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    <title>NPR People: Susan Stamberg</title>
    <link>http://www.npr.org/templates/story/story.php?storyId=2101242&amp;ft=1&amp;f=2101242</link>
    <description>Nationally renowned broadcast journalist Susan Stamberg is special correspondent for NPR. Stamberg is the first woman to anchor a national nightly news program, and has won every major award in broadcasting. She has been inducted into the Broadcasting Hall of Fame and the Radio Hall of Fame. Beginning in 1972, Stamberg served as co-host of NPR's award-winning newsmagazine All Things Considered for 14 years. She then hosted Weekend Edition Sunday, and now serves as guest host of NPR's Morning Edition and Weekend Edition Saturday, in addition to reporting on cultural issues for all the NPR programs.</description>
    <copyright>Copyright 2009 NPR - For Personal Use Only</copyright>
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    <lastBuildDate>Mon, 16 Nov 2009 00:56:00 -0500</lastBuildDate>
    <image>
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      <title>Susan Stamberg</title>
      <link>http://www.npr.org/templates/story/story.php?storyId=2101242&amp;ft=1&amp;f=2101242</link>
    </image>
    <itunes:block>yes</itunes:block>
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    <item>
      <title>Headless Actors On A Global Playground</title>
      <description>The mannequins in Yinka Shonibare's exhibition at the Smithsonian National Museum of African Art might be missing a crucial body part, but they more than make up for it in subtext. Shonibare's sculptures take on climate change, class, race and exploitation, all without losing their playful edge.</description>
      <pubDate>Mon, 16 Nov 2009 00:56:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=120393449&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=120393449&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>The mannequins in Yinka Shonibare's exhibition at the Smithsonian National Museum of African Art might be missing a crucial body part, but they more than make up for it in subtext. Shonibare's sculptures take on climate change, class, race and exploitation, all without losing their playful edge.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>349</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The mannequins in Yinka Shonibare's exhibition at the Smithsonian National Museum of African Art might be missing a crucial body part, but they more than make up for it in subtext. Shonibare's sculptures take on climate change, class, race and exploitation, all without losing their playful edge.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=120393449">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D120393449">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>Theater Producer Takes The Stage As New NEA Chair</title>
      <description>Former Broadway producer Rocco Landesman is about to embark on a journey that will take him way off-Broadway: Peoria, Ill. is his first stop on "Art Works," a six-month tour of arts organizations around the country.</description>
      <pubDate>Thu, 05 Nov 2009 05:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=114044365&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=114044365&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Former Broadway producer Rocco Landesman is about to embark on a journey that will take him way off-Broadway: Peoria, Ill. is his first stop on "Art Works," a six-month tour of arts organizations around the country.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>316</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Former Broadway producer Rocco Landesman is about to embark on a journey that will take him way off-Broadway: Peoria, Ill. is his first stop on "Art Works," a six-month tour of arts organizations around the country.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=114044365">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D114044365">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>Who Says French Food Can't Be Friendly?</title>
      <description>Fine French cuisine doesn't have to mean waiters in tuxedos ferrying trays of oysters or silver-domed serving dishes. Chef Christian Constant is leading a mini-revolution in Paris; he's opened four small, lively restaurants that are comfortable, welcoming &amp;mdash; and &lt;em&gt;delicieux.&lt;/em&gt;</description>
      <pubDate>Thu, 29 Oct 2009 05:00:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=114250336&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=114250336&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Fine French cuisine doesn't have to mean waiters in tuxedos ferrying trays of oysters or silver-domed serving dishes. Chef Christian Constant is leading a mini-revolution in Paris; he's opened four small, lively restaurants that are comfortable, welcoming &amp;mdash; and &lt;em&gt;delicieux.&lt;/em&gt;</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>288</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Fine French cuisine doesn't have to mean waiters in tuxedos ferrying trays of oysters or silver-domed serving dishes. Chef Christian Constant is leading a mini-revolution in Paris; he's opened four small, lively restaurants that are comfortable, welcoming &mdash; and <em>delicieux.</em></p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=114250336">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D114250336">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>Coco Chanel: The Orphan Who Transformed Fashion</title>
      <description>Gabrielle "Coco" Chanel was a liberating designer whose clean-cut, simple clothes revolutionized women's fashion. Susan Stamberg explores how freedom and fashion collide in Anne Fontaine's new film, &lt;em&gt;Coco Before Chanel.&lt;/em&gt;</description>
      <pubDate>Fri, 18 Sep 2009 00:07:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=112813709&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=112813709&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Gabrielle "Coco" Chanel was a liberating designer whose clean-cut, simple clothes revolutionized women's fashion. Susan Stamberg explores how freedom and fashion collide in Anne Fontaine's new film, &lt;em&gt;Coco Before Chanel.&lt;/em&gt;</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>440</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Gabrielle "Coco" Chanel was a liberating designer whose clean-cut, simple clothes revolutionized women's fashion. Susan Stamberg explores how freedom and fashion collide in Anne Fontaine's new film, <em>Coco Before Chanel.</em></p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=112813709">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D112813709">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/me/2009/09/20090918_me_16.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1045" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sisters Speak In 'You Were Always Mom's Favorite'</title>
      <description>She borrows your clothes. She knows your secrets.  She drives you crazy. You can't live without her. Linguist Deborah Tannen interviewed 100 women (including her own big sisters) for her new book, &lt;em&gt;You Were Always Mom's Favorite&lt;/em&gt;.</description>
      <pubDate>Tue, 08 Sep 2009 02:00:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=112527898&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=112527898&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>She borrows your clothes. She knows your secrets.  She drives you crazy. You can't live without her. Linguist Deborah Tannen interviewed 100 women (including her own big sisters) for her new book, &lt;em&gt;You Were Always Mom's Favorite&lt;/em&gt;.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>439</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>She borrows your clothes. She knows your secrets.  She drives you crazy. You can't live without her. Linguist Deborah Tannen interviewed 100 women (including her own big sisters) for her new book, <em>You Were Always Mom's Favorite</em>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=112527898">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D112527898">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/me/2009/09/20090908_me_17.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1033&amp;aggId=100876926" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eduardo Galeano Contemplates History's Paradoxes</title>
      <description>Once exiled for 12 years, the Uruguayan author now spends his days at his hometown cafe, writing about themes that have preoccupied him for a lifetime. His latest book, &lt;em&gt;Mirrors,&lt;/em&gt; is an unofficial &amp;mdash; and unconventional &amp;mdash; history of the past 5,000 years.</description>
      <pubDate>Mon, 24 Aug 2009 00:28:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=112064007&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=112064007&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Once exiled for 12 years, the Uruguayan author now spends his days at his hometown cafe, writing about themes that have preoccupied him for a lifetime. His latest book, &lt;em&gt;Mirrors,&lt;/em&gt; is an unofficial &amp;mdash; and unconventional &amp;mdash; history of the past 5,000 years.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>440</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Once exiled for 12 years, the Uruguayan author now spends his days at his hometown cafe, writing about themes that have preoccupied him for a lifetime. His latest book, <em>Mirrors,</em> is an unofficial &mdash; and unconventional &mdash; history of the past 5,000 years.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=112064007">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D112064007">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>First Family Fabrics: Batiks From Obama's Mother</title>
      <description>Ann Dunham was an avid collector of intricately patterned, hand-dyed textiles when she lived in Indonesia in the 1960s. Fabrics from her collection are currently on display at the Textile Museum in Washington, D.C.</description>
      <pubDate>Mon, 17 Aug 2009 00:00:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=111892135&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=111892135&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Ann Dunham was an avid collector of intricately patterned, hand-dyed textiles when she lived in Indonesia in the 1960s. Fabrics from her collection are currently on display at the Textile Museum in Washington, D.C.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>240</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Ann Dunham was an avid collector of intricately patterned, hand-dyed textiles when she lived in Indonesia in the 1960s. Fabrics from her collection are currently on display at the Textile Museum in Washington, D.C.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=111892135">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D111892135">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>Living History At Lincoln's Summer Retreat</title>
      <description>A country home on the outskirts of Washington, D.C., provided a respite and a summer getaway for a president mired in the Civil War.</description>
      <pubDate>Mon, 20 Jul 2009 18:01:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=106578249&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=106578249&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>A country home on the outskirts of Washington, D.C., provided a respite and a summer getaway for a president mired in the Civil War.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>437</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>A country home on the outskirts of Washington, D.C., provided a respite and a summer getaway for a president mired in the Civil War.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=106578249">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D106578249">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/me/2009/07/20090720_me_17.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1008&amp;aggId=100594107" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Recession Doesn't Have To Mean Arts Cutback</title>
      <description>Instead of cowering from the current economic recession, the president of the Kennedy Center in Washington, D.C. thinks he has a better idea. Michael Kaiser is putting on a full schedule of theater performances, and he begins a 50-state tour to advise arts organizations in crisis on Tuesday.</description>
      <pubDate>Fri, 31 Jul 2009 14:21:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=106533853&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=106533853&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Instead of cowering from the current economic recession, the president of the Kennedy Center in Washington, D.C. thinks he has a better idea. Michael Kaiser is putting on a full schedule of theater performances, and he begins a 50-state tour to advise arts organizations in crisis on Tuesday.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Instead of cowering from the current economic recession, the president of the Kennedy Center in Washington, D.C. thinks he has a better idea. Michael Kaiser is putting on a full schedule of theater performances, and he begins a 50-state tour to advise arts organizations in crisis on Tuesday.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=106533853">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D106533853">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>'Looped': TV's Rhoda Tackles The Trials Of Tallulah</title>
      <description>Two one-name legends meet as actress Valerie Harper takes on a stage play about an iconic Hollywood broad having a very, very bad day.</description>
      <pubDate>Fri, 26 Jun 2009 05:15:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=105901814&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=105901814&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Two one-name legends meet as actress Valerie Harper takes on a stage play about an iconic Hollywood broad having a very, very bad day.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>439</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Two one-name legends meet as actress Valerie Harper takes on a stage play about an iconic Hollywood broad having a very, very bad day.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=105901814">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D105901814">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>'Paint Made Flesh': Modern Bodies, Naked Eyes</title>
      <description>Goya's nudes are nice, but newer art has its pleasures, too. A new exhibition features the fat, the unkempt and the careworn; Susan Stamberg says the show can be difficult, but it's worth the effort.</description>
      <pubDate>Thu, 18 Jun 2009 05:00:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=105544892&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=105544892&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Goya's nudes are nice, but newer art has its pleasures, too. A new exhibition features the fat, the unkempt and the careworn; Susan Stamberg says the show can be difficult, but it's worth the effort.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>309</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Goya's nudes are nice, but newer art has its pleasures, too. A new exhibition features the fat, the unkempt and the careworn; Susan Stamberg says the show can be difficult, but it's worth the effort.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=105544892">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D105544892">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/me/2009/06/20090618_me_17.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1141" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Two Manets, A Makeover And A Mystery</title>
      <description>Early in his career, the French artist made two paintings that are on view, together for the first time in years, at a Washington, D.C., gallery. Curators made a fascinating discovery while restoring one of them.</description>
      <pubDate>Tue, 16 Jun 2009 05:00:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=105158824&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=105158824&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Early in his career, the French artist made two paintings that are on view, together for the first time in years, at a Washington, D.C., gallery. Curators made a fascinating discovery while restoring one of them.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>285</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Early in his career, the French artist made two paintings that are on view, together for the first time in years, at a Washington, D.C., gallery. Curators made a fascinating discovery while restoring one of them.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=105158824">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D105158824">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/me/2009/06/20090616_me_19.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1141" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Independent Booksellers Pick Summer's Best Reads</title>
      <description>Your reading this summer may involve brushing the sand off page five &amp;mdash; or firing up your Kindle. However you do it, we have some reading suggestions for you, straight from independent booksellers around the country.</description>
      <pubDate>Thu, 11 Jun 2009 00:00:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=105172756&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=105172756&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Your reading this summer may involve brushing the sand off page five &amp;mdash; or firing up your Kindle. However you do it, we have some reading suggestions for you, straight from independent booksellers around the country.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>439</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Your reading this summer may involve brushing the sand off page five &mdash; or firing up your Kindle. However you do it, we have some reading suggestions for you, straight from independent booksellers around the country.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=105172756">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D105172756">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>In Praise Of Broadway's Orchestrators</title>
      <description>Many of Broadway's greatest orchestrators remain little-known. Ever hear of Sid Ramin, Jonathan Tunick, Don Walker, Russell Bennett or Ralph Burns? Exactly. But those are the men who orchestrated &lt;em&gt;West Side Story, Gypsy, A Chorus Line, Sweeney Todd, Hello Dolly&lt;/em&gt; and &lt;em&gt;South Pacific.&lt;/em&gt;</description>
      <pubDate>Thu, 28 May 2009 00:28:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=104616751&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=104616751&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Many of Broadway's greatest orchestrators remain little-known. Ever hear of Sid Ramin, Jonathan Tunick, Don Walker, Russell Bennett or Ralph Burns? Exactly. But those are the men who orchestrated &lt;em&gt;West Side Story, Gypsy, A Chorus Line, Sweeney Todd, Hello Dolly&lt;/em&gt; and &lt;em&gt;South Pacific.&lt;/em&gt;</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>389</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Many of Broadway's greatest orchestrators remain little-known. Ever hear of Sid Ramin, Jonathan Tunick, Don Walker, Russell Bennett or Ralph Burns? Exactly. But those are the men who orchestrated <em>West Side Story, Gypsy, A Chorus Line, Sweeney Todd, Hello Dolly</em> and <em>South Pacific.</em></p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=104616751">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D104616751">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/me/2009/05/20090528_me_18.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1105" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jean Shin, Turning Trash Into Artistic Treasure</title>
      <description>Pill bottles, losing lottery tickets, broken umbrellas, long-forgotten trophies: Most of us consider these objects detritus waiting for garbage collection. Jean Shin collects them, transforms them and asks us to see them as something else. On Friday, her art goes on display in Washington.</description>
      <pubDate>Thu, 30 Apr 2009 15:30:00 -0400</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=103674782&amp;ft=1&amp;f=2101242</link>
      <guid>http://www.npr.org/templates/story/story.php?storyId=103674782&amp;ft=1&amp;f=2101242</guid>
      <itunes:summary>Pill bottles, losing lottery tickets, broken umbrellas, long-forgotten trophies: Most of us consider these objects detritus waiting for garbage collection. Jean Shin collects them, transforms them and asks us to see them as something else. On Friday, her art goes on display in Washington.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>389</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Pill bottles, losing lottery tickets, broken umbrellas, long-forgotten trophies: Most of us consider these objects detritus waiting for garbage collection. Jean Shin collects them, transforms them and asks us to see them as something else. On Friday, her art goes on display in Washington.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=103674782">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D103674782">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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