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    <title>Music Interviews</title>
    <link>http://www.npr.org/templates/story/story.php?storyId=1105&amp;ft=1&amp;f=1105</link>
    <description>Interviews with top musicians from jazz, blues, rock, pop, folk, classical, urban, and world music. Listen online to live studio sessions and musician interviews and watch video sessions.</description>
    <language>en</language>
    <copyright>Copyright 2013 NPR - For Personal Use Only</copyright>
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    <lastBuildDate>Thu, 23 May 2013 12:00:00 -0400</lastBuildDate>
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      <title>Music Interviews</title>
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    <itunes:block>yes</itunes:block>
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    <item>
      <title>Pitbull Gets 'Epic': 'You Constantly Have To Defend Your Success'</title>
      <description>Armando Christian Perez — better known as Pitbull or Mr. Worldwide — has sold five million albums and had No. 1 hits in more than 15 countries. He tells NPR's Michel Martin about using music as an escape and playing a well-dressed toad in the animated film &lt;em&gt; Epic&lt;/em&gt;.</description>
      <pubDate>Thu, 23 May 2013 12:00:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/23/186262931/epic-movie-role-for-music-superstar-pitbull?ft=1&amp;f=1105</link>
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      <itunes:summary>Armando Christian Perez — better known as Pitbull or Mr. Worldwide — has sold five million albums and had No. 1 hits in more than 15 countries. He tells NPR's Michel Martin about using music as an escape and playing a well-dressed toad in the animated film &lt;em&gt; Epic&lt;/em&gt;.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>1070</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Armando Christian Perez — better known as Pitbull or Mr. Worldwide — has sold five million albums and had No. 1 hits in more than 15 countries. He tells NPR's Michel Martin about using music as an escape and playing a well-dressed toad in the animated film <em> Epic</em>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=186262931">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D186262931">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>Marques Toliver: An R&amp;B Crooner With Strings Attached</title>
      <description>Toliver's music is anchored by the violin, on which he is classically trained. He says he discovered the instrument in fifth grade — and that in a way, it chose him.</description>
      <pubDate>Sun, 19 May 2013 05:41:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/19/184852129/marques-toliver-an-r-b-crooner-with-strings-attached?ft=1&amp;f=1105</link>
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      <itunes:summary>Toliver's music is anchored by the violin, on which he is classically trained. He says he discovered the instrument in fifth grade — and that in a way, it chose him.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>533</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Toliver's music is anchored by the violin, on which he is classically trained. He says he discovered the instrument in fifth grade — and that in a way, it chose him.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184852129">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184852129">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Laura Mvula: A Soulful Voice That Once Answered Phones </title>
      <description>Less than two years ago, she was a receptionist honing her phone-answering skills at a music organization in Birmingham, England. Now, she's got a record deal and critical acclaim, and she's touring the U.S.</description>
      <pubDate>Sun, 19 May 2013 05:41:00 -0400</pubDate>
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      <itunes:summary>Less than two years ago, she was a receptionist honing her phone-answering skills at a music organization in Birmingham, England. Now, she's got a record deal and critical acclaim, and she's touring the U.S.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>424</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Less than two years ago, she was a receptionist honing her phone-answering skills at a music organization in Birmingham, England. Now, she's got a record deal and critical acclaim, and she's touring the U.S.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184852705">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184852705">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Bobby McFerrin: Spirituals As Sung Prayers </title>
      <description>On &lt;em&gt;&lt;/em&gt;&lt;em&gt;Spirityouall&lt;/em&gt;, McFerrin performs classic black spirituals with roots in enslaved communities, as well as songs he composed himself. Throughout the album, he says, he hears the influence of his father, Robert McFerrin Sr., a renowned operatic baritone.</description>
      <pubDate>Fri, 17 May 2013 16:10:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/17/184797055/bobby-mcferrin-spirituals-as-sung-prayers?ft=1&amp;f=1105</link>
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      <itunes:summary>On &lt;em&gt;&lt;/em&gt;&lt;em&gt;Spirityouall&lt;/em&gt;, McFerrin performs classic black spirituals with roots in enslaved communities, as well as songs he composed himself. Throughout the album, he says, he hears the influence of his father, Robert McFerrin Sr., a renowned operatic baritone.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>539</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>On <em></em><em>Spirityouall</em>, McFerrin performs classic black spirituals with roots in enslaved communities, as well as songs he composed himself. Throughout the album, he says, he hears the influence of his father, Robert McFerrin Sr., a renowned operatic baritone.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184797055">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184797055">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Sam Amidon: Reshaping An American Folk Tradition </title>
      <description>Shape-note singing is a communal form of music that began in New England 200 years ago, mostly from townsfolk without any musical training. Sam Amidon says the melodies of shape-note hymns are some of the "deepest-seated for me."</description>
      <pubDate>Fri, 17 May 2013 02:00:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/17/184547006/sam-amidon-reshaping-an-american-folk-tradition?ft=1&amp;f=1105</link>
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      <itunes:summary>Shape-note singing is a communal form of music that began in New England 200 years ago, mostly from townsfolk without any musical training. Sam Amidon says the melodies of shape-note hymns are some of the "deepest-seated for me."</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>182</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Shape-note singing is a communal form of music that began in New England 200 years ago, mostly from townsfolk without any musical training. Sam Amidon says the melodies of shape-note hymns are some of the "deepest-seated for me."</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184547006">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184547006">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Daft Punk On 'The Soul That A Musician Can Bring'</title>
      <description>In spite of the robotic persona they've cultivated for years, Thomas Bangalter and Guy-Manuel de Homem-Christo elected to make their new album, &lt;em&gt;Random Access Memories,&lt;/em&gt; in a real studio, with real musicians. Hear the elusive electronic duo in conversation with &lt;em&gt;All Things Considered&lt;/em&gt;'s Audie Cornish.</description>
      <pubDate>Thu, 16 May 2013 16:29:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/16/184499357/daft-punk-on-the-soul-that-a-musician-can-bring?ft=1&amp;f=1105</link>
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      <itunes:summary>In spite of the robotic persona they've cultivated for years, Thomas Bangalter and Guy-Manuel de Homem-Christo elected to make their new album, &lt;em&gt;Random Access Memories,&lt;/em&gt; in a real studio, with real musicians. Hear the elusive electronic duo in conversation with &lt;em&gt;All Things Considered&lt;/em&gt;'s Audie Cornish.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>346</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>In spite of the robotic persona they've cultivated for years, Thomas Bangalter and Guy-Manuel de Homem-Christo elected to make their new album, <em>Random Access Memories,</em> in a real studio, with real musicians. Hear the elusive electronic duo in conversation with <em>All Things Considered</em>'s Audie Cornish.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=184499357">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D184499357">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Vampire Weekend: New Sounds Signal The End Of An Era</title>
      <description>Singer Ezra Koenig says the band's new album, &lt;em&gt;Modern Vampires of the City&lt;/em&gt;, is the final part of a trilogy — and the product of a lot of reflection on time and aging.</description>
      <pubDate>Tue, 14 May 2013 16:36:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/14/183922426/vampire-weekend-new-sounds-signal-the-end-of-an-era?ft=1&amp;f=1105</link>
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      <itunes:summary>Singer Ezra Koenig says the band's new album, &lt;em&gt;Modern Vampires of the City&lt;/em&gt;, is the final part of a trilogy — and the product of a lot of reflection on time and aging.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>500</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Singer Ezra Koenig says the band's new album, <em>Modern Vampires of the City</em>, is the final part of a trilogy — and the product of a lot of reflection on time and aging.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=183922426">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D183922426">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Balancing Influences: Saxophonist Mahanthappa Blends Styles</title>
      <description>Rudresh Mahanthappa's work always seems to be filed under jazz, but it's hard to find a style he doesn't touch: hip-hop, country, metal and soul fused with traditional sounds from India, Africa and Indonesia. And he makes it rock.</description>
      <pubDate>Sun, 12 May 2013 15:49:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/12/182956820/balancing-influences-saxophonist-mahanthappa-blends-styles?ft=1&amp;f=1105</link>
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      <itunes:summary>Rudresh Mahanthappa's work always seems to be filed under jazz, but it's hard to find a style he doesn't touch: hip-hop, country, metal and soul fused with traditional sounds from India, Africa and Indonesia. And he makes it rock.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Rudresh Mahanthappa's work always seems to be filed under jazz, but it's hard to find a style he doesn't touch: hip-hop, country, metal and soul fused with traditional sounds from India, Africa and Indonesia. And he makes it rock.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182956820">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182956820">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>LL Cool J On 'Accidental Racist' And Authenticity</title>
      <description>"The last thing that I want to do is be a hack," says the rapper and actor. His latest album, his first since splitting with the record label that launched his career, is called &lt;em&gt;Authentic&lt;/em&gt;.</description>
      <pubDate>Sat, 11 May 2013 16:54:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/11/182956651/ll-cool-j-on-accidental-racist-and-authenticity?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/11/182956651/ll-cool-j-on-accidental-racist-and-authenticity?ft=1&amp;f=1105</guid>
      <itunes:summary>"The last thing that I want to do is be a hack," says the rapper and actor. His latest album, his first since splitting with the record label that launched his career, is called &lt;em&gt;Authentic&lt;/em&gt;.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>572</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>"The last thing that I want to do is be a hack," says the rapper and actor. His latest album, his first since splitting with the record label that launched his career, is called <em>Authentic</em>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182956651">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182956651">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Yngwie Malmsteen: 'I've Always Been A Little Bit Of An Extremist'</title>
      <description>Malmsteen is the king of the neoclassical shred guitar. The Swedish musician and composer has somehow bridged centuries, from Paganini to his own arpeggiated acrobatics. Here, the guitarist speaks with NPR's Scott Simon about being a family man and growing up on Bach and Jimi Hendrix.</description>
      <pubDate>Sat, 11 May 2013 02:00:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/11/182627398/yngwie-malmsteen-ive-always-been-a-little-bit-of-an-extremist?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/11/182627398/yngwie-malmsteen-ive-always-been-a-little-bit-of-an-extremist?ft=1&amp;f=1105</guid>
      <itunes:summary>Malmsteen is the king of the neoclassical shred guitar. The Swedish musician and composer has somehow bridged centuries, from Paganini to his own arpeggiated acrobatics. Here, the guitarist speaks with NPR's Scott Simon about being a family man and growing up on Bach and Jimi Hendrix.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>432</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Malmsteen is the king of the neoclassical shred guitar. The Swedish musician and composer has somehow bridged centuries, from Paganini to his own arpeggiated acrobatics. Here, the guitarist speaks with NPR's Scott Simon about being a family man and growing up on Bach and Jimi Hendrix.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182627398">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182627398">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>'It Led Us On A Journey': The Musical World Of 'The Great Gatsby'</title>
      <description>In overseeing the new film's soundtrack, music supervisor Anton Monsted says he hoped to create a "sliding door" effect between the Jazz Age and the hip-hop era.</description>
      <pubDate>Fri, 10 May 2013 17:18:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/10/182882003/it-led-us-on-a-journey-the-musical-world-of-the-great-gatsby?ft=1&amp;f=1105</link>
      <guid>http://www.npr.org/2013/05/10/182882003/it-led-us-on-a-journey-the-musical-world-of-the-great-gatsby?ft=1&amp;f=1105</guid>
      <itunes:summary>In overseeing the new film's soundtrack, music supervisor Anton Monsted says he hoped to create a "sliding door" effect between the Jazz Age and the hip-hop era.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>500</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>In overseeing the new film's soundtrack, music supervisor Anton Monsted says he hoped to create a "sliding door" effect between the Jazz Age and the hip-hop era.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=182882003">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D182882003">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>A Funky-Fresh Sound From Somalia, With A Political History</title>
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      <pubDate>Sun, 05 May 2013 15:49:00 -0400</pubDate>
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      <itunes:duration>699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:duration>500</itunes:duration>
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      <title>Iggy Pop: 'What Happens When People Disappear'</title>
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      <title>Vampire Weekend On New York, Souls Of Mischief And The Secrets Of Its New Album</title>
      <description>In an extensive interview with NPR's Bob Boilen, the New York band talks about the long process and secret inspirations — including dancehall, hip-hop and smooth jazz — behind the songs on its third album, &lt;em&gt;Modern Vampires of the City&lt;/em&gt;.</description>
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      <itunes:duration>2097</itunes:duration>
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