
      <link>http://www.npr.org/2011/04/29/135811750/roy-orbison-a-monument-to-a-pop-legend?ft=1&amp;f=10006</link>
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      <itunes:summary>Although Roy Orbison started out as a rockabilly performer on Sun Records, he didn't really find his identity until he signed with a small Nashville label, Monument, in 1959. Rock historian Ed Ward looks at the 17 singles that put him, and the Monument label, on the map.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>483</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Although Roy Orbison started out as a rockabilly performer on Sun Records, he didn't really find his identity until he signed with a small Nashville label, Monument, in 1959. Rock historian Ed Ward looks at the 17 singles that put him, and the Monument label, on the map.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=135811750">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D135811750">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Emmylou Harris: An Invigorating, Inviting 'Hard Bargain'</title>
      <description>The singer-songwriter's new album, &lt;em&gt;Hard Bargain&lt;/em&gt;, includes a new song about her days with country-rock pioneer Gram Parsons and a tribute to her late friend, singer-songwriter Kate McGarrigle. Rock critic Ken Tucker explains why the album is both mature and emotionally daring.</description>
      <pubDate>Wed, 27 Apr 2011 11:49:00 -0400</pubDate>
      <link>http://www.npr.org/2011/04/27/135768394/emmylou-harris-an-invigorating-inviting-hard-bargain?ft=1&amp;f=10006</link>
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      <itunes:summary>The singer-songwriter's new album, &lt;em&gt;Hard Bargain&lt;/em&gt;, includes a new song about her days with country-rock pioneer Gram Parsons and a tribute to her late friend, singer-songwriter Kate McGarrigle. Rock critic Ken Tucker explains why the album is both mature and emotionally daring.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>401</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The singer-songwriter's new album, <em>Hard Bargain</em>, includes a new song about her days with country-rock pioneer Gram Parsons and a tribute to her late friend, singer-songwriter Kate McGarrigle. Rock critic Ken Tucker explains why the album is both mature and emotionally daring.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=135768394">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D135768394">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Remembering Hazel Dickens: A Feminist Bluegrass Voice</title>
      <description>Folksinger Hazel Dickens, a pioneer for women in bluegrass music, died Friday. She was 75. &lt;em&gt;Fresh Air&lt;/em&gt; remembers the feminist role model with excerpts from a 1987 interview.</description>
      <pubDate>Mon, 25 Apr 2011 12:29:00 -0400</pubDate>
      <link>http://www.npr.org/2011/04/25/135704947/remembering-hazel-dickens-a-feminist-bluegrass-voice?ft=1&amp;f=10006</link>
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      <itunes:summary>Folksinger Hazel Dickens, a pioneer for women in bluegrass music, died Friday. She was 75. &lt;em&gt;Fresh Air&lt;/em&gt; remembers the feminist role model with excerpts from a 1987 interview.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Folksinger Hazel Dickens, a pioneer for women in bluegrass music, died Friday. She was 75. <em>Fresh Air</em> remembers the feminist role model with excerpts from a 1987 interview.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=135704947">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D135704947">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Colin Stetson: Horn Of Plenty</title>
      <description>The bass saxophone player practices circular breathing, a technique that allows for long, uninterrupted streams of music. He uses it to experimental, atmospheric effect on his new album, &lt;em&gt;New History Warfare, Volume Two: Judges.&lt;/em&gt;</description>
      <pubDate>Fri, 15 Apr 2011 14:54:00 -0400</pubDate>
      <link>http://www.npr.org/2011/04/16/135415563/colin-stetson-horn-of-plenty?ft=1&amp;f=10006</link>
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      <itunes:summary>The bass saxophone player practices circular breathing, a technique that allows for long, uninterrupted streams of music. He uses it to experimental, atmospheric effect on his new album, &lt;em&gt;New History Warfare, Volume Two: Judges.&lt;/em&gt;</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>0</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The bass saxophone player practices circular breathing, a technique that allows for long, uninterrupted streams of music. He uses it to experimental, atmospheric effect on his new album, <em>New History Warfare, Volume Two: Judges.</em></p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=135415563">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D135415563">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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