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  <channel>
    <title>Fresh Air from WHYY</title>
    <link>http://www.npr.org/templates/story/story.php?storyId=13&amp;ft=1&amp;f=13</link>
    <description>This one-hour program features Terry Gross' in-depth interviews with prominent cultural and entertainment figures, as well as distinguished experts on current affairs and news.</description>
    <language>en</language>
    <copyright>Copyright 2013 NPR - For Personal Use Only</copyright>
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    <lastBuildDate>Tue, 18 Jun 2013 13:42:00 -0400</lastBuildDate>
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      <title>Fresh Air from WHYY</title>
      <link>http://www.npr.org/templates/story/story.php?storyId=13&amp;ft=1&amp;f=13</link>
    </image>
    <itunes:block>no</itunes:block>
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    <item>
      <title>Cécile McLorin Salvant: Making Old Songs New Again</title>
      <description>The 23-year-old jazz phenom's debut album showcases her takes on vintage jazz and blues numbers by Bessie Smith, Fats Waller and others. You can trace some of her effects back to jazz greats like Sarah Vaughan, Betty Carter and Abbey Lincoln.</description>
      <pubDate>Tue, 18 Jun 2013 13:42:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/05/188941161/c-cile-mclorin-salvant-making-old-songs-new-again?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/05/188941161/c-cile-mclorin-salvant-making-old-songs-new-again?ft=1&amp;f=13</guid>
      <itunes:summary>The 23-year-old jazz phenom's debut album showcases her takes on vintage jazz and blues numbers by Bessie Smith, Fats Waller and others. You can trace some of her effects back to jazz greats like Sarah Vaughan, Betty Carter and Abbey Lincoln.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>497</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The 23-year-old jazz phenom's debut album showcases her takes on vintage jazz and blues numbers by Bessie Smith, Fats Waller and others. You can trace some of her effects back to jazz greats like Sarah Vaughan, Betty Carter and Abbey Lincoln.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=188941161">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D188941161">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130618_fa_02.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1104&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samberg, Taccone And Schaffer: Three's Not A Lonely Island</title>
      <description>As the brains behind the hip-hop parody group responsible for digital shorts like "D--- in a Box," Andy Samberg, Jorma Taccone and Akiva Schaffer have produced some of the funniest &lt;em&gt;Saturday Night Live&lt;/em&gt; material in recent memory. Here, they talk &lt;em&gt;&lt;/em&gt; about comedy, &lt;em&gt;Yo! MTV Raps&lt;/em&gt; and adolescence.</description>
      <pubDate>Tue, 18 Jun 2013 11:30:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/18/191347182/samberg-taccone-and-schaffer-threes-not-a-lonley-island?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/18/191347182/samberg-taccone-and-schaffer-threes-not-a-lonley-island?ft=1&amp;f=13</guid>
      <itunes:summary>As the brains behind the hip-hop parody group responsible for digital shorts like "D--- in a Box," Andy Samberg, Jorma Taccone and Akiva Schaffer have produced some of the funniest &lt;em&gt;Saturday Night Live&lt;/em&gt; material in recent memory. Here, they talk &lt;em&gt;&lt;/em&gt; about comedy, &lt;em&gt;Yo! MTV Raps&lt;/em&gt; and adolescence.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>2257</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>As the brains behind the hip-hop parody group responsible for digital shorts like "D--- in a Box," Andy Samberg, Jorma Taccone and Akiva Schaffer have produced some of the funniest <em>Saturday Night Live</em> material in recent memory. Here, they talk <em></em> about comedy, <em>Yo! MTV Raps</em> and adolescence.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=191347182">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D191347182">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130618_fa_01.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1105&amp;aggIds=100920965&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>WWII 'Deserters': Stories Of Men Who Left The Front Lines</title>
      <description>In his new book, journalist Charles Glass explores the little-known history of thousands of American and British soldiers who deserted during World War II. Glass describes how the strain of war can push a soldier to the breaking point — and how the line between courage and cowardice is never simple.</description>
      <pubDate>Mon, 17 Jun 2013 13:42:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/17/189275754/wwii-deserters-stories-of-men-who-left-the-front-lines?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/17/189275754/wwii-deserters-stories-of-men-who-left-the-front-lines?ft=1&amp;f=13</guid>
      <itunes:summary>In his new book, journalist Charles Glass explores the little-known history of thousands of American and British soldiers who deserted during World War II. Glass describes how the strain of war can push a soldier to the breaking point — and how the line between courage and cowardice is never simple.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>2206</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>In his new book, journalist Charles Glass explores the little-known history of thousands of American and British soldiers who deserted during World War II. Glass describes how the strain of war can push a soldier to the breaking point — and how the line between courage and cowardice is never simple.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=189275754">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D189275754">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130617_fa_01.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1033&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>In 'TransAtlantic,' The Flight Is Almost Too Smooth</title>
      <description>Colum McCann won the National Book Award for his 2009 novel, &lt;em&gt;Let the Great World Spin&lt;/em&gt;, about a high-wire artist. Critic Maureen Corrigan says McCann's new novel, &lt;em&gt;TransAtlantic&lt;/em&gt;, also has its head in the clouds.</description>
      <pubDate>Mon, 17 Jun 2013 13:42:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/17/191334200/in-transatlantic-the-flight-is-almost-too-smooth?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/17/191334200/in-transatlantic-the-flight-is-almost-too-smooth?ft=1&amp;f=13</guid>
      <itunes:summary>Colum McCann won the National Book Award for his 2009 novel, &lt;em&gt;Let the Great World Spin&lt;/em&gt;, about a high-wire artist. Critic Maureen Corrigan says McCann's new novel, &lt;em&gt;TransAtlantic&lt;/em&gt;, also has its head in the clouds.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>529</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Colum McCann won the National Book Award for his 2009 novel, <em>Let the Great World Spin</em>, about a high-wire artist. Critic Maureen Corrigan says McCann's new novel, <em>TransAtlantic</em>, also has its head in the clouds.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=191334200">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D191334200">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130617_fa_02.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1034&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fresh Air Weekend: Rogen, Goldberg, '20 Feet From Stardom' And 'Much Ado'</title>
      <description>Writing partners Seth Rogen and Evan Goldberg met as adolescents&lt;em&gt;.&lt;/em&gt; Their new project is the disaster-movie spoof &lt;em&gt;This Is the End.&lt;/em&gt; A new documentary profiles backup singers whose voices you know but whose names you probably don't. Joss Whedon's new production of Shakespeare's classic is a delight.</description>
      <pubDate>Sat, 15 Jun 2013 09:00:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/15/191371606/fresh-air-weekend-rogen-goldberg-20-feet-from-stardom-and-much-ado?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/15/191371606/fresh-air-weekend-rogen-goldberg-20-feet-from-stardom-and-much-ado?ft=1&amp;f=13</guid>
      <itunes:summary>Writing partners Seth Rogen and Evan Goldberg met as adolescents&lt;em&gt;.&lt;/em&gt; Their new project is the disaster-movie spoof &lt;em&gt;This Is the End.&lt;/em&gt; A new documentary profiles backup singers whose voices you know but whose names you probably don't. Joss Whedon's new production of Shakespeare's classic is a delight.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>2847</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Writing partners Seth Rogen and Evan Goldberg met as adolescents<em>.</em> Their new project is the disaster-movie spoof <em>This Is the End.</em> A new documentary profiles backup singers whose voices you know but whose names you probably don't. Joss Whedon's new production of Shakespeare's classic is a delight.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=191371606">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D191371606">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130615_fa_01.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1022&amp;aggIds=139029251&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mantel Takes Up Betrayal, Beheadings In 'Bodies'</title>
      <description>Hilary Mantel is the first woman to win the Man Booker Prize twice, first for her 2009 novel, &lt;em&gt;Wolf Hall&lt;/em&gt;, and then for that book's 2012 sequel, &lt;em&gt;Bring Up the Bodies&lt;/em&gt;. The novels are part of a historical fiction trilogy about Tudor England and the events surrounding the reign of King Henry VIII.</description>
      <pubDate>Fri, 14 Jun 2013 13:26:57 -0400</pubDate>
      <link>http://www.npr.org/2013/06/14/191367091/mantel-takes-up-betrayal-beheadings-in-bodies?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/14/191367091/mantel-takes-up-betrayal-beheadings-in-bodies?ft=1&amp;f=13</guid>
      <itunes:summary>Hilary Mantel is the first woman to win the Man Booker Prize twice, first for her 2009 novel, &lt;em&gt;Wolf Hall&lt;/em&gt;, and then for that book's 2012 sequel, &lt;em&gt;Bring Up the Bodies&lt;/em&gt;. The novels are part of a historical fiction trilogy about Tudor England and the events surrounding the reign of King Henry VIII.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>1759</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Hilary Mantel is the first woman to win the Man Booker Prize twice, first for her 2009 novel, <em>Wolf Hall</em>, and then for that book's 2012 sequel, <em>Bring Up the Bodies</em>. The novels are part of a historical fiction trilogy about Tudor England and the events surrounding the reign of King Henry VIII.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=191367091">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D191367091">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130614_fa_01.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1033&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2012/11/20121120_fa_wolfhall.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1033&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Whedon's Touch Finds A Match With 'Much Ado'</title>
      <description>Sandwiched into Joss Whedon's busy schedule of TV series and big-screen features was an unexpected low-budget adaptation of Shakespeare's comedy &lt;em&gt;Much Ado About Nothing&lt;/em&gt; — shot in black and white. Film critic David Edelstein says it's a delight. &lt;em&gt;&lt;strong&gt;(Recommended)&lt;/strong&gt;&lt;/em&gt;</description>
      <pubDate>Fri, 14 Jun 2013 13:00:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/14/191352446/whedons-touch-finds-a-match-with-much-ado?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/14/191352446/whedons-touch-finds-a-match-with-much-ado?ft=1&amp;f=13</guid>
      <itunes:summary>Sandwiched into Joss Whedon's busy schedule of TV series and big-screen features was an unexpected low-budget adaptation of Shakespeare's comedy &lt;em&gt;Much Ado About Nothing&lt;/em&gt; — shot in black and white. Film critic David Edelstein says it's a delight. &lt;em&gt;&lt;strong&gt;(Recommended)&lt;/strong&gt;&lt;/em&gt;</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>387</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Sandwiched into Joss Whedon's busy schedule of TV series and big-screen features was an unexpected low-budget adaptation of Shakespeare's comedy <em>Much Ado About Nothing</em> — shot in black and white. Film critic David Edelstein says it's a delight. <em><strong>(Recommended)</strong></em></p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=191352446">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D191352446">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130614_fa_03.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=4467349&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Oliver: Topical Comedy With A Crisp Accent</title>
      <description>With Jon Stewart on leave, &lt;em&gt;The Daily Show&lt;/em&gt;'s "Senior British Correspondent" John Oliver has stepped up to fill in as host. In a&lt;em&gt; Fresh Air&lt;/em&gt; interview from 2010, he talks about moving to the United States to join the show — and the weird credibility his accent immediately gives him with Americans.</description>
      <pubDate>Fri, 14 Jun 2013 11:36:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/14/191391902/john-oliver-topical-comedy-with-a-crisp-accent?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/14/191391902/john-oliver-topical-comedy-with-a-crisp-accent?ft=1&amp;f=13</guid>
      <itunes:summary>With Jon Stewart on leave, &lt;em&gt;The Daily Show&lt;/em&gt;'s "Senior British Correspondent" John Oliver has stepped up to fill in as host. In a&lt;em&gt; Fresh Air&lt;/em&gt; interview from 2010, he talks about moving to the United States to join the show — and the weird credibility his accent immediately gives him with Americans.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>583</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>With Jon Stewart on leave, <em>The Daily Show</em>'s "Senior British Correspondent" John Oliver has stepped up to fill in as host. In a<em> Fresh Air</em> interview from 2010, he talks about moving to the United States to join the show — and the weird credibility his accent immediately gives him with Americans.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=191391902">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D191391902">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130614_fa_02.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1138&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Florida-Grown Fiction: Hiaasen Satirizes The Sunshine State</title>
      <description>Novelist and &lt;em&gt;Miami Herald&lt;/em&gt; columnist Carl Hiaasen writes with passion and purpose about the state he loves. His latest book, &lt;em&gt;Bad Monkey,&lt;/em&gt; is an offbeat murder mystery set in Key West.</description>
      <pubDate>Thu, 13 Jun 2013 13:55:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/13/188695607/florida-grown-fiction-hiaasen-satirizes-the-sunshine-state?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/13/188695607/florida-grown-fiction-hiaasen-satirizes-the-sunshine-state?ft=1&amp;f=13</guid>
      <itunes:summary>Novelist and &lt;em&gt;Miami Herald&lt;/em&gt; columnist Carl Hiaasen writes with passion and purpose about the state he loves. His latest book, &lt;em&gt;Bad Monkey,&lt;/em&gt; is an offbeat murder mystery set in Key West.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>1546</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Novelist and <em>Miami Herald</em> columnist Carl Hiaasen writes with passion and purpose about the state he loves. His latest book, <em>Bad Monkey,</em> is an offbeat murder mystery set in Key West.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=188695607">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D188695607">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130613_fa_01.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1033&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Israeli Writer Yoram Kaniuk, 83, On Pain And Peace</title>
      <description>Author and journalist Yoram Kaniuk died June 8 at age 83. &lt;em&gt;&lt;/em&gt;He joined &lt;em&gt;Fresh Air&lt;/em&gt;'s Terry Gross in August 1988 to talk about fighting in the Israeli underground and his belief that, for Israelis and Palestinians, "the only way is to live somehow together."</description>
      <pubDate>Thu, 13 Jun 2013 13:06:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/13/191279136/israeli-writer-yoram-kaniuk-83-on-pain-and-peace?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/13/191279136/israeli-writer-yoram-kaniuk-83-on-pain-and-peace?ft=1&amp;f=13</guid>
      <itunes:summary>Author and journalist Yoram Kaniuk died June 8 at age 83. &lt;em&gt;&lt;/em&gt;He joined &lt;em&gt;Fresh Air&lt;/em&gt;'s Terry Gross in August 1988 to talk about fighting in the Israeli underground and his belief that, for Israelis and Palestinians, "the only way is to live somehow together."</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>799</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Author and journalist Yoram Kaniuk died June 8 at age 83. <em></em>He joined <em>Fresh Air</em>'s Terry Gross in August 1988 to talk about fighting in the Israeli underground and his belief that, for Israelis and Palestinians, "the only way is to live somehow together."</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=191279136">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D191279136">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130613_fa_03.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1062&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Slaid Cleaves: 'Still Fighting' With Smart Lyrics And Stories</title>
      <description>The singer-songwriter has said, as he was writing his new album &lt;em&gt;Still Fighting the War&lt;/em&gt;, that "a theme of perseverance through hard times revealed itself." Rock critic Ken Tucker says the record is no downer, and that Cleaves finds complex sentiments and wittily phrased ideas in many of his new songs.</description>
      <pubDate>Thu, 13 Jun 2013 12:03:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/13/188368622/slaid-cleaves-still-fighting-with-smart-lyrics-and-stories?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/13/188368622/slaid-cleaves-still-fighting-with-smart-lyrics-and-stories?ft=1&amp;f=13</guid>
      <itunes:summary>The singer-songwriter has said, as he was writing his new album &lt;em&gt;Still Fighting the War&lt;/em&gt;, that "a theme of perseverance through hard times revealed itself." Rock critic Ken Tucker says the record is no downer, and that Cleaves finds complex sentiments and wittily phrased ideas in many of his new songs.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>434</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The singer-songwriter has said, as he was writing his new album <em>Still Fighting the War</em>, that "a theme of perseverance through hard times revealed itself." Rock critic Ken Tucker says the record is no downer, and that Cleaves finds complex sentiments and wittily phrased ideas in many of his new songs.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=188368622">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D188368622">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2013/06/20130613_fa_02.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1104&amp;ft=1&amp;f=13" length="100000" type="audio/mpeg"/>
    </item>
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      <title>'20 Feet From' The Spotlight, There's Singing Worthy Of One</title>
      <description>A new documentary directed by Morgan Neville profiles backup singers whose voices you know but whose names you probably don't: Lisa Fischer, Darlene Love, Judith Hill and Merry Clayton.</description>
      <pubDate>Wed, 12 Jun 2013 13:27:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/12/188384737/20-feet-from-the-spotlight-theres-singing-worthy-of-one?ft=1&amp;f=13</link>
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      <itunes:summary>A new documentary directed by Morgan Neville profiles backup singers whose voices you know but whose names you probably don't: Lisa Fischer, Darlene Love, Judith Hill and Merry Clayton.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>2240</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>A new documentary directed by Morgan Neville profiles backup singers whose voices you know but whose names you probably don't: Lisa Fischer, Darlene Love, Judith Hill and Merry Clayton.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=188384737">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D188384737">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Fame Studios And The Road To Nashville Songwriting Glory</title>
      <description>One of America's great songwriters, Dan Penn has written dozens of soul classics, often with keyboardist Spooner Oldham. For a while, the two were on the staff of Fame Studios in Muscle Shoals, Ala. Ace Records has just released an entire CD of Penn's demos.</description>
      <pubDate>Wed, 12 Jun 2013 13:22:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/12/190990917/fame-studios-and-the-road-to-nashville-songwriting-glory?ft=1&amp;f=13</link>
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      <itunes:summary>One of America's great songwriters, Dan Penn has written dozens of soul classics, often with keyboardist Spooner Oldham. For a while, the two were on the staff of Fame Studios in Muscle Shoals, Ala. Ace Records has just released an entire CD of Penn's demos.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>554</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>One of America's great songwriters, Dan Penn has written dozens of soul classics, often with keyboardist Spooner Oldham. For a while, the two were on the staff of Fame Studios in Muscle Shoals, Ala. Ace Records has just released an entire CD of Penn's demos.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=190990917">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D190990917">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Seth Rogen, Evan Goldberg: Friends Till 'The End'</title>
      <description>Seth Rogen and Evan Goldberg met as adolescents on the Vancouver bar mitzvah circuit — and soon after began writing the script for what would become the movie &lt;em&gt;Superbad.&lt;/em&gt; Their new &lt;em&gt;&lt;/em&gt;project is &lt;em&gt;This Is the End,&lt;/em&gt; a disaster-movie spoof in which the Rapture hits home in Hollywood.</description>
      <pubDate>Tue, 11 Jun 2013 13:33:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/11/187350045/seth-rogen-evan-goldberg-friends-til-the-end?ft=1&amp;f=13</link>
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      <itunes:summary>Seth Rogen and Evan Goldberg met as adolescents on the Vancouver bar mitzvah circuit — and soon after began writing the script for what would become the movie &lt;em&gt;Superbad.&lt;/em&gt; Their new &lt;em&gt;&lt;/em&gt;project is &lt;em&gt;This Is the End,&lt;/em&gt; a disaster-movie spoof in which the Rapture hits home in Hollywood.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>2708</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Seth Rogen and Evan Goldberg met as adolescents on the Vancouver bar mitzvah circuit — and soon after began writing the script for what would become the movie <em>Superbad.</em> Their new <em></em>project is <em>This Is the End,</em> a disaster-movie spoof in which the Rapture hits home in Hollywood.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=187350045">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D187350045">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Flying High And Low In 'Full Upright And Locked Position'</title>
      <description>In a new book, aviation consultant Mark Gerchick writes that "the magic of air travel has morphed into an uncomfortable, crowded and utterly soulless ordeal." He talks about how it's gotten so bad, why there are so many hidden fees and if there actually is less leg room than there used to be.</description>
      <pubDate>Mon, 10 Jun 2013 14:23:00 -0400</pubDate>
      <link>http://www.npr.org/2013/06/10/187325958/flying-high-and-low-in-full-upright-and-locked-position?ft=1&amp;f=13</link>
      <guid>http://www.npr.org/2013/06/10/187325958/flying-high-and-low-in-full-upright-and-locked-position?ft=1&amp;f=13</guid>
      <itunes:summary>In a new book, aviation consultant Mark Gerchick writes that "the magic of air travel has morphed into an uncomfortable, crowded and utterly soulless ordeal." He talks about how it's gotten so bad, why there are so many hidden fees and if there actually is less leg room than there used to be.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>2218</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>In a new book, aviation consultant Mark Gerchick writes that "the magic of air travel has morphed into an uncomfortable, crowded and utterly soulless ordeal." He talks about how it's gotten so bad, why there are so many hidden fees and if there actually is less leg room than there used to be.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=187325958">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D187325958">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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