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    <title>Scenes I Wish I Had Written</title>
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    <description>We all have scenes in our minds from television, film and theater, moments that just seem to stick. For a &lt;EM&gt;Morning Edition&lt;/EM&gt; series, Scenes I Wish I Had Written, NPR's Susan Stamberg asks some major stage and screenwriters to pick their favorites.</description>
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    <lastBuildDate>Tue, 28 Dec 2004 00:00:00 -0500</lastBuildDate>
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      <title>Scenes I Wish I Had Written</title>
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      <title>Spiders, Relationships and 'Sex and the City'</title>
      <description>Writer Jenny Bicks has been busy ever since she began working on &lt;EM&gt;Sex and the City&lt;/EM&gt; in the show's first season. For our series Scenes I Wish I'd Written, Bicks chose to discuss a scene from a Woody Allen classic, &lt;EM&gt;Annie Hall&lt;/EM&gt;. Hear NPR's Susan Stamberg.</description>
      <pubDate>Tue, 28 Dec 2004 00:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=4247189&amp;ft=1&amp;f=4160995</link>
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      <itunes:summary>Writer Jenny Bicks has been busy ever since she began working on &lt;EM&gt;Sex and the City&lt;/EM&gt; in the show's first season. For our series Scenes I Wish I'd Written, Bicks chose to discuss a scene from a Woody Allen classic, &lt;EM&gt;Annie Hall&lt;/EM&gt;. Hear NPR's Susan Stamberg.</itunes:summary>
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      <content:encoded><![CDATA[<p>Writer Jenny Bicks has been busy ever since she began working on <EM>Sex and the City</EM> in the show's first season. For our series Scenes I Wish I'd Written, Bicks chose to discuss a scene from a Woody Allen classic, <EM>Annie Hall</EM>. Hear NPR's Susan Stamberg.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=4247189">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D4247189">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Buckle Up for 'All About Eve'</title>
      <description>&lt;EM&gt;All About Eve&lt;/EM&gt; is a true Hollywood classic, an insider's look at the theater world that won Oscars for best screenplay and best director. And it also has one of screenwriter Paul Attanasio's favorite scenes.</description>
      <pubDate>Tue, 21 Dec 2004 00:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=4238174&amp;ft=1&amp;f=4160995</link>
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      <itunes:summary>&lt;EM&gt;All About Eve&lt;/EM&gt; is a true Hollywood classic, an insider's look at the theater world that won Oscars for best screenplay and best director. And it also has one of screenwriter Paul Attanasio's favorite scenes.</itunes:summary>
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      <content:encoded><![CDATA[<p><EM>All About Eve</EM> is a true Hollywood classic, an insider's look at the theater world that won Oscars for best screenplay and best director. And it also has one of screenwriter Paul Attanasio's favorite scenes.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=4238174">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D4238174">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>David Henry Hwang: Honesty and Identity</title>
      <description>Playwright David Henry Hwang's award-winning plays include 1980's &lt;EM&gt;FOB&lt;/EM&gt; (or "Fresh Off the Boat") and &lt;EM&gt;M. Butterfly&lt;/EM&gt;. For our series Scenes I Wish I'd Written, Hwang discusses an exchange from Tony Kushner's play &lt;EM&gt;Angels in America&lt;/EM&gt;.</description>
      <pubDate>Tue, 14 Dec 2004 00:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=4226279&amp;ft=1&amp;f=4160995</link>
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      <itunes:summary>Playwright David Henry Hwang's award-winning plays include 1980's &lt;EM&gt;FOB&lt;/EM&gt; (or "Fresh Off the Boat") and &lt;EM&gt;M. Butterfly&lt;/EM&gt;. For our series Scenes I Wish I'd Written, Hwang discusses an exchange from Tony Kushner's play &lt;EM&gt;Angels in America&lt;/EM&gt;.</itunes:summary>
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      <content:encoded><![CDATA[<p>Playwright David Henry Hwang's award-winning plays include 1980's <EM>FOB</EM> (or "Fresh Off the Boat") and <EM>M. Butterfly</EM>. For our series Scenes I Wish I'd Written, Hwang discusses an exchange from Tony Kushner's play <EM>Angels in America</EM>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=4226279">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D4226279">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Paula Vogel: Remembering Through Language</title>
      <description>The Greek myth of the fate of Eurydice, who dies after being saved from Hades by Orpheus, provides the kernel of one of Pulitzer Prize-winner Paula Vogel's favorite scenes. Vogel discusses Sarah Ruhl's vision of &lt;EM&gt;Eurydice&lt;/EM&gt; with NPR's Susan Stamberg.</description>
      <pubDate>Tue, 07 Dec 2004 00:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=4205954&amp;ft=1&amp;f=4160995</link>
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      <itunes:summary>The Greek myth of the fate of Eurydice, who dies after being saved from Hades by Orpheus, provides the kernel of one of Pulitzer Prize-winner Paula Vogel's favorite scenes. Vogel discusses Sarah Ruhl's vision of &lt;EM&gt;Eurydice&lt;/EM&gt; with NPR's Susan Stamberg.</itunes:summary>
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      <content:encoded><![CDATA[<p>The Greek myth of the fate of Eurydice, who dies after being saved from Hades by Orpheus, provides the kernel of one of Pulitzer Prize-winner Paula Vogel's favorite scenes. Vogel discusses Sarah Ruhl's vision of <EM>Eurydice</EM> with NPR's Susan Stamberg.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=4205954">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D4205954">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>The Hills Are Alive for Suzan-Lori Parks</title>
      <description>Writer Suzan-Lori Parks has won acclaim for her depictions of modern African-American life. The Pulitzer Prize-winning author of &lt;EM&gt;Topdog/Underdog&lt;/EM&gt; discusses two of her favorite dramatic scenes, from &lt;EM&gt;The Sound of Music&lt;/EM&gt; and &lt;EM&gt;Taxi Driver&lt;/EM&gt;.</description>
      <pubDate>Tue, 30 Nov 2004 00:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=4191707&amp;ft=1&amp;f=4160995</link>
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      <itunes:summary>Writer Suzan-Lori Parks has won acclaim for her depictions of modern African-American life. The Pulitzer Prize-winning author of &lt;EM&gt;Topdog/Underdog&lt;/EM&gt; discusses two of her favorite dramatic scenes, from &lt;EM&gt;The Sound of Music&lt;/EM&gt; and &lt;EM&gt;Taxi Driver&lt;/EM&gt;.</itunes:summary>
      <itunes:keywords/>
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      <content:encoded><![CDATA[<p>Writer Suzan-Lori Parks has won acclaim for her depictions of modern African-American life. The Pulitzer Prize-winning author of <EM>Topdog/Underdog</EM> discusses two of her favorite dramatic scenes, from <EM>The Sound of Music</EM> and <EM>Taxi Driver</EM>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=4191707">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D4191707">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>Beckett's Plays Still Speak to Edward Albee</title>
      <description>Playwright Edward Albee tells NPR's Susan Stamberg that Irish playwright Samuel Beckett created two scenes that make Albee a bit jealous: one in &lt;EM&gt;Happy Days&lt;/EM&gt; and another in &lt;EM&gt;Krapp's Last Tape&lt;/EM&gt;.</description>
      <pubDate>Tue, 23 Nov 2004 00:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=4182395&amp;ft=1&amp;f=4160995</link>
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      <itunes:summary>Playwright Edward Albee tells NPR's Susan Stamberg that Irish playwright Samuel Beckett created two scenes that make Albee a bit jealous: one in &lt;EM&gt;Happy Days&lt;/EM&gt; and another in &lt;EM&gt;Krapp's Last Tape&lt;/EM&gt;.</itunes:summary>
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      <content:encoded><![CDATA[<p>Playwright Edward Albee tells NPR's Susan Stamberg that Irish playwright Samuel Beckett created two scenes that make Albee a bit jealous: one in <EM>Happy Days</EM> and another in <EM>Krapp's Last Tape</EM>.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=4182395">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D4182395">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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    <item>
      <title>For John Waters, 'The Tingler' Still Resonates</title>
      <description>John Waters' films have been described as raunchy, perverse and hilarious.  So it comes as no surprise that he would pick a scene from a 1959 William Castle horror movie as one of his own favorites. Waters talks with NPR's Susan Stamberg. </description>
      <pubDate>Tue, 16 Nov 2004 00:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=4171448&amp;ft=1&amp;f=4160995</link>
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      <itunes:summary>John Waters' films have been described as raunchy, perverse and hilarious.  So it comes as no surprise that he would pick a scene from a 1959 William Castle horror movie as one of his own favorites. Waters talks with NPR's Susan Stamberg. </itunes:summary>
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      <content:encoded><![CDATA[<p>John Waters' films have been described as raunchy, perverse and hilarious.  So it comes as no surprise that he would pick a scene from a 1959 William Castle horror movie as one of his own favorites. Waters talks with NPR's Susan Stamberg. </p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=4171448">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D4171448">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Marsha Norman on the Romance of 'Cyrano'</title>
      <description>In the newest installment of our series "Scenes I Wish I Had Written," NPR's Susan Stamberg talks with award winning playwright Marsha Norman. Norman tells us about her favorite scene from another writer's play.</description>
      <pubDate>Tue, 09 Nov 2004 00:00:00 -0500</pubDate>
      <link>http://www.npr.org/templates/story/story.php?storyId=4160351&amp;ft=1&amp;f=4160995</link>
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      <itunes:summary>In the newest installment of our series "Scenes I Wish I Had Written," NPR's Susan Stamberg talks with award winning playwright Marsha Norman. Norman tells us about her favorite scene from another writer's play.</itunes:summary>
      <itunes:keywords/>
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      <content:encoded><![CDATA[<p>In the newest installment of our series "Scenes I Wish I Had Written," NPR's Susan Stamberg talks with award winning playwright Marsha Norman. Norman tells us about her favorite scene from another writer's play.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=4160351">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D4160351">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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      <title>Nora Ephron on the Revealing Moment in 'Tootsie'</title>
      <description>In the first of an ongoing series, filmmaker Nora Ephron says she wishes she'd written the soap opera scene  in the movie, &lt;EM&gt;Tootsie,&lt;/EM&gt; where Dustin Hoffman offers a revealing disclosure. Ephron also explains how she and others came up with the restaurant scene  in the film, &lt;EM&gt;When Harry Met Sally.&lt;/EM&gt; Hear Ephron and NPR's Susan Stamberg.</description>
      <pubDate>Tue, 02 Nov 2004 00:00:00 -0500</pubDate>
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      <itunes:summary>In the first of an ongoing series, filmmaker Nora Ephron says she wishes she'd written the soap opera scene  in the movie, &lt;EM&gt;Tootsie,&lt;/EM&gt; where Dustin Hoffman offers a revealing disclosure. Ephron also explains how she and others came up with the restaurant scene  in the film, &lt;EM&gt;When Harry Met Sally.&lt;/EM&gt; Hear Ephron and NPR's Susan Stamberg.</itunes:summary>
      <itunes:keywords/>
      <itunes:duration>0</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <content:encoded><![CDATA[<p>In the first of an ongoing series, filmmaker Nora Ephron says she wishes she'd written the soap opera scene  in the movie, <EM>Tootsie,</EM> where Dustin Hoffman offers a revealing disclosure. Ephron also explains how she and others came up with the restaurant scene  in the film, <EM>When Harry Met Sally.</EM> Hear Ephron and NPR's Susan Stamberg.</p><p><a href="http://www.npr.org/templates/email/emailAFriend.php?storyId=4138115">&raquo; E-Mail This</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://del.icio.us/post?url=http%3A%2F%2Fwww.npr.org%2Ftemplates%2Fstory%2Fstory.php%3FstoryId%3D4138115">&raquo; Add to Del.icio.us</a></p>]]></content:encoded>
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