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  <channel>
    <title>John Powers</title>
    <link>http://www.npr.org/templates/story/story.php?storyId=2101619&amp;ft=1&amp;f=2101619</link>
    <description>John Powers is the pop culture and critic-at-large on NPR's &lt;em&gt;Fresh Air&lt;/em&gt; with Terri Gross.</description>
    <language>en</language>
    <copyright>Copyright 2013 NPR - For Personal Use Only</copyright>
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    <lastBuildDate>Thu, 02 May 2013 15:06:00 -0400</lastBuildDate>
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      <title>John Powers</title>
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    <itunes:block>yes</itunes:block>
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    <item>
      <title>Peeling Away The Layers In A 'Portrait Of Jason'</title>
      <description>In her classic '60s documentary&lt;em&gt;,&lt;/em&gt; Shirley Clarke profiles a loquacious 33-year-old gay hustler who dreams of having a nightclub act. Her subject could hardly be more complex — and in examining him, she raises important questions about the relationship between fact and fiction.</description>
      <pubDate>Thu, 02 May 2013 15:06:00 -0400</pubDate>
      <link>http://www.npr.org/2013/05/02/179876018/peeling-away-the-layers-in-a-portrait-of-jason?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2013/05/02/179876018/peeling-away-the-layers-in-a-portrait-of-jason?ft=1&amp;f=2101619</guid>
      <itunes:summary>In her classic '60s documentary&lt;em&gt;,&lt;/em&gt; Shirley Clarke profiles a loquacious 33-year-old gay hustler who dreams of having a nightclub act. Her subject could hardly be more complex — and in examining him, she raises important questions about the relationship between fact and fiction.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>454</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>In her classic '60s documentary<em>,</em> Shirley Clarke profiles a loquacious 33-year-old gay hustler who dreams of having a nightclub act. Her subject could hardly be more complex — and in examining him, she raises important questions about the relationship between fact and fiction.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=179876018">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D179876018">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>Hunting For Secrets In 'The Shining's' Room 237</title>
      <description>A new documentary looks at obsessive fans of Stanley Kubrick's 1980 horror film &lt;em&gt;The Shining&lt;/em&gt;, starring Jack Nicholson and Shelley Duvall. These fanatics look for hidden meanings in the movie, and while some of  their theories sound outrageous, it's too simple to call such thinking deranged.</description>
      <pubDate>Fri, 29 Mar 2013 12:57:00 -0400</pubDate>
      <link>http://www.npr.org/2013/03/29/175368561/hunting-for-secrets-in-the-shinings-room-237?ft=1&amp;f=2101619</link>
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      <itunes:summary>A new documentary looks at obsessive fans of Stanley Kubrick's 1980 horror film &lt;em&gt;The Shining&lt;/em&gt;, starring Jack Nicholson and Shelley Duvall. These fanatics look for hidden meanings in the movie, and while some of  their theories sound outrageous, it's too simple to call such thinking deranged.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>398</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>A new documentary looks at obsessive fans of Stanley Kubrick's 1980 horror film <em>The Shining</em>, starring Jack Nicholson and Shelley Duvall. These fanatics look for hidden meanings in the movie, and while some of  their theories sound outrageous, it's too simple to call such thinking deranged.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=175368561">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D175368561">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>A Measured Look At Roth As The Writer Turns 80</title>
      <description>The celebration of Philip Roth's career reaches its peak in a new documentary — &lt;em&gt;Philip Roth Unmasked&lt;/em&gt; — that will screen on PBS next week as part of the &lt;em&gt;American Masters&lt;/em&gt; series. There's no doubt that Roth is a master, and not just an American one, but the film tiptoes around the novelist's dark ferocity.</description>
      <pubDate>Tue, 19 Mar 2013 11:27:00 -0400</pubDate>
      <link>http://www.npr.org/2013/03/19/174668097/a-measured-look-at-roth-as-the-writer-turns-80?ft=1&amp;f=2101619</link>
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      <itunes:summary>The celebration of Philip Roth's career reaches its peak in a new documentary — &lt;em&gt;Philip Roth Unmasked&lt;/em&gt; — that will screen on PBS next week as part of the &lt;em&gt;American Masters&lt;/em&gt; series. There's no doubt that Roth is a master, and not just an American one, but the film tiptoes around the novelist's dark ferocity.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>359</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>The celebration of Philip Roth's career reaches its peak in a new documentary — <em>Philip Roth Unmasked</em> — that will screen on PBS next week as part of the <em>American Masters</em> series. There's no doubt that Roth is a master, and not just an American one, but the film tiptoes around the novelist's dark ferocity.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=174668097">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D174668097">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>Voting Pinochet Out Was More Than Just A Yes Or 'No'</title>
      <description>In the Chilean film &lt;em&gt;No,&lt;/em&gt; which is nominated for Best Foreign Language Film, a young ad man devises a campaign to vote the dictator Augusto Pinochet out of office using rainbows and catchy theme songs.</description>
      <pubDate>Wed, 20 Feb 2013 13:19:00 -0500</pubDate>
      <link>http://www.npr.org/2013/02/20/172427762/voting-pinochet-out-was-more-than-just-a-yes-or-no?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2013/02/20/172427762/voting-pinochet-out-was-more-than-just-a-yes-or-no?ft=1&amp;f=2101619</guid>
      <itunes:summary>In the Chilean film &lt;em&gt;No,&lt;/em&gt; which is nominated for Best Foreign Language Film, a young ad man devises a campaign to vote the dictator Augusto Pinochet out of office using rainbows and catchy theme songs.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>334</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>In the Chilean film <em>No,</em> which is nominated for Best Foreign Language Film, a young ad man devises a campaign to vote the dictator Augusto Pinochet out of office using rainbows and catchy theme songs.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=172427762">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D172427762">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>A Mystery That Explores 'The Rage' Of New Ireland</title>
      <description>Reporter-turned-novelist Gene Kerrigan sets his story in Ireland after the 2008 financial crisis.&lt;em&gt; The Rage&lt;/em&gt; is a boundlessly readable portrait of a country in which ordinary citizens have been hit the hardest and all the old certainties have vanished.</description>
      <pubDate>Wed, 06 Feb 2013 11:58:00 -0500</pubDate>
      <link>http://www.npr.org/2013/02/06/170164150/a-mystery-that-explores-the-rage-of-new-ireland?ft=1&amp;f=2101619</link>
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      <itunes:summary>Reporter-turned-novelist Gene Kerrigan sets his story in Ireland after the 2008 financial crisis.&lt;em&gt; The Rage&lt;/em&gt; is a boundlessly readable portrait of a country in which ordinary citizens have been hit the hardest and all the old certainties have vanished.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>337</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Reporter-turned-novelist Gene Kerrigan sets his story in Ireland after the 2008 financial crisis.<em> The Rage</em> is a boundlessly readable portrait of a country in which ordinary citizens have been hit the hardest and all the old certainties have vanished.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=170164150">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D170164150">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Revisiting, Reappraising Cimino's 'Heaven's Gate'</title>
      <description>When it was released 32 years ago, Michael Cimino's revisionist Western was considered one of the most colossal flops in Hollywood history. Critic John Powers takes a second look at the film and concludes that it's clearly "the work of one man and ... he wanted you to remember it forever."</description>
      <pubDate>Wed, 05 Dec 2012 15:44:00 -0500</pubDate>
      <link>http://www.npr.org/2012/12/05/166086756/revisiting-reappraising-ciminos-heavens-gate?ft=1&amp;f=2101619</link>
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      <itunes:summary>When it was released 32 years ago, Michael Cimino's revisionist Western was considered one of the most colossal flops in Hollywood history. Critic John Powers takes a second look at the film and concludes that it's clearly "the work of one man and ... he wanted you to remember it forever."</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>When it was released 32 years ago, Michael Cimino's revisionist Western was considered one of the most colossal flops in Hollywood history. Critic John Powers takes a second look at the film and concludes that it's clearly "the work of one man and ... he wanted you to remember it forever."</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=166086756">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D166086756">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>The New British Empire: Pop-Culture Powerhouses</title>
      <description>James Bond and The Rolling Stones both turn 50 this year. As critic John Powers points out, both may have been born in response to a dying British Empire, but their evolving legacies have reflected the times through which these brands have lived.</description>
      <pubDate>Tue, 13 Nov 2012 15:38:00 -0500</pubDate>
      <link>http://www.npr.org/2012/11/15/165053821/the-new-british-empire-pop-culture-powerhouses?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2012/11/15/165053821/the-new-british-empire-pop-culture-powerhouses?ft=1&amp;f=2101619</guid>
      <itunes:summary>James Bond and The Rolling Stones both turn 50 this year. As critic John Powers points out, both may have been born in response to a dying British Empire, but their evolving legacies have reflected the times through which these brands have lived.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>380</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>James Bond and The Rolling Stones both turn 50 this year. As critic John Powers points out, both may have been born in response to a dying British Empire, but their evolving legacies have reflected the times through which these brands have lived.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=165053821">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D165053821">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2012/11/20121115_fa_03.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1045&amp;ft=1&amp;f=2101619" length="100000" type="audio/mpeg"/>
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    <item>
      <title>Portis 'Miscellany' Makes A High-'Velocity' Collection</title>
      <description>&lt;em&gt;True Grit&lt;/em&gt; author Charles Portis is the cult writer for people who hate cult writers. He hasn't published a book since 1991, and reviewer John Powers says the short pieces collected in &lt;em&gt;Escape Velocity&lt;/em&gt; have been treasured for decades, passed around like &lt;em&gt;samizdat&lt;/em&gt; by Portis fans.</description>
      <pubDate>Thu, 25 Oct 2012 14:05:00 -0400</pubDate>
      <link>http://www.npr.org/2012/10/25/163624535/portis-miscellany-makes-a-high-velocity-collection?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2012/10/25/163624535/portis-miscellany-makes-a-high-velocity-collection?ft=1&amp;f=2101619</guid>
      <itunes:summary>&lt;em&gt;True Grit&lt;/em&gt; author Charles Portis is the cult writer for people who hate cult writers. He hasn't published a book since 1991, and reviewer John Powers says the short pieces collected in &lt;em&gt;Escape Velocity&lt;/em&gt; have been treasured for decades, passed around like &lt;em&gt;samizdat&lt;/em&gt; by Portis fans.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>350</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p><em>True Grit</em> author Charles Portis is the cult writer for people who hate cult writers. He hasn't published a book since 1991, and reviewer John Powers says the short pieces collected in <em>Escape Velocity</em> have been treasured for decades, passed around like <em>samizdat</em> by Portis fans.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=163624535">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D163624535">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>Considering Salman Rushdie's 'Joseph Anton'</title>
      <description>Critic-at-large John Powers has some thoughts on the British author and the publication of his new memoir, &lt;em&gt;Joseph Anton&lt;/em&gt;, a chronicle of his time in hiding.</description>
      <pubDate>Mon, 08 Oct 2012 12:39:00 -0400</pubDate>
      <link>http://www.npr.org/2012/10/06/162513176/-joseph-anton?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2012/10/06/162513176/-joseph-anton?ft=1&amp;f=2101619</guid>
      <itunes:summary>Critic-at-large John Powers has some thoughts on the British author and the publication of his new memoir, &lt;em&gt;Joseph Anton&lt;/em&gt;, a chronicle of his time in hiding.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>310</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Critic-at-large John Powers has some thoughts on the British author and the publication of his new memoir, <em>Joseph Anton</em>, a chronicle of his time in hiding.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=162513176">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D162513176">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    </item>
    <item>
      <title>Being 'Joseph Anton,' Rediscovering Salman Rushdie</title>
      <description>John Powers reviews the author's memoir of his time in hiding — the result of a fatwah calling for his murder after the publication of &lt;em&gt;The Satanic Verses.&lt;/em&gt;</description>
      <pubDate>Mon, 01 Oct 2012 11:30:00 -0400</pubDate>
      <link>http://www.npr.org/2012/10/01/162084029/being-joseph-anton-rediscovering-salman-rushdie?ft=1&amp;f=2101619</link>
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      <itunes:summary>John Powers reviews the author's memoir of his time in hiding — the result of a fatwah calling for his murder after the publication of &lt;em&gt;The Satanic Verses.&lt;/em&gt;</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>John Powers reviews the author's memoir of his time in hiding — the result of a fatwah calling for his murder after the publication of <em>The Satanic Verses.</em></p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=162084029">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D162084029">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>How Brazil Lives Now, In 'Neighboring Sounds'</title>
      <description>Brazilian culture is often portrayed as either joyful folk tradition or brutal gang violence. But Kleber Mendonca Filho's &lt;em&gt;Neighboring Sounds&lt;/em&gt; penetrates into the daily lives of suburban Brazilians — and critic&lt;em&gt; &lt;/em&gt;John Powers says it may be the best Brazilian film since the '70s.</description>
      <pubDate>Fri, 24 Aug 2012 12:42:00 -0400</pubDate>
      <link>http://www.npr.org/2012/08/24/159920457/how-brazil-lives-now-in-neighboring-sounds?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2012/08/24/159920457/how-brazil-lives-now-in-neighboring-sounds?ft=1&amp;f=2101619</guid>
      <itunes:summary>Brazilian culture is often portrayed as either joyful folk tradition or brutal gang violence. But Kleber Mendonca Filho's &lt;em&gt;Neighboring Sounds&lt;/em&gt; penetrates into the daily lives of suburban Brazilians — and critic&lt;em&gt; &lt;/em&gt;John Powers says it may be the best Brazilian film since the '70s.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>422</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Brazilian culture is often portrayed as either joyful folk tradition or brutal gang violence. But Kleber Mendonca Filho's <em>Neighboring Sounds</em> penetrates into the daily lives of suburban Brazilians — and critic<em> </em>John Powers says it may be the best Brazilian film since the '70s.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=159920457">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D159920457">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>In China, A Persistent Thorn In The State's Side</title>
      <description>&lt;em&gt;Ai Weiwei: Never Sorry&lt;/em&gt; follows the famous artist around the world as he repeatedly irks Chinese authorities with his art and political critiques. &lt;em&gt;Fresh Air&lt;/em&gt;'s John Powers says the documentary casts important light on the fight for greater freedom in China.</description>
      <pubDate>Thu, 26 Jul 2012 13:09:00 -0400</pubDate>
      <link>http://www.npr.org/2012/07/26/157413714/in-china-a-persistent-thorn-in-the-states-side?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2012/07/26/157413714/in-china-a-persistent-thorn-in-the-states-side?ft=1&amp;f=2101619</guid>
      <itunes:summary>&lt;em&gt;Ai Weiwei: Never Sorry&lt;/em&gt; follows the famous artist around the world as he repeatedly irks Chinese authorities with his art and political critiques. &lt;em&gt;Fresh Air&lt;/em&gt;'s John Powers says the documentary casts important light on the fight for greater freedom in China.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p><em>Ai Weiwei: Never Sorry</em> follows the famous artist around the world as he repeatedly irks Chinese authorities with his art and political critiques. <em>Fresh Air</em>'s John Powers says the documentary casts important light on the fight for greater freedom in China.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=157413714">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D157413714">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2012/07/20120726_fa_03.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1045&amp;ft=1&amp;f=2101619" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>The 'Political Animals' Running Washington, D.C.</title>
      <description>Greg Berlanti's new series on the USA Network stars Sigourney Weaver as the secretary of state and former first lady. Critic John Powers says he suspects that "even a Martian" would realize Weaver's character is based on Hillary Clinton — and that's not a bad thing.</description>
      <pubDate>Thu, 12 Jul 2012 10:00:00 -0400</pubDate>
      <link>http://www.npr.org/2012/07/12/156610383/the-political-animals-running-washington-d-c?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2012/07/12/156610383/the-political-animals-running-washington-d-c?ft=1&amp;f=2101619</guid>
      <itunes:summary>Greg Berlanti's new series on the USA Network stars Sigourney Weaver as the secretary of state and former first lady. Critic John Powers says he suspects that "even a Martian" would realize Weaver's character is based on Hillary Clinton — and that's not a bad thing.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>369</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Greg Berlanti's new series on the USA Network stars Sigourney Weaver as the secretary of state and former first lady. Critic John Powers says he suspects that "even a Martian" would realize Weaver's character is based on Hillary Clinton — and that's not a bad thing.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=156610383">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D156610383">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2012/07/20120712_fa_02.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1138&amp;ft=1&amp;f=2101619" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>'Louie': TV's Most Original Comedy Returns </title>
      <description>&lt;em&gt;Fresh Air&lt;/em&gt;'s critic at large, John Powers, says Louis C.K.'s raunchy FX show is changing the way comedy is done — for the better. "More than any TV comedy ever, it's all about capturing moments of truth and freshness," he says.</description>
      <pubDate>Thu, 28 Jun 2012 12:08:00 -0400</pubDate>
      <link>http://www.npr.org/2012/06/28/155912053/louie-tvs-most-original-comedy-returns?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2012/06/28/155912053/louie-tvs-most-original-comedy-returns?ft=1&amp;f=2101619</guid>
      <itunes:summary>&lt;em&gt;Fresh Air&lt;/em&gt;'s critic at large, John Powers, says Louis C.K.'s raunchy FX show is changing the way comedy is done — for the better. "More than any TV comedy ever, it's all about capturing moments of truth and freshness," he says.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>364</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p><em>Fresh Air</em>'s critic at large, John Powers, says Louis C.K.'s raunchy FX show is changing the way comedy is done — for the better. "More than any TV comedy ever, it's all about capturing moments of truth and freshness," he says.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=155912053">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D155912053">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
      <enclosure url="http://public.npr.org/anon.npr-mp3/npr/fa/2012/06/20120628_fa_02.mp3?sc=16&amp;orgId=1&amp;forsearch=0&amp;topicId=1138&amp;ft=1&amp;f=2101619" length="100000" type="audio/mpeg"/>
    </item>
    <item>
      <title>'The Newsroom' Caught Up In A Partisan Divide</title>
      <description>Aaron Sorkin's new HBO series follows the inner workings of a cable news show that sets out to challenge our hyperpartisan, 24/7 news culture. But critic John Powers says Sorkin has created a show that replicates much of what it thinks it's opposing.</description>
      <pubDate>Thu, 21 Jun 2012 12:11:00 -0400</pubDate>
      <link>http://www.npr.org/2012/06/21/155501538/the-newsroom-caught-up-in-a-partisan-divide?ft=1&amp;f=2101619</link>
      <guid>http://www.npr.org/2012/06/21/155501538/the-newsroom-caught-up-in-a-partisan-divide?ft=1&amp;f=2101619</guid>
      <itunes:summary>Aaron Sorkin's new HBO series follows the inner workings of a cable news show that sets out to challenge our hyperpartisan, 24/7 news culture. But critic John Powers says Sorkin has created a show that replicates much of what it thinks it's opposing.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>386</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>Aaron Sorkin's new HBO series follows the inner workings of a cable news show that sets out to challenge our hyperpartisan, 24/7 news culture. But critic John Powers says Sorkin has created a show that replicates much of what it thinks it's opposing.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=155501538">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D155501538">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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