The Red Book
By C.G. Jung
Hardcover, 404 pages
W.W. Norton & Co.
List Price: $195
Page 1: THE IMAGES OF THE ERRING
nolite audire verba prophetarum, qui prophetant vobis et decipiunt vos visionem cordis sui loquuntur, non de ore Domini. audivi quae dixerunt prophetae prophetantes in nomine meo mendacium, atque dicentes: somniavi, somniavi. usquequo istud est in corde prophetarum vaticinantium mendacium et prophetantium seductionem cordis sui? qui volunt facere ut obliviscatur populus meus nominis mei propter somnia eorum, quae narrant unusquisque ad proximum suum: sicut obliti sunt patres eorum nominis mei propter Baal. propheta, qui habet somnium, narret somnium et qui habet sermonem meum, loquatur sermonem meum vere: quid paleis ad triticum? dicit dominus.
"Hearken not unto the words of the prophets that prophesy unto you: they make you vain: they speak a vision of their own heart, and not out of the mouth of the Lord." (Jeremiah 23: 16)
"I have heard what the prophets said, that prophesy lies in my name, saying, I have dreamed, I have dreamed. How long shall this be in the heart of the prophets that prophesy lies? Yea, they are prophets of the deceit of their own heart; Which think to cause my people to forget my name by their dreams which they tell every man to his neighbour, as their fathers have forgotten my name for Baal. The prophet that hath a dream, let him tell a dream; and he that hath my word, let him speak my word faithfully. What is the chaff to the wheat? saith the Lord." (Jeremiah 23: 25—28)
Pages 2-4: THE RED ONE
The door of the Mysterium has closed behind me. I feel that my will is paralyzed and that the spirit of the depths possesses me. I know nothing about a way. I can therefore neither want this nor that, since nothing indicates to me whether I want this or that. I wait, without knowing what I'm waiting for. But already in the following night I felt that I had reached a solid point.
I find that I am standing on the highest tower of a castle. The air tells me so: I am far back in time. My gaze wanders widely over solitary countryside, a combination of fields and forests. I am wearing a green garment. A horn hangs from my shoulder. I am the tower guard. I look out into the distance. I see a red point out there. It comes nearer on a winding road, disappearing for a while in forests and reappearing again: it is a horseman in a red coat, the red horseman. He is coming to my castle: he is already riding through the gate. I hear steps on the stairway, the steps creak, he knocks: a strange fear comes over me: there stands the red one, his long shape wholly shrouded in red, even his hair is red. I think: in the end he will turn out to be the devil.
The Red One: "I greet you, man on the high tower. I saw you from afar, looking and waiting. Your waiting has called me."
I: "Who are you?"
T. R.: "Who am I? You think I am the devil. Do not pass judgment. Perhaps you can also talk to me without knowing who I am. What sort of a superstitious fellow are you, that immediately you think of the devil?"
I: "If you have no supernatural ability, how could you feel that I stood waiting on my tower, looking out for the unknown and the new? My life in the castle is poor, since I always sit here and no one climbs up to me."
T. R.: "So what are you waiting for?"
I: "I await all kinds of things, and especially I'm waiting for some of the world's wealth, which we don't see here, to come to me."
T. R.: "So, I have come to absolutely the right place. I have wandered a long time through the world, seeking those like you who sit upon a high tower on the lookout for things unseen."
I: "You make me curious. You seem to be a rare breed. Your appearance is not ordinary, and then too — forgive me — it seems to me that you bring with you a strange air, something worldly, something impudent, or exuberant, or — in fact — something pagan."
T. R.: "You don't offend me, on the contrary, you hit your nail on the head. But I'm no old pagan as you seem to think."
I: "I don't want to insist on that. You are also not pompous and Latin enough. You have nothing classical about you. You seem to be a son of our time, but as I must remark, a rather unusual one. You're no real pagan, but the kind of pagan who runs alongside our Christian religion."
T. R.: "You're truly a good diviner of riddles. You're doing better than many others who have totally mistaken me."
I: "You sound cool and sneering. Have you never broken your heart over the holiest mysteries of our Christian religion?"
T. R.: "You're an unbelievably ponderous and serious person. Are you always so urgent?"
I: "I would — before God — always like to be as serious and true to myself as I try to be. However, that certainly becomes difficult in your presence. You bring a certain gallows air with you, and you're bound to be from the black school of Salerno, where pernicious arts are taught by pagans and the descendants of pagans."
T. R.: "You're superstitious and too German. You take literally what the scriptures say, otherwise you could not judge me so hard."
I: "A hard judgment is the last thing I would want. But my nose does not play tricks on me. You're evasive, and don't want to reveal yourself. What are you hiding?"
(The Red One seems to get redder, his garments shine like glowing iron.)
T. R.: "I hide nothing from you, you true-hearted soul. I simply amuse myself with your weighty seriousness and your comic veracity. This is so rare in our time, especially in men who have understanding at their disposal."
I: "I believe you cannot fully understand me. You apparently compare me with those whom you know. But I must say to you for the sake of truth that I neither really belong to this time nor to this place. A spell has banished me to this place and time for years. I am really not what you see before you."
T. R.: "You say astounding things. Who are you then?"
I: "That is irrelevant. I stand before you as that which I presently am. Why am I here and am like this, I do not know. But I do know that I must be here to justify myself according to my best knowledge. I know just as little who you are, as you know who I am."
T. R.: "That sounds very strange. Are you something of a saint? Hardly a philosopher, since you have no aptitude for scholarly language. But a saint? Surely that. Your solemnity smells of fanaticism. You have an ethical air and a simplicity that smacks of stale bread and water."
I: "I can say neither yes nor no: you speak as one trapped in the spirit of this time. It seems to me that you lack the terms of comparison."
T. R.: "Perhaps you attended the school of the pagans? You answer like a sophist. How can you then measure me with the yardstick of the Christian religion, if you are no saint?"
I: "It seems to me, though, that one can apply this yardstick even if one is no saint. I believe I have learned that no one is allowed to avoid the mysteries of the Christian religion unpunished. I repeat: he whose heart has not been broken over the Lord Jesus Christ drags a pagan around in himself, who holds him back from the best."
T. R.: "Again this old tune? What for, if you are not a Christian saint? Are you not a damned sophist after all?"
I: "You are ensnared in your own world. But you certainly seem to think that one can assess the worth of Christianity correctly without being a downright saint."
T. R.: "Are you a doctor of theology, who examines Christianity from the outside and appreciates it historically, and therefore a sophist after all?"
I: "You're stubborn. What I mean is that it's hardly a coincidence that the whole world has become Christian. I also believe that it was the task of Western man to carry Christ in his heart and to grow with his suffering, death, and resurrection."
T. R.: "Well, there are also Jews who are good people and yet had no need for your solemn gospels."
I: "You are, it seems to me, no good reader of people: have you never noticed that the Jew himself lacks something — one in his head, another in his heart, and he himself feels that he lacks something?"
T. R.: "Indeed I'm no Jew, but I must come to the Jew's defense: you seem to be a Jew hater."
I: "Well, now you speak like all those Jews who accuse anyone of Jew hating who does not have a completely favorable judgment, while they themselves make the bloodiest jokes about their own kind. Since the Jews only too clearly feel that particular lack and yet do not want to admit it, they are extremely sensitive to criticism. Do you believe that Christianity left no mark on the souls of men? And do you believe that one who has not experienced this most intimately can still partake of its fruit?"
T. R.: "You argue your case well. But your solemnity?! You could make matters much easier for yourself. If you're no saint, I really don't see why you have to be so solemn. You wholly spoil the fun. What the devil is troubling you? Only Christianity with its mournful escape from the world can make people so ponderous and sullen."
I: "I think there are still other things that bespeak seriousness."
The Red One: "Oh, I know, you mean life. I know this phrase. I too live and don't let my hair turn white over it. Life doesn't require any seriousness. On the contrary, it's better to dance through life."
I: I know how to dance. Yes, would we could do it by dancing! Dancing goes with the mating season. I know that there are those who are always in heat, and those who also want to dance for their Gods. Some are ridiculous and others enact Antiquity, instead of honestly admitting their utter incapacity for such expression."
The Red One: "Here, my dear fellow, I doff my mask. Now I grow somewhat more serious, since this concerns my own province. It's conceivable that there is some third thing for which dancing would be the symbol."
The red of the rider transforms itself into a tender reddish flesh color. And behold — Oh miracle — my green garments everywhere burst into leaf.
I: "Perhaps too there is a joy before God that one can call dancing. But I haven't yet found this joy. I look out for things that are yet to come. Things came, but joy was not among them."
T. R.: "Don't you recognize me, brother, I am joy!"
I: "Could you be joy? I see you as through a cloud. Your image fades. Let me take your hand, beloved, who are you, who are you?"
Joy? Was he joy?
Reprinted from The Red Book by C. G. Jung. Images copyright 2009 by Foundation of the Works of C. G. Jung. Translation copyright 2009 by Mark Kyburz, John Peck, and Sonu Shamdasani. With permission of the publisher, W.W. Norton & Company, Inc.